In this stunning but sinister visual universe, beasts and birds are not mere aesthetic objects but dynamic actors in allegorical struggles: a wild turkey crushes a small parrot in its claw; a troupe of monkeys wreaks havoc on a formal dinner table; an American buffalo is surrounded by bloodied white wolves. In dazzling watercolor, the images impress as much for their impeccable realism as they do for their complex narratives.
At first glance, Walton Ford’s large-scale, highly detailed watercolors of animals recall the prints of 19th-century illustrators John James Audubon and Edward Lear. A closer look reveals a complex and disturbingly anthropomorphic universe, full of symbols, sly jokes, and allusions to the ‘operatic’ quality of traditional natural history.
First available as a signed and limited volume, this updated edition of Pancha Tantra is the most comprehensive survey of Ford’s oeuvre to date, with 40 new works, more than 120 additional pages, and a new essay by the artist. It features dazzling details, an in-depth exploration of his visual universe, a complete biography, and excerpts from his textual inspirations: from Indian folktales and the letters of Benjamin Franklin to the Autobiography of Benvenuto Cellini and Audubon’s Ornithological Biography.
Sailing the Seas will take readers on a series of nautical adventures across the globe, from the coast of the USA down to the Caribbean, through classic Mediterranean voyages and on trips in far-flung locations such as Thailand and French Polynesia. Presenting a fresh, younger side of sailing, this volume reveals the sights, sounds, tastes, and experiences that can be had on board a boat.
With beautiful photos of locations, detailed itineraries, and “Captain’s Notes” filled with useful tips and insights on destinations, Sailing the Seas will inspire novice sailors and “old salts” alike to take to the waves.
“Shadowplay” opens in Dublin in the winter of 1876, with O’Connor painting that ravishing city with a soft lyricism that Stoker himself might have envied: “Smacks heading down the estuary, trailing petticoats of nets, out towards the expanse of the sea.” Stoker, a government clerk who moonlights as a theater critic, is reeling from the visceral intensity of Irving’s performance in Dublin as Hamlet. “Eyes glowing red in the gaslight,” Irving terrifies the audience, “slinking towards the lip of the stage, left hand on hip, wiping his wet mouth with the back of his sleeve. Sneering, he regarded them. Then he spat.” (
In his paintings we see books on their own, or books in the company of people or other objects; small, lonely ziggurats of books, or a book beside a candle. That last juxtaposition is telling in the extreme. Vincent had a reverence for books. They were sacred ground. They have a kind of inner glow about them.
Capri, a resort island dating back to the height of the Roman Empire, has long been an extraordinary destination full of ancient charm. Cherished by everyone from physician Axel Munthe, who recommended its clean air to his patients as a cure for bronchitis; to film director Jean-Luc Godard as the setting for his 1963 film Contempt; to literary icons, celebrities, poets, and the jet set, Capri boasts a rich Mediterranean spirit and style that encompasses a wealth of beauty, from gardens to villas to caves to the people walking in the lively Piazzetta, where cars are prohibited and the island’s playful attitude runs rampant. Capri Dolce Vita is a look at this fabled corner of the world through the ages and a celebration of paradise on earth.
“We are proud to announce the Fall 2020 Artbook | D.A.P. Catalog of new books on art and culture.”
With every sparkling joke, every well-meaning and innocent character, every farcical tussle with angry swans and pet Pekingese, every utopian description of a stroll around the grounds of a pal’s stately home or a flutter on the choir boys’ hundred yards handicap at a summer village fete, he wanted to whisk us far away from our worries.
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A bird-monster devouring sinners, naked bodies in tantric contortions, a pair of ears brandishing a sharpened blade: with just 20 paintings and nine drawings to his name, Netherlandish visionary 
Boomers Daily 