Times Literary Supplement @TheTLS December 2, 2022 issue features Craig Raine on Lucian Freud; @NessaCarey on genetic engineering; @AnaAliciaGarza on vagrancy; @lindseyhilsum on the sacking of the Kherson Art Museum; @irinibus on gluttony; poems by @ColeHenri and Hugo Williams – and more.
World of Women confronts the limits of selling cartoon avatars on the blockchain after the crypto bubble burst.
In his “Slough House” thrillers, the screw-ups save the day—and there’s a very fine line between comedy and catastrophe.
It began as a visionary notion—that patients could die with dignity at home. Now it’s a twenty-two-billion-dollar industry plagued by exploitation.
Plus: reframing the Fitzwilliam Museum, a brief history of mulled wine, what’s next for NFTs and, in reviews: the triumph of the Tudors, ways of seeing at the Wellcome Collection and the unfashionable art of Ruskin Spear
You enter a troubling parallel universe in Henry Fuseli’s drawings of women: a place of exaggeration and highly sexualised imagery, where his subjects engage in role-play and the theatrical and erotic and idiosyncratic collide. It’s an inventive, private realm: not one of the drawings in the Courtauld’s fascinating exhibition was displayed in public during the artist’s life.
In the early 20th century, Albert Kahn dispatched photographers to more than 50 countries – and the magical results can be found in the Paris museum that bears his name
The large-scale paintings on view in New York and Los Angeles employ a wide range of materials including paint, terra-cotta, fabric, rope, wire, found objects, sediment of electrolysis, and metal—including copper and gold leaf. Mixing the abject and the exalted, these works are imbued with gesture, a sense of metamorphosis, and alchemical symbolism.
Kiefer’s syncretic approach to materials extends to his understanding of history, literature, and mythology as forces that inform the present. In this new body of work, he incorporates inscriptions in Hebrew from the book of Exodus, with thematic references to its narrative blended with a diversity of other sources. Full of symbolic thresholds between peoples, places, and times, the paintings are metaphysical allegories that meditate on loss and deliverance, dispossession and homecoming.
This week: as the exhibition Velvet Terrorism: Pussy Riot’s Russia opens at the Kling & Bang gallery in Reykjavik, Ben Luke talks to Masha Alekhina, one of the founding members of Pussy Riot, and the artist Ragnar Kjartansson, one of the co-curators of the show.
As protests continue across Iran, Aimee Dawson, The Art Newspaper’s acting digital editor, speaks to Shirin Neshat, the artist whose work expressing solidarity with women in Iran was recently installed outside the Neue Nationalgalerie in Berlin.
And this episode’s Work of the Week is by the Puerto Rican artist Gabriella Torres-Ferrer. Their 2018 sculpture—called Untitled (Value Your American Lie)—is part of a major new show at the Whitney Museum in New York, exploring art in Puerto Rico in the five years since the devastation wreaked by Hurricane Maria in 2017.
Velvet Terrorism: Pussy Riot’s Russia, Kling & Bang, Reykjavik, until 15 January 2023. Pussy Riot: Riot Days, National Theatre of Iceland, Reykjavik, 25 November. Proceeds from the concert and the exhibition go to supporting Ukraine. You can hear an in-depth interview with Ragnar Kjartansson from 2020 on our sister podcast A brush with… on the usual podcast platforms.No existe un mundo poshuracán: Puerto Rican Art in the Wake of Hurricane Maria, Whitney Museum of American Art, New York, until 23 Apr 2023.
Titled Objects of Desire: Surrealism and Design 1924 – Today, the exhibition features almost 350 surrealist objects spanning fashion, furniture and film. The exhibition, which was curated by Johnson, explores the conception of the surrealist movement in the 1920s and the impact it has had on the design world ever since. It features some of the most recognised surrealist paintings and sculptures, including pieces by Salvador Dalí, Man Ray and Leonora Carrington, as well as work from contemporary artists and designers such as Dior and Björk.
The November 25, 2022 @TheTLS , features Olivia Laing on Kathy Acker; @emilytwrites on self-help and philosophy; @MElizabethLowry on Henry James’s golden age stories; @TobyLichtig on The Doctor; @MirandaFrance1 on Mariana Enriquez; @henryhitchings on slow journalism – and more.
Adam Shatz on the US Midterms
‘This is what Biden and his advisers are counting on: a grinding and volatile battle with a weakened Trump and his increasingly unhinged movement in 2024.’
There is no way to offset the fact that a gigantic dose of hydrocarbon wealth is being used to stage an immensely carbon-intensive spectacle, in a place that is already getting hotter faster than almost anywhere else on the planet. In the narrowing window of opportunity that remains, can we justify burning this much of our carbon budget on international football?
Act of Oblivion, the title of Robert Harris’s novel, refers to the Act of Free and General Pardon, Indemnity and Oblivion, introduced to the Convention Parliament in May 1660 and given royal assent on 29 August.
Thwaites could reshape the world’s coastlines. But how do you study one of the world’s most inaccessible places?
The stories we tell ourselves about the future.
For low-lying islands like Kivalina, climate change poses an existential threat.
In West Virginia, a crew of five watches over twenty-three giant turbines.
Boomers Daily 