My husband doesn’t enjoy peeling oranges. He doesn’t like the little white webs of pith or the way the juice trickles between his fingers and soaks and stains the skin. He’s not a fan of pips. The citrus-sweet taste he could take or leave. If I had to choose between him and my favourite fruit, I like to think I’d stick with him.
On this episode of The London Magazine Podcast, we speak with Max Wilkinson.Max is a playwright and screenwriter whose award-winning play, Rainer, about a voyeuristic delivery rider riding around London, played at the Arcola Theatre last summer and is being produced for BBC Radio Four’s Afternoon play slot.
When Clare wakes, the car is moving along a wide valley between fields of grazing cattle. She shifts in her seat, her side sweaty where her brother Robbie has been leaning against her. The last thing she remembers is crossing into Austria at a high pass, a young border guard peering in at them through the drizzle. Now the sun is out, and the tarmac is steaming in the heat. At a junction, her father slows down. ‘This is it,’ he says, turning the car. They pass through a village, all whitewashed houses with large overhanging roofs. In the deserted square is a small inn, Der Jäger painted across one wall in beautiful gothic script. Next to the lettering is a twenty-foot-high figure of a hunter in Tyrolean leather trousers and green hat, striding across a mountain side. Clare notices that he has the same jaw as John Travolta in Grease.
K11 Musea, Hong Kong – From the subway yards and parking lots of 1970s New York, K11 MUSEA’s third annual Art Karnival welcomes China’s largest street art exhibition, ‘City As Studio’!
Bleeding the city with the heart and soul of the art form, we take the plunge into the world of spray paint, tags, and throw-ups that steered a global cultural movement. Presented by K11 MUSEA and K11 Art Foundation, curated by “Champion of Graffiti and Street Art” Jeffrey Deitch,the exhibition brings the extensive history and evolution of street art to the people,
Over 100 works showcase the visions of more than 30 artists, including some of the most recognisable names of the medium — from veterans Jean-Michel Basquiat, Keith Haring, and FUTURA, to young bloods KAWS, AIKO, and more.
Museum of Fine Arts, Boston – Thanks to the popularity of works like the instantly recognizable Great Wave—cited everywhere from book covers and Lego sets to anime and emoji—Katsushika Hokusai (1760–1849) has become one of the most famous and influential artists of all time.
Katsushika Hokusai, Under the Wave off Kanagawa (Kanagawa-oki nami-ura), also known as the Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) (detail), about 1830–31 Woodblock print (nishiki-e); ink and color on paper. William Sturgis Bigelow Collection.
Taking a new approach to this endlessly inventive and versatile Japanese artist, “Hokusai: Inspiration and Influence” explores his impact both during his lifetime and beyond. More than 100 woodblock prints, paintings, and illustrated books by Hokusai are on view alongside about 200 works by his teachers, students, rivals, and admirers, creating juxtapositions that demonstrate his influence through time and space.
Utagawa Hiroshige, The Sea off Satta in Suruga Province (Suruga Satta kaijō), from the series Thirty-six Views of Mount Fuji (Fuji sanjūrokkei), 1858 Woodblock print (nishiki-e); ink and color on paper. William Sturgis Bigelow Collection.
The great painter, book illustrator, and print designer Katsushika Hokusai (1760–1849) has become the best known of all Japanese artists and one of…
Members are invited to a special exhibition preview March 22–25 before it opens to the public, and can enjoy members-only hours on Sunday mornings during the run of the show. Join today!
How the climate catastrophists learned to stop worrying and love the calm
The first signs that the mood was brightening among the corps of reporters called to cover one of the gravest threats humanity has ever faced appeared in the summer of 2021. “Climate change is not a pass/fail course,” Sarah Kaplan wrote in the Washington Post on August 9.
When I was a kid, in the touch-tone era in the Midwest, I often dialed, for no real reason, the “time lady”—an actress named Jane Barbe, it turns out—who would announce, with prim authority “at the tone,” the correct time to the second. I was, in those days, a bit obsessed with time.
From the Romans to the Russians, monarchies that at one time seemed all powerful have come crashing down as a result of violence, political manoeuvring or the will of the people. Danny Bird charts the downfall of 10 kingdoms and empires throughout history
Poetry a special section T. S. Eliot’s still point by James Matthew Wilson Singing the “Frauenliebe” by Ian Bostridge The foundational “Kokinshu” by Torquil Duthie A White Russian on the rocks by Boris Dralyuk
Darkness visible: Auden collected by William Logan
Some economists say the Federal Reserve must pause its interest-rate-rising campaign to help bolster banks, while other economists say that such a pause would indicate the Fed isn’t serious about taming inflation.
The new book by the sociologist and author of “Evicted” examines the persistence of want in the wealthy United States, finding that keeping some citizens poor serves the interests of many.
The fashion world’s hunger for larger-than-life figures glorified the designer. But a cozy new biography shows him to be more business whiz than artist.