Category Archives: Culture

The New Criterion – January 2024 Preview

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The New Criterion – January 2024 issue:

A stately setting  by Myron Magnet
The Loeb Platos  by Mark F. McClay
The peace women  by Peter Baehr
Hopper horrors at the Whitney  by Gail Levin

New poems  by Peter Vertacnik

The New York Times Magazine – Dec 17, 2023

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THE NEW YORK TIMES MAGAZINE (December 15, 2023):

The Failed Promise of Police Body Cameras

U.S. taxpayers spent millions to fund what was supposed to be a revolution in accountability. What went wrong?

Provocative Sex Is Back at the Movies. But Are We Ready for It?

Alden Ehrenreich and Phoebe Dynevor in “Fair Play.”

After an awkward MeToo hiatus, ‘May December’ and other films are showing​ intimacy in messy, complicated ​ways again.

By ALEXANDRA KLEEMAN

Is the Way Men Talk About Fashion About to Undergo Another Sea Change?

How two “grown dirtbags” are reshaping men’s wear.

By T.M. BROWN

Previews: Country Life Magazine – Dec 13, 2023

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Country Life Magazine – December 13, 2023: The latest ‘Double Christmas’ issue features How the Bible’s nativity story has influenced artists; the beauty of the gardens of Rockcliffe in Gloucestershire; In literature at least, the fox will come out on top in almost every brush with confrontation, and more….

Away in a manger

Love, pain, power and hope are all embodied in the Nativity. Michael Prodger examines how the Bible story influenced our greatest artists

The Bishop of Winchester’s favourite painting

The Right Revd Philip Mounstephen chooses an arresting Caravaggio

On the night watch

As darkness falls, the wild things emerge from the shadows. John Lewis-Stempel embraces the night

Prodigy or eccentric?

John Goodall explores Bristol Cathedral, a building of international importance

When Christmas was cancelled

Always winter, never festive: Cromwell’s directive cast a pall, laments Ian Morton

Made with love

Cast your eyes down next time you’re in church to admire the hassock you kneel upon, urges the Revd Colin Heber-Percy

’Tis the season to be busy

There’s no rest for the farmer, the baker or the cheesemonger at this time of year. Ben Lerwill champions the people who make Christmas happen

So, this is Christmas

Queen Victoria would feel quite at home in any of our houses this season, believes John Mueller

It came upon a midnight clear

Come one, come all, says Kate Green, as the villagers gather once more at the big house

The Editor’s Christmas quiz

Pit your wits. The only prize is glory

Luxury

Christian Dior, David Gandy, dinky toys and Sir Chris Hoy’s favourite things

Cold comforts

Frost-dusted and fleece-wrapped, the beauty of the gardens of Rockcliffe in Gloucestershire enchant Tiffany Daneff

It’s a wonderful life

Carla Passino travels the world for Christmas traditions, from Swedish tomte to Japanese KFC

Christmas conundrums

Turkey or goose? Stocking or sack? Port or Sauternes? Giles Kime poses the big questions

Think outside the fox

Clever and agile, Vulpes vulpes is frequently on top in literature. Kate Green turns the pages

Back to black

The Périgord black truffle is worth the price for Tom Parker Bowles

The peel-good factor

The rich scents of citrus permeate Deborah Nicholls-Lee’s Christmas

Sugar, spice and all things nice

Carla Passino builds a gingerbread house

On top of the mirey, merey moor

John Lewis-Stempel tucks his chin into his scarf and sets off into the frozen wastes

Native breeds

Kate Green advocates heritage turkeys

Restaurant Tour: Making “Po’Boy’s” In New Orleans

Bon Appétit (December 12, 2023) – “The po’boy’s important to the city of New Orleans because New Orleans made it.”

Today Bon Appétit spends the day with Justin Kennedy, general manager of Parkway Bakery and Tavern in New Orleans, preparing to serve the city’s famous poor boy (po’boy) sandwiches.

