It is fifty years since Pablo Picasso died, on 8 April 1973 at Notre-Dame-de-Vie, his home in Mougins. The body of work that he left behind had a profound impact on the entire 20th century.
For this anniversary year, the Musée National Picasso-Paris has invited the British designer Sir Paul Smith, known for his work with colour, tailoring and unexpected details, to lead the artistic direction of an exceptional exhibition showcasing the museum’s collection.
THE NEW YORK TIMES BOOK REVIEW – JULY 9, 2023: In Too Deep – Laura Trethewey’s “The Deepest Map” plumbs the new world of oceanic exploration, and its dangers; “Fancy Bear Goes Phishing”; Lorrie Moore’s New Novel; Read your way through L.A., and more…
Laura Trethewey’s “The Deepest Map” explores the new world of oceanic exploration — and its dangers.
By Simon Winchester
In the past days, the world has been riveted by the story of the Titan submersible, which we now know imploded some 1,600 feet from the wreckage of the Titanic, killing all aboard. Beyond the human tragedy — and the macabre fact that James Cameron’s blockbuster is trending online — comes an opportunity for serious reflection.
“Undaunted,” Brooke Kroeger’s new history of women in journalism, tracks the victories, setbacks and pathbreaking careers that have marked the decades-long fight for gender parity in the field.
By Jane Kamensky
Raise your hand if you’ve heard of Anne O’Hare McCormick. I hadn’t, and as the director of Radcliffe’s Schlesinger Library on the History of Women in America, which holds peerless collections documenting pioneers in print journalism, I could have, and definitely should have. Brooke Kroeger’s compendious and lively “Undaunted: How Women Changed American Journalism” introduced me to her.
In “Ultra-Processed People,” Chris van Tulleken takes a close look at the franken-snacks that barely resemble what they’re imitating.
Explore a period of great upheaval when artists broke with established tradition and laid the foundations for the art of the 20th and the 21st centuries.
Times Literary Supplement (July 7, 2023): The national religion – NHS at seventy-five; The history of female combatants from ancient times to the present; The temptation for Romantic writers to tip into over-familiarity, and more…
The temptation for Romantic writers to tip into over-familiarity
Authorship and Romantic readers by Lindsey Eckert
In times of uncertainty, hardship or illness, re-reading a favourite novel can be a source of immense comfort. Even when we read something new, elements of familiarity – in plot, character and theme – can make us feel that the words have sprung from our subconscious. Familiarity connects us to our past and gives a sense of belonging to a community of readers. It can turn fictional characters into friends, make authors feel like confidants and render imagined settings as reassuring as a childhood home.
Country Life Magazine – July 5, 2023 issue: The seashore as artistic inspiration, from Constable’s wild skies to Gormley’s lonely figures; Puffins -the parrots of the sea; A history of mermaids, and more…
A shore thing – Michael Prodger examines the seashore as artistic inspiration, from Constable’s wild skies to Gormley’s lonely figures
Meet the parrots of the sea – The colourful puffin inspires amused adoration in everyone, but the big-beaked birds have a tough side, finds Ian Morton
Tripping the light fintastic – Sinister sirens who lure sailors to their deaths or beautiful beings who drag men from watery graves? Carla Passino combs history for mention of mermaids
Literary Review – July 2023 Issue: Brushes with the Dutch Golden Age; @LauraCummingArt’s ‘Thunderclap’ – a remarkable experiment in form as well as a richly satisfying extended meditation on art, life and death’; Bismarck’s Great Gamble; Eden by Thames – The Infinite City: Utopian Dreams on the Streets of London…
The Other Pandemic: How QAnon Contaminated the World By James Ball
Back in the mists of time, great idealism surrounded social media. There was a sense that global interconnection would shift us into a more egalitarian and democratic age. How time makes fools of us all.
Thunderclap: A Memoir of Art & Life & Sudden Death By Laura Cumming
As a teenager with an interest in art, growing up on London’s Old Kent Road with a father whose mantra was ‘God gave you legs to walk’ (he didn’t believe in God but he did believe in walking), I often found myself on Sunday afternoons walking to the National Gallery in Trafalgar Square. I remember distinctly the day I discovered the Dutch painters. It wasn’t Rembrandt or Vermeer who caught my eye, but Hendrick Avercamp and, especially, Pieter de Hooch.
I did everything I could to avoid writing my historical novel. When I finally started “The Fraud,” one principle was clear: no Dickens.
By Zadie Smith
For the first thirty years of my life, I lived within a one-mile radius of Willesden Green Tube Station. It’s true I went to college—I even moved to East London for a bit—but such interludes were brief. I soon returned to my little corner of North West London. Then suddenly, quite abruptly, I left not just the city but England itself. First for Rome, then Boston, and then my beloved New York, where I stayed ten years. When friends asked why I’d left the country, I’d sometimes answer with a joke: Because I don’t want to write a historical novel. Perhaps it was an in-joke: only other English novelists really understood what I meant by it. And there were other, more obvious reasons.
We’re told that story will set us free. But what if a narrative frame is also a cage?
By Parul Sehgal
After a millennium, she remains the hardest-working woman in literature. It was not enough to be saddled with a husband who had the nasty habit of marrying and murdering a new virgin every day to assure himself of spousal fidelity. Nor was it enough to produce a series of nested stories under such deadlines (truly, I complain too much), stories so prickly and tantalizing that the king postponed her murder every night to wait for the next installment. That’s to say nothing of the entirely forgotten three children she bore over those thousand and one nights. Who recalls that there was always a new baby in Scheherazade’s arms?
THE NEW YORK TIMES BOOK REVIEW – JULY 2, 2023: The entire issue is devoted to literature in translation – reviews of translated books (by Javier Marías, Seamus Heaney, Natalia Ginzburg…); Daniel Hahn’s essay about translating picture books; Emily Wilson’s look at “Iliad” translations over the years, culminating with her own; a By the Book interview with the translator Jennifer Croft; and lots more.
Over the years, some 100 people have translated the entire “Iliad” into English. The latest of them, Emily Wilson, explains what different approaches to one key scene say about the original, and the translators.
“There has to be chemistry,” says the writer and prolific translator, whose second book will come out next year. “You don’t need prior knowledge of, say, Iceland or Icelandic in order to appreciate Victoria Cribb’s translation of Sjón.”
As Spain heads to the polls in July, we talk to Emilio Silva, president of the Association for the Recovery of Historical Memory in Madrid. What could the election mean for the controversial Spanish laws of Historical Memory and Democratic Memory relating to the Civil War of 1936 to 1939 and the period of Francisco Franco’s fascist dictatorship?
And this episode’s Work of the Week is a project by the Swedish duo Goldin + Senneby. The work, called Quantitative Melencolia, involves recreating the lost plate for Albrecht Dürer’s famous engraving Melencolia I. It is part of the exhibition Economics: The Blockbuster, which opens this week at the Whitworth Art Gallery in Manchester, UK.
Economics the Blockbuster: It’s not Business as Usual, Whitworth Art Gallery, until 22 October. The Manchester International Festival, until 16 July.
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