Dalí poses as the Magician, his wife Gala becomes the Empress, and the death of Julius Caesar is reinterpreted as the Ten of Swords in the artist’s extraordinary custom tarot deck. First published in a 1984 limited edition that has since long sold out, this lush box set brings back all 78 cards, each dazzling in color, along with a companion book on the making-of and practical instructions.
To read more: https://www.taschen.com/pages/en/catalogue/art/all/44640/facts.dali_tarot.htm
From PLOS One Journal online release:
We conclude that Pollock avoided the appearance of the hydrodynamic instabilities, contrary to what was argued by previous studies. Pollock selected the physical properties of the paint to prevent filament fragmentation before deposition, and applied it while moving his hand sufficiently fast and at certain heights to avoid fluid filaments from coiling into themselves. An understanding of the physical conditions at which these patterns were created is important to further art research and it can be used as a tool in the authentication of paintings.
Considered one of the most prominent American painters of the 20th century, the life and work of Jackson Pollock have been the subject of books, movies, and documentaries [1–3]. His paintings can be broadly categorized as being abstract-expressionist. Although his painting style evolved during his sometimes tormented life, the so-called ‘dripping’ technique is certainly the most widely recognized both by experts and the general public.
Jackson Pollock described the technique himself [4]. In summary, Pollock would lay a canvas horizontally and pour paint on top of it, in a controlled manner. To regulate the flow of paint, he either used an instrument (a stick, knife or a brush), poured it directly from a can and in some instances he also used a syringe. Viscous fluid filaments were produced and laid over the canvas while ‘rhythmically moving’ around it. It is believed that Pollock developed this technique strongly influenced by an experimental painting workshop, organized in New York by Mexican muralist David Alfaro Siqueiros in 1936 [5]. Interestingly, Siqueiros himself also developed the ‘accidental painting’ technique during this workshop, which was recently analyzed by Zetina et al. [6].
To read more: https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0223706
From a Becker’s Hospital Review online release:
“This is the fourth time in the last two years we’ve had to activate our hospital’s emergency operations plan for a major drug shortage,” Dr. Biddinger told NBC News. “It’s almost unfathomable in modern medicine. I never thought we would get to a point in the U.S. healthcare system where we wouldn’t have essential medicines to be able to treat patients.”
Drug shortages are increasing and lasting longer, according to an FDA report published Oct. 29. Of 163 drugs running low in 2013-17, over 62 percent were due to manufacturing or product quality problems.
Hospitals nationwide are facing shortages of crucial, lifesaving drugs, with 116 drugs currently running low, according to the FDA and cited by NBC News.
Boston-based Massachusetts General Hospital is a prime example, getting as close as two weeks away from canceling a lifesaving cardiac surgery due to a lack of herapin, a blood-thinner, according to Paul Biddinger, MD, chief of the division of emergency preparedness at Massachusetts General Hospital.
From a Classic Driver online article:
Titled Trinity: B.A.T. 5-7-9 and poised to take place at Phillips Berkeley Square on 20–23 November 2019, the exhibition will highlight B.A.T. 5, 7 and 9s’ visionary aesthetics in addition to their significance in the wider context of 20th-century art, architecture and design.
Designed for Bertone by the supremely talented Franco Scaglione in the 1950s, the Alfa Romeo-based Berlinetta Aerodinamica Tecnica concept cars are seminal objects of 20th-century design. Widely known as the B.A.T. cars, the trio of audacious, ultra-aerodynamic and fully functional prototypes pushed the boundaries of automotive design like nothing that had come before and truly embodied avant-garde creativity.
In its heyday, dynamite was a transformative tool; it could blast rock quarries, excavate tunnels, and demolish buildings with power and reliability never before seen. But it also proved to be useful in some surprising ways. In this special episode of Sidedoor, we team up with the history podcast Backstory to explore two less-typical applications of the explosive: the artistic blasting at Mount Rushmore, and how anarchists used dynamite to advance their political agenda in 1886.
From a Harvard news online release:
“The results we saw were stunning and suggest that holistically addressing aging via gene therapy could be more effective than the piecemeal approach that currently exists,” said first author Noah Davidsohn, a former research scientist at the Wyss Institute and HMS who is now chief technology officer of Rejuvenate Bio. “Everyone wants to stay as healthy as possible for as long as possible, and this study is a first step toward reducing the suffering caused by debilitating diseases.”
New research from the Wyss Institute for Biologically Inspired Engineering at Harvard University and Harvard Medical School (HMS) suggests that it may be possible someday to tend to multiple ailments with one treatment.
The study was conducted in the lab of Wyss core faculty member George Church as part of Davidsohn’s postdoctoral research into the genetics of aging. Davidsohn, Church, and their co-authors homed in on three genes that had been shown to confer increased health and lifespan benefits in mice that were genetically engineered to overexpress them: FGF21, sTGFβR2, and αKlotho. They hypothesized that providing extra copies of those genes to nonengineered mice via gene therapy would similarly combat age-related diseases and bring health benefits.
As digital payments become the norm, will there be a need for cash? The Economist’s Finance editor Helen Joyce takes a look behind the scenes of the future, from Sweden to Shanghai. She explores how digital payments will transform the economy, and how they risk leaving some people behind.
The new MoMA opens. Cherished works return to the walls of the galleries in brand new frames, while curators and artists watch the completion of the reinstallation. After being closed for four months, MoMA reopens its doors to the public.
TABLE OF CONTENTS
0:13 – Associate sculpture conservator Roger Griffith and sculpture conservation fellow Joy Bloser clean Arthur Young’s Bell-47D1 Helicopter.
0:52 – Senior curator of Painting and Sculpture Anne Umland and chief curator of Painting and Sculpture Ann Temkin oversee the hanging of Pablo Picasso’s “Les Demoiselles d’Avignon.”
1:20 – Peter Perez, frame shop foreman, discusses “The Starry Night’s” new, black frame.
2:53 – Artist Amy Sillman explains how she curated and arranged “The Shape of Shape,” part of the long-running Artist’s Choice exhibition series in which artists selects works to show from the Museum’s collection
4:17 – Photography curator Sarah Meister and conservator Lee Ann Daffner adjust the lighting on Joseph-Philibert Girault de Prangey’s “Rome. Arch of Septimus Severus and Capitoline Lion.”
5:02 – Senior deputy director of exhibitions and collections Ramona Bronkar Bannayan and director of exhibition design and production Lana Hum make a final checklist of things to accomplish before the opening.
5:32 – Artist Betye Saar sees her exhibition for the first time.
7:11 – Manager of enterprise applications Rik Vanmechelen and developer Ryan Sprott check the new ticket machines.
8:04 – Chief facilities and safety officer Tunji Adeniji welcomes the public to the new MoMA on opening day.
8:30 – Silent film accompanist Ben