Formally trained as a classic painter, British artist Hugo Wilson borrows images and techniques from Old Masters to create dramatic new works.
‘A lot of historical references are simply practical. Others are more considered’ he explains. We visited Hugo in his London studio where he showed us the 8 meter wide charcoal drawing he’s been working on during lockdown, blending styles from classic to contemporary art.
In this video, Hugo discusses the influence of Old Masters on his own practice through works offered in Remastered, a curated sale exploring the dialogue between centuries.
was born in Serra Gaúcha, where, in 1980, he started in the universe of painting. It was to improve in the United States, Mexico and Europe. In 2007, he launched the book “Poesias em Aquarela”, an inventory of thematic images resulting from trips undertaken in various regions of Rio Grande do Sul.
Unseen since 1949 and set to appear at auction for the first time, this beautiful work is a quintessential example of Henri Matisse’s sensuous odalisques. The elegant model is Italian countess Carla Avogadro, reclining on an extravagant Venetian Rococo armchair that Matisse bought on a whim and, in his own words, became “obsessed” with. ‘Danseuse dans un intérieur, carrelage vert et noir’
Italian Futurism, abstract form and function from the Bauhaus, and an expressive use of colour from his involvement with Die Brucke and Die Blaue Vier. Feininger’s instantly recognisable style is clearly visible in the dramatic interplay of light and shadow displayed in ‘Zottelstedt II’ from 1927.
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