Filmed on Location at Parkway Bakery & Tavern | 538 Hagan Ave, New Orleans, LA 70119

Travel & Culture Books: “Mexico City” (Assouline)

Assouline Publishing (December 2023) – With a history dating back to the fourteenth century, Mexico City blends indigenous pre-Hispanic roots with colonial architecture and Spanish-baroque influences.

Mexico City

This unique fusion, crafted from local materials like cantera and tezontle, inspires artists and architects alike. Iconic structures like Diego Rivera’s Anahuacalli Museum and Juan O’Gorman’s Cave House proudly embody the city’s rich history.

Today, Mexico City serves as a vibrant backdrop for renowned filmmakers such as Alejandro González Iñárritu, Alfonso Cuarón, and Michel Franco. Discover a city of wonders, where history and creativity come to life.

ABOUT THE AUTHOR

Born in Mexico City, Aleph Molinari is an editor, writer, art director and photographer. He is the co–editor in chief of Purple magazine, as well as a contributor to Materia Press, Art Observed and other publications. His work focuses on materializing culture through publications, exhibitions and campaigns. Among his projects, he co-curated the Purple Festival at the Palais Galliera in Paris, created a botanical sculpture for Soundwalk Collective and Patti Smith’s exhibition Evidence at the Centre Pompidou, and worked on the programming for Soundwalk Collective’s project The Third Eye at Karl Lagerfeld’s 7L Library. He lives in Paris.

Anfisa Vrubel is an editor, writer and researcher whose work focuses on the intersection of art, culture and politics. Vrubel is an editor-at-large at Art Observed and Purple magazine, where she contributes original features and interviews with artists and top thinkers in the fields of politics, ecology, art and culture. After studying government at Harvard, she pursued an editorial career, working for publications such as The Brooklyn Rail and its offshoot publication, The River Rail, which is devoted to environmental art and criticism. Vrubel grew up in New York City and lives between there and Mexico City.See all books by Aleph Molinari, Anfisa Vrubel.

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Artisans: Metalwork In Ladakh, Northern India

NOWNESS Films (December 11, 2023) – Travelling to India’s northernmost point, at the western tip of the Himalayas, the Ladakh region stands in a remote corner of the planet, flanked by towering peaks.

Deeply entwined with its cultural heritage, the mountainous territory carries a historic tradition of craft metalwork – as a center for the production of hand-crafted ornaments, teapots and spiritual artefacts, destined for temples, and held in high regard by India’s king dynasties.

But the craft has entered a point of decline, continued by just a handful of artisanal metalworkers who fight for its preservation.…

Previews: The New Yorker Magazine – Dec 18, 2023

Olimpia Zagnolis “Let There Be Lights”

The New Yorker – December18, 2023 issue: The new issue‘s cover features Olimpia Zagnoli’s “Let There Be Lights” – The artist discusses strands of brilliance amid dark days.

All the Carcinogens We Cannot See

A grid of cells multiplying.

We routinely test for chemicals that cause mutations. What about the dark matter of carcinogens—substances that don’t create cancer cells but rouse them from their slumber?

By Siddhartha Mukherjee

In the nineteen-seventies, Bruce Ames, a biochemist at Berkeley, devised a way to test whether a chemical might cause cancer. Various tenets of cancer biology were already well established. Cancer resulted from genetic mutations—changes in a cell’s DNA sequence that typically cause the cell to divide uncontrollably. These mutations could be inherited, induced by viruses, or generated by random copying errors in dividing cells. They could also be produced by physical or chemical agents: radiation, ultraviolet light, benzene. One day, Ames had found himself reading the list of ingredients on a package of potato chips, and wondering how safe the chemicals used as preservatives really were.

The Troubled History of the Espionage Act

SECRET stamped atop the United States emblem.

The law, passed in a frenzy after the First World War, is a disaster. Why is it still on the books?

By Amy Davidson Sorkin

In March, 1940, Edmund Carl Heine, a forty-nine-year-old American automobile executive, reached an understanding with a company then known as Volkswagenwerk GmbH. Heine, who immigrated to the United States from Germany as a young man, had spent years at Ford, first in Michigan and then in its international operations in South America and Europe, landing finally in Germany. In 1935, two years after the Nazi regime came to power, Ford fired him, for reasons that are unclear. Heine next signed on with Chrysler, in Spain, but the Spanish Civil War was tough on the car business. And so he was out of a job again.

