Tag Archives: Animated Short Films

Top New Animated Videos: “A Mind Sang” By Vier Nev – “Transfixing Perception”

“A Mind Sang” is a Cinematic Visual Poem Animated Short Film Directed by Vier Nev.

Directed and animated by Vier Nev

ORIGINAL MUSIC | Yanis El-Masri
SOUND EFFECTS | Francisca Dores, Henrik Ferrara
SOUND TEAM MANAGER | Francisca Dores
RECORDING / SOUND PRODUCTION | Guilherme Correia
MUSIC ASSISTANT/RECORDING ASSISTANT | Miguel Serrão

A short film about perception, rebirth and transformation.

“A Mind Sang” is the winner of the Vimeo Staff Pick Award at the 2020 Annecy International Animation Film Festival.

A Mind Sang - Vier Nev Director and Animator 2020

Read more about it on the Vimeo blog

MUSICIANS
PICCOLO | Simão Pinto
FLUTES | Melanie Gil, Ana Teixeira
OBOE | Gabriela Pereira
CLARINET | Joana Lima
BASS CLARINET | António Lopes
BASSOON | Adriana Gonçalves
CONTRABASSOON | José Miguel Oliveira
FRENCH HORNS | Cristiana Azoia, Luis Oliveira
TRUMPET | Pedro Jerónimo
TUBA | José Santos
VIOLINS | Alice Abreu, Daví Rabog, Tiago Rodrigues, Yuri Gomes
VIOLAS | Catarina Gonçalves, Luís Silva
CELLOS | João Geraldo, Dinis Lecomte
DOUBLE BASS | Amã Oliveira

Website

Marketing & Short Films: “The Art Of Hosting” By Monocle & LG Signature

Monocle Films and LG Signature are featuring a five-part “The art of hosting” series.

Setting the mood for an evening of drinks and dinner is best achieved through the careful lighting of one’s surroundings. Javier Marset – co-owner of Catalan lighting company, Marset – favours the low glow of directional illumination and a casual atmosphere to put guests at ease when visiting his modern retreat in the mountains.

The first step in hosting is putting together a guest list: a delicate operation that requires diplomacy and some social engineering. Daphné Hézard, founder and editor in chief of Regain magazine – a French journal about countryside, agriculture and farming – takes an editorial approach by drawing up a large list and whittling it down to an ideal collection of diverse personalities.

Artificial Intelligence: “The Future From An Alternate Perspective”

The story follows our main character Luis as he tries to clearly explain the complexities and nuances of ‘language’, and the challenges of teaching AI to thoroughly understand it.

A massive project, an incredibly talented team, and a little bit of luck to get to the finish line. So thankful to my fellow artists and friends who helped pull this off.

Client: Microsoft
Agency: Trifilm
Creative Director: Mia Vyzis
Producer: Corey Lovett
Animation Director: Reece Parker
Art Director: Reece Parker
Illustration: Tom Goyon, Millie Woodcock, Reece Parker
Character Animation Lead: Khylin Woodrow
Cel: Khylin Woodrow, TJ Peters, Mathijs Luijten, Adam Henderson, Reece Parker, Salvador Padilla, Nata Metlukh
2D Animation: Matt Jameson, TJ Peters, Mathijs Luijten, Manuel Neto, Reece Parker
3D modeling/Animation: Billy Chitkin, Nocky Dinh
Editing/composite: Bruce Stead, Matt Jameson, Mathijs Luitjen, Manuel Neto, Tj Peters
Sound design: Ambrose Yu

 

Poetry And Animation: “Singularity” Featuring Poem By Marie Howe (2020)

Directed by: Elizabeth and Matthew Boulton

Poem by Marie Howe.

Text and context: brainpickings.org/2020/04/23/singularity-marie-howe-animated

Created for The Universe in Verse: brainpickings.org/the-universe-in-verse

Produced by SALT Project (saltproject.org) with Maria Popova (brainpickings.org). Original music by Zoë Keating (zoekeating.com).

This has been a multi-woman labor of love, with everyone involved donating their time and talent.

