This week’s @TheTLS , featuring Rosemary Righter and @peterfrankopan on Xi Jinping; @LaurenElkin on Annie Ernaux; @pottmeister on John le Carré; @MirandaFrance1 on Clarice Lispector; @Lordoflongitude on measurement – and more.
“I try to paint the paintings like the window into life, you can step into the painting and enjoy your own walk through the streets or take a seat and enjoy a meal…”
This extraordinary Francis Bacon triptych from the William S. Paley Collection is one of the true masterpieces of his career and marks the first inception of his painting of Henrietta Moraes, who became one of his most famous and preferred sitters.
Held in stewardship by the Museum of Modern Art in New York for the last 30 years, it is coming to market for the first time since William S. Paley acquired it from the Marlborough Gallery.
Francis Bacon was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures.
To learn more about one of the great bohemian muses of the 1950’s and 1960’s, Henrietta Moraes, please click here: https://www.sothebys.com/en/articles/…
A multigenerational network of activists is getting abortion pills across the Mexican border to Americans.
Henry James decried the nineteenth century’s “loose baggy monsters,” but a new translation of Alessandro Manzoni’s “The Betrothed” demonstrates the genre’s power.
FT Weekend Magazine – October 8, 2022
In an exclusive interview, Tesla chief Elon Musk talks to FT editor Roula Khalaf about moving to Mars, saving free speech — and why ageing is the one ‘problem’ that should not be solved
This week: Georgina Adam joins Ben Luke to discuss the intriguing story of the bankrupt entrepreneur and art collector, the museum scholar and a host of Old Master paintings given new attributions.
We talk to Suzanne Pagé, the curator of Monet-Mitchell, an exhibition bringing together the Impressionist Claude Monet and the post-war American abstract painter Joan Mitchell, at the Fondation Louis Vuitton in Paris.
And this episode’s Work of the Week is a 1583 painting of Elizabeth I of England, known as the Sieve Portrait, which is one of the highlights of the Metropolitan Museum of Art in New York’s exhibition The Tudors: Art and Majesty in Renaissance England. The show’s curators, Elizabeth Cleland and Adam Eaker, tell us about this richly layered picture.
Monet-Mitchell, Joan Mitchell retrospective, Fondation Louis Vuitton, Paris, until 27 February 2023. Joan Mitchell: Paintings, 1979-85, David Zwirner, New York, 3 November-17 December.The Tudors: Art and Majesty in Renaissance England, Metropolitan Museum of Art, New York, 10 October-8 January 2023 Hosted on Acast. See acast.com/privacy for more information.
Walk through our exhibition ‘Golden Boy Gustav Klimt. Inspired by Van Gogh, Rodin, Matisse. Explore how Klimt developed his unique style and how the Austrian artist was inspired by the work of Van Gogh, Toorop, Rodin, Whistler, Toulouse-Lautrec, Monet, Matisse and many other artists. Gustav Klimt (1862-1918) is one of the most fascinating artists of western art history. He is world-famous for his golden and decorative paintings and his portraits of strong women. But who was this ‘golden boy’, and what is the story behind his talent?
From 7 October 2022 – l8 January 2023
In ArtReview’s October issue – out now – Chris Fite-Wassilak profiles Jeffrey Gibson, the artist whose works unpick and repattern mythologies around the depiction of native cultures: ‘Dolled up in intricate beadwork and bright kitsch plumes, Gibson’s flamboyant artefacts mock the anthropological impulse, while buzzingly suggesting new rituals’.
Renewal can be a fraught process, as ruangrupa found at this year’s documenta fifteen. ArtReview’s Mark Rappolt and J.J. Charlesworth spoke to the collective’s farid rakun and Ade Darmawan about their hopes for and the results of ruangrupa’s artistic direction of documenta fifteen – and what happens next. Their work confounded many assumptions about how this major survey exhibition should be organised – and who and what it should be for. One thing was certain: they “had to fight for every inch”.
It’s a story that has dominated recent cultural discourse – and is touched on by Naom Chomsky, interviewed by Nika Dubrovsky for ArtReview October. Chomsky, a keen admirer of David Graeber’s work, discusses with Dubrovsky the late anthropologist’s last project, neoliberalism and democracy, Western empiricism and imperialism, free speech, Roe v. Wade, and the war in Ukraine.
Gréta Sigríður Einarsdóttir October 5, 2022
Erik Pomrenke September 20, 2022
Erik Pomrenke September 13, 2022
The exhibitions “Monet – Mitchell” create an unprecendented “dialogue” between the works of two exceptional artists, Claude Monet (1840-1926) and Joan Mitchell (1925-1992).
“The dialogue Claude Monet – Joan Mitchell” will be introduce by the “Joan Mitchell Retrospective”, enabling the public in France and Europe to discover her work.
The “Monet – Mitchell” exhibitions present each artist’s unique response to a shared landscape, which they illustrate in a particularly immersive and sensual manner. In his last paintings, the Water Lilies, Monet aimed to recreate in his studio the motifs he observed at length on the surface of his water lily pond in Giverny. Joan Mitchell, on the other hand, would explore a memory or a sense of the emotions she felt while in a particular place that was dear to her, perceptions that remained vivid beyond space and time. She would create these abstract compositions at La Tour, her studio in Vétheuil, a small French village.
Exhibition – 05.10.2022 to 27.02.2023
Boomers Daily 