In this week’s episode of “Cocktails with a Curator,” Curator Aimee Ng studies Thomas Gainsborough’s scandalous portrait of Grace Dalrymple Elliott. Discover why this painting met with a negative reception when it was shown at the Royal Academy in 1782. Mrs. Elliott later moved to France, where she lived through the Reign of Terror and died in 1823 in the outskirts of Paris. This week’s complementary cocktail is the Pimm’s Cup, a traditional summer drink in Britain.
Thomas Gainsborough RA FRSA was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds, he is considered one of the most important British artists of the second half of the 18th century.
Vanessa Foley is a professional bird artist based in the North of England. She regularly shows her work in notable galleries in the UK and America, has work in private collections worldwide and is a member of 
An artist from Newcastle, England she is known for her intensely detailed graphite drawings and emotionally rich oil paintings. She has become a long-standing member of the Antler Gallery roster since we first exhibited her work four years ago.
Compelled to chronicle the life and world around her, Abigail Faye McBride paints with the heart of a poet. Her oil paintings and charcoal drawings bear witness to a time, person or passing glimmer of light. Abigail paints landscape, figure and still life working interchangeably with brush and palette knife. Collectors, nationally and internationally, appreciate the color, mood and elegance of her work.
“Shadowplay” opens in Dublin in the winter of 1876, with O’Connor painting that ravishing city with a soft lyricism that Stoker himself might have envied: “Smacks heading down the estuary, trailing petticoats of nets, out towards the expanse of the sea.” Stoker, a government clerk who moonlights as a theater critic, is reeling from the visceral intensity of Irving’s performance in Dublin as Hamlet. “Eyes glowing red in the gaslight,” Irving terrifies the audience, “slinking towards the lip of the stage, left hand on hip, wiping his wet mouth with the back of his sleeve. Sneering, he regarded them. Then he spat.” (
Award winning artist, Jennifer McChristian, was born and raised in Montreal, Canada. From an early age, she knew she wanted to be an artist. Upon completing high school, McChristian began her art education at Dawson’s College in Montreal, Canada. In 1986, she and her family took permanent residency in California, where she earned a Bachelor of Fine Art Degree with Honors from Otis Art Institute in 1990.
In his paintings we see books on their own, or books in the company of people or other objects; small, lonely ziggurats of books, or a book beside a candle. That last juxtaposition is telling in the extreme. Vincent had a reverence for books. They were sacred ground. They have a kind of inner glow about them.
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