Classics: VW Bids Farewell To The Beetle (1949-2019) In Animated Music Video

After 70 years, the Volkswagen Beetle is retiring. Say g(o\!/o)dbye with Ren McCormack, Kevin Bacon, Andy Warhol, and Andy Cohen as the little bug drives its last mile. #TheLastMile

Read article about video production

1960’s Television: “Rudolph The Red-Nosed Reindeer” (1964) Celebrates 55 Years

From a Smithsonian Magazine online article:

When the special finally aired in 1964, it became such a hit that it has been rebroadcast every year since, making it the longest-running Christmas special in history. Even today, the special still punches above its weight; when Rudolph the Red-Nosed Reindeer aired on CBS in 2016, it beat every show except This Is Us. In 2017, more viewers tuned in to watch Rudolph than A Charlie Brown Christmas, which ran on ABC in the same time slot.

https://www.dailymotion.com/video/x19l9n1

Reindeer and dentists, puppets and LED light bulbs, Gene Autry and General Electric—these odd pairings might not seem to have much in common. But each played an important role in the making of Rudolph the Red-Nosed Reindeer, a classic Christmas special currently celebrating its 55th straight year of annual reruns. Before Rudolph lit up the small screen, a series of tragedies, twists of fortune and lucky coincidences allowed his tale to endure through decades—eventually ensuring a place in holiday tradition.

Smithsonian website

New Poetic Short Films: “The Mushroom Hunters” Written By Neil Gaiman, Read By Amanda Palmer

“The Mushroom Hunters” is a Cinematic Poem Short Film With Original Poem Written By Neil Gaiman, Directed By Caroline Rudge.

Artwork, Animation, Direction and Storyboard by: Caroline Rudge

The Mushroom Hunters Cinematic Poem Short Film Written by Neil Gaiman Directed by Caroline Rudge  2019.JPG

Production, Storyboard and Additional Mushrooms: Alexandra Casswell Becker
Editing and Special Effects: Dann Casswell

The Mushroom Hunters Original Poem by: Neil Gaiman

Read by: Amanda Palmer

Bass, Percussion, Vibraphone, Piano and Original Score by: Jherek Bischoff
Cello: Aniela Marie Perry
Violin: Paris Hurley
Viola: Marta Sofia Honer
Recorded, Mixed and Mastered by Jherek Bischoff at Sweethaven

The Mushroom Hunters Cinematic Poem Short Film Written by Neil Gaiman Directed by Caroline Rudge 2019

THE MUSHROOM HUNTERS
by Neil Gaiman

Science, as you know, my little one, is the study
of the nature and behaviour of the universe.
It’s based on observation, on experiment, and measurement,
and the formulation of laws to describe the facts revealed.

In the old times, they say, the men came already fitted with brains
designed to follow flesh-beasts at a run,
to hurdle blindly into the unknown,
and then to find their way back home when lost
with a slain antelope to carry between them.
Or, on bad hunting days, nothing.

The women, who did not need to run down prey,
had brains that spotted landmarks and made paths between them
left at the thorn bush and across the scree
and look down in the bole of the half-fallen tree,
because sometimes there are mushrooms.

Before the flint club, or flint butcher’s tools,
The first tool of all was a sling for the baby
to keep our hands free
and something to put the berries and the mushrooms in,
the roots and the good leaves, the seeds and the crawlers.
Then a flint pestle to smash, to crush, to grind or break.

And sometimes men chased the beasts
into the deep woods,
and never came back.

Some mushrooms will kill you,
while some will show you gods
and some will feed the hunger in our bellies. Identify.
Others will kill us if we eat them raw,
and kill us again if we cook them once,
but if we boil them up in spring water, and pour the water away,
and then boil them once more, and pour the water away,
only then can we eat them safely. Observe.

Observe childbirth, measure the swell of bellies and the shape of breasts,
and through experience discover how to bring babies safely into the world.

Observe everything.

And the mushroom hunters walk the ways they walk
and watch the world, and see what they observe.
And some of them would thrive and lick their lips,
While others clutched their stomachs and expired.
So laws are made and handed down on what is safe. Formulate.

The tools we make to build our lives:
our clothes, our food, our path home…
all these things we base on observation,
on experiment, on measurement, on truth.

And science, you remember, is the study
of the nature and behaviour of the universe,
based on observation, experiment, and measurement,
and the formulation of laws to describe these facts.

The race continues. An early scientist
drew beasts upon the walls of caves
to show her children, now all fat on mushrooms
and on berries, what would be safe to hunt.

The men go running on after beasts.

The scientists walk more slowly, over to the brow of the hill
and down to the water’s edge and past the place where the red clay runs.
They are carrying their babies in the slings they made,
freeing their hands to pick the mushrooms.

The Mushroom Hunters Cinematic Poem Short Film Written by Neil Gaiman Directed by Caroline Rudge 2019

This poem was written by Neil Gaiman and read by Amanda Palmer for Maria Popova’s “The Universe In Verse” event in 2017 (you can read about that here: https://www.brainpickings.org/2017/04…).

The Mushroom Hunters Cinematic Poem Short Film Written by Neil Gaiman Directed by Caroline Rudge 2019

The brilliant team at creative connection in the UK hand-drew this animated video to accompany the poem, and the music was composed and recorded by jherek bischoff. read about the making of this whole film on patreon: https://www.patreon.com/posts/31517040

Top Animated Films: “Le Mans 1955” Directed By Quentin Baillieux

https://vimeo.com/374359820

Director – Quentin Baillieux

Producers – Nicolas de Rosanbo and Carole Lambert
Scriptwriter – Julien Lilti
Editer – Benjamin Massoubre and Vincent Tricon
Sound designer – Xavier Dreyfuss
Line Producer – Céline Vanlint

Le Mans 1955 Animated Short Film by Quentin Baillieux 2019

Original score by Ali Helnwein

With the voices of :
John Fitch – Nathan Willcocks
Alfred Neubauer – Joe Sheridan
Pierre Levegh – Nicholas Mead

This film was inspired by a 1950s racing car exhibition I visited at the Louvre. I was struck by the beauty of the exhibited sports cars, especially a Jaguar which had competed in 1955 at Le Mans. I began researching the that event and two very contradictory photos appeared next to one another on my screen. 

Le Mans 1955 Animated Short Film by Quentin Baillieux 2019

On one side, the image of a tragedy : people in a panic, a blazing inferno behind them. Bodies were sprawled across the stadium. The photo beside it depicted delighted drivers celebrating their victory with champagne.

Le Mans 1955 Animated Short Film by Quentin Baillieux 2019


Website: http://www.lemans1955.com/

Animated Videos: “David Attenborough On Spiders, Mortality, And Nature’s Resilience” (New Yorker)

Animated and Directed by: Joe Donaldson

David Attenborough On Spiders, Mortality, And Nature's Resilience (New Yorker)

Senior Producer: Yara Bishara
Editor: Christopher Hwisu Kim
Composer and Sound Designer: Ambrose Yu
Executive Producer: Soo-Jeong Kang

david-attenborough-on-spiders-mortality-and-natures-resilience-new-yorker-1.jpg

The celebrated naturalist discusses the resilience of nature and his optimistic outlook on mortality.

Animated Visual Essay: Songwriter “Leonard Cohen” Interview In Video By Joe Donaldson (2019)

Direction, Design & Animation: Joe Donaldson

Original Music and Sound Design: Ambrose Yu
Executive Producer: Soo-Jeong Kang
Senior Producer: Yara Bishara
Senior Editor: Brian Redondo
Producer: Sara Joe Wolansky
Audio Engineer: Jill Du Boff

The New Yorker - Leonard Cohen Animated Visual Essay Directed by Joe Donaldson 2019

“I was recently commissioned by The New Yorker to direct, design, and animate a pilot series of three animated visual essays.

“I know there’s a spiritual aspect to everybody’s life, whether they want to cop to it or not,” he said at one point. “It’s there, you can feel it in people—there’s some recognition that there is a reality that they cannot penetrate but which influences their mood and activity. So that’s operating. . . . Sometimes it’s just, like, ‘You are losing too much weight, Leonard. You’re dying, but you don’t have to coöperate enthusiastically with the process.’ Force yourself to have a sandwich.”

Leonard Cohen (1934 – 2016)

The New Yorker - Leonard Cohen Animated Visual Essay Directed by Joe Donaldson 2019

The first film features the great Leonard Cohen as he reflects on death and preparing for the end. The initial interview, by David Remnick, was recorded at Cohen’s home in Los Angeles a month before he passed away.”

The New Yorker - Leonard Cohen Animated Visual Essay Directed by Joe Donaldson 2019

You can view the full article on The New Yorker here: newyorker.com/culture/video-dept/leonard-cohen-and-the-divine-voice