The Pageant of the Masters was first developed in the 1930s to combine music, storytelling and theatrical illusions to celebrate artistic interpretation and history. It has since become a Laguna Beach tradition drawing visitors from around the world. This year’s show, which opens Sunday, July 7, and runs through Aug. 31, marks the pageant’s 86th year.Continue reading Top Summer Destinations: Laguna Beach Festival Of Arts Celebrates 87th Year→
Pencils are discarded, as lighters and umbrellas are, because at some crucial moment they fail in their purpose. They refuse to ignite, quail before a shower, or simply snap. But pencils have merely suspended their usefulness. Their potential still lies within them. They can go on setting down by the thousand the words by which the world works.
Yet the pencil’s marks are worryingly fragile. I have worked on Percy Bysshe Shelley’s notebooks, 200 years old, where the pencil-scrawled originals are forbidden to all but the most careful hands. Shelley used pens and ink-bottles both at his desk and out of doors, but he preferred pencils in the open air, and perhaps not just for practical reasons. To look on his pencilled drafts is almost to see the graphite dust sifting away before your eyes – blown by the wild West Wind, perhaps.
The Denver Art Museum will be home to the most comprehensive U.S. exhibition of Monet paintings in more than two decades. The exhibition will feature more than 120 paintings spanning Monet’s entire career and will focus on the celebrated French impressionist artist’s enduring relationship with nature and his response to the varied and distinct places in which he worked.
Monet traveled more extensively than any other impressionist artist in search of new motifs. His journeys to varied places including the rugged Normandy coast, the sunny Mediterranean, London, the Netherlands, and Norway inspired artworks that will be featured in the presentation. The exhibition will uncover Monet’s continuous dialogue with nature and its places through a thematic and chronological arrangement, from the first examples of artworks still indebted to the landscape tradition to the revolutionary compositions and series of his late years.
“The Vitruvian man”, the bicycle, Mona Lisa, the perspective, the “Last Supper” …
How could the same man create in one life, 500 years ago, so many things and lay the foundations of modern times?
In 2019 the 500th anniversary of the death of the Renaissance genius, Leonardo da Vinci (1452-1519), will be marked all over the world.
Eve Ramboz and Nathalie Plicot, the directors of the film “Hieronymus Bosch, the Devil with angel’s wings”, selected and acclaimed at the FIFA (International Festival of Films on Art), have decided to pay homage to this 15th century genius, shed light on his life and revisit his genius though a wholly original visual adventure, using animations of codex. Special effects will be used to bring Leonardo’s sketches, designs and notes to life. The film will navigate between documentary sections – with filming in Italy between Florence, Roma and Milan -, interviews with art historians who will shed light on the immensity of his genius and animations.
“Referred to as the grandfather of all jazz festivals, this event draws thousands of people from all over the world to Newport, Rhode Island — a city famed for its spectacular coastal scenery and awe-inspiring architecture. The Newport Jazz Festival was founded in 1954 as the first annual jazz festival in America and has been host to numerous legendary performances by some of the world’s leading established and emerging artists.”
“Ephron and Reiner’s love language pushed the envelope in 1989 in a way that seems rather tame now: As I grew up and began to dabble in romantic partnerships myself, When Harry Met Sally… felt like the rare option I wanted to emulate and embody, and I studied it like a textbook. In many ways, it’s a manual for romantic partnership—a funny, entertaining film that’s closely attentive to the nuts and bolts of falling in love.”
My first memory of When Harry Met Sally… is that I wasn’t allowed to watch it. When I think about the film now, I see it as a romance—an inverted one, where love does not come until 12 years after first sight, but a love story nonetheless. But When Harry Met Sally…’s unwholesome raciness—the faked orgasm, the f-bombs, the woman who meows in the throes of passion—featured prominently in the film’s marketing campaign. So did the film’s central, provocative, deeply heteronormative question: Can men and women ever “just” be friends? And it needed an R rating to answer that question, too! The film glowed with forbidden allure.
With host Jane Clayson. There’s a whole new world to explore below the surface. Deep sea diver and author of “In Oceans Deep” Bill Streever joins us to tell deep sea tales of wonders, mysteries and dangers that lurk beneath the waves.
Talking to Strangers is a classically Gladwellian intellectual adventure, a challenging and controversial excursion through history, psychology, and scandals taken straight from the news. He revisits the deceptions of Bernie Madoff, the trial of Amanda Knox, the suicide of Sylvia Plath, the Jerry Sandusky pedophilia scandal at Penn State University, and the death of Sandra Bland—throwing our understanding of these and other stories into doubt. Something is very wrong, Gladwell argues, with the tools and strategies we use to make sense of people we don’t know. And because we don’t know how to talk to strangers, we are inviting conflict and misunderstanding in ways that have a profound effect on our lives and our world. In his first book since his #1 bestseller, David and Goliath, Malcolm Gladwell has written a gripping guidebook for troubled times.
As part of its ongoing 50th anniversary celebration, Led Zeppelin has launched a new video series on its official YouTube channel looking at key highlights of the legendary band’s history.
The first episode of the Led Zeppelin History series begins in September 1968, when the band began recording its self-titled debut album at London’s Olympic Studios, starting with “Babe, I’m Gonna Leave You” and “You Shook Me.”
Using archival footage of the group in concert as a backdrop, and soundtracked by “Babe, I’m Gonna Leave You,” the video goes on to note that the album was self-financed, was recorded in just 30 hours, and cost 1,782 pounds — equivalent of around $2,300 in today’s money.
The clip also offers the following quotes from the band members about the making of Led Zeppelin I:
Jimmy Page: “The group had only been together for two-and-a-half weeks when we recorded it.”
Robert Plant: “We weren’t in a position at that time to be able to block whole studio time.”
John Paul Jones: “We did it in about 15 hours, with another 15 hours for mixing, so it was 30 hours in all.”
Page: “We deliberately aimed at putting down what we could reproduce live on stage.”