Travel & Culture In Spain: Salvador Dali’s Figueres

The Dalí Theatre-Museum in Figueres
The Dalí Theatre-Museum in Figueres

The Times and The Sunday Times (December 10, 2023) Inside Salvador Dalí’s childhood home — and his old haunts. Our writer visits an immersive new museum at the artist’s striking childhood home in Figueres and takes a tour of his favourite spots in northeastern Spain

This northeasterly nook of Catalonia’s Costa Brava, between the Pyrenees to the north and the Mediterranean to the south, was the landscape that Dalí called his “ongoing inspiration” and is a recurring motif throughout his work.

While the Casa Natal Dalí took me on a tour of Dalí’s life, its near neighbour, the gigantic Dalí Theatre-Museum (£15; salvador-dali.org), just five minutes’ walk away, was designed by the maestro himself. It opened in 1974 and showcases his style at its most eccentric, not to say egocentric.

With its pink façade and giant white eggs on its roof, like decorations on a cake, this is where you’ll find not only the Mae West “lips” sofa, but also numerous grandiose paintings and drawings, trompe l’oeils and painted ceilings — as well as Dalí’s tomb in the crypt.

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National Geographic Traveller – January 2024

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National Geographic Traveller Magazine (January 2024): The latest issue features adventures in Argentina, exploring Tahiti’s most remote corners, cycling through one of Italy’s iconic food regions and finding out how to plan a Great Walk in New Zealand…

Also inside this issue:

Emilia-Romagna: Cycle through Italy’s ‘food valley’ for a taste of the country’s iconic produce
Tahiti: The French Polynesian island’s southeast offers coastal hiking and surfing fit for champions
Hampi: Long in ruins, the capital of the ancient Hindu kingdom beckons pilgrims to this day
New Zealand: For outdoor lovers, completing one of the country’s Great Walks is the feat of a lifetime
Manchester: Creativity and craftsmanship infuse all areas of life in this northwestern hub
Montreal: Canada’s second city merges European flair with North American innovation
County Wicklow: Foraging, fine arts and forest paths in an outdoorsy getaway to the ‘Garden of Ireland’
Bali: Local recipes and passionate chefs are the backbone of Indonesia’s food-loving island
Boston: In Massachusetts’ capital city, the best hotels are within easy reach of the culinary and cultural action

The New York Times Magazine – Dec 10, 2023

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THE NEW YORK TIMES MAGAZINE (December 8, 2023):

Michael Stipe Is Writing His Next Act. Slowly.

A black-and-white portrait of Michael Stipe.

How do you reinvent yourself after being a global superstar? The former R.E.M. frontman is still figuring that out.

By Jon Mooallem

When Michael Stipe was little, his parents called him Mr. Mouse. He was a scurrier. As soon as he could stand, he ran, and when he ran, he ran until he face-planted. His mother would deposit him in a baby walker, but if Stipe scrambled as fast as he could and hit the threshold of a doorway with a running start, he could topple the walker and eject himself onto the floor. Then he’d spring to his feet and run away.

The Border Where Different Rules Apply

When detained by the U.S. Coast Guard at sea, even children fleeing violence have no right to asylum — and often face an uncertain fate.

By Seth Freed Wessler

Tcherry’s mother could see that her 10-year-old son was not being taken care of. When he appeared on their video calls, his clothes were dirty. She asked who in the house was washing his shirts, the white Nike T-shirt and the yellow one with a handprint that he wore in rotation. He said nobody was, but he had tried his best to wash them by hand in the tub. His hair, which was buzzed short when he lived with his grandmother in Haiti, had now grown long and matted. He had already been thin, but by January, after three months in the smuggler’s house, he was beginning to look gaunt. Tcherry told his mother that there was not enough food. He said he felt “empty inside.”