From a Wall Street Journal online review:
We headed west and hugged the shallow shoreline, casting at shadows of fish as the sun mixed with clouds making it more difficult to sight fish. We curled around a point of land I instantly recognized as Cambridge Beaches, where I stayed with my parents on my first visit to the island and where my sister celebrated her honeymoon.
Mr. Linnell used a push pole to move the skiff quietly along shore as he chatted up guests snorkeling nearby, expertly keeping them away from our bonefish spots by urging the snorkelers to take in sights a safe distance away.
I HAD NEVER considered fly fishing for bonefish in Bermuda. Chasing the elusive, silver-green creatures, prized for their fight, was something you did at remote outposts and rustic camps, where showering was optional and accommodations primitive. Such a trip could be fun for a few days, but you’d never dare drag your wife or kids along.
To read more: https://www.wsj.com/articles/for-a-luxe-fly-fishing-trip-try-bermuda-11572455090
Mr. Chambers, a 48-year-old physical therapist in Jersey City, N.J., modified his sleep, diet and exercise routines. Eighteen months later, his performance on a battery of cognitive tests improved, particularly in areas like processing speed and executive function, such as decision-making and planning.
In 2015, the Laser Interferometer Gravitational Wave Observatory (LIGO) facilities in the US directly detected ripples in space-time known as gravitational waves. These waves were produced by the final spiral of two oribiting black holes that smashed into each other, sending ripples across the universe.
The ability to cover this distance is aided by Helia’s chassis and body panels made from carbon fibre, which grant it a kerb weight of 550 kilograms.
The plot line of The Farewell is familiar to me. Like Billi’s Nai Nai, my aunt was diagnosed with metatastic lung cancer. Nobody in the family told her – nor did the doctors when she later underwent surgery to remove a tumour. The last time I saw her was in north-eastern China a few years ago. Her once-plump figure had shrunk to a wiry frame. She was in her early 70s, in good spirits, but a far cry from the feisty matriarch who used to dominate conversations.

Since I work as a fine artist now, there are fewer commercial entities to please, so I’ve discovered something that should have been very obvious. If you want to engage the viewer, don’t tell them everything, encourage them to ask their own questions. An artist should not describe—he or she should interpret. If you design into your work a bit of mystery—areas where the viewer must “fill in the blanks”—you set up an unspoken dialog with your viewers and an emotional weight will begin to develop organically. This is just one example of course, but an important one.
Making the Special Edition Photographs is an assignment I continue to this day, with Ansel’s vision and standards always in mind as I work. The prints are still made directly from Ansel’s negatives and in the “traditional” way: in a wet darkroom with amber safelights, chemicals and running water. The prints are still silver-gelatin prints, meaning that the image-forming element is literally metallic silver. Precious.


NPR’s Tamara Keith and Amy Walter of the Cook Political Report join Judy Woodruff to discuss the latest political news, including what the death of ISIS leader al-Baghdadi means for President Trump and how the impeachment inquiry might shift after the House takes a formal vote on it this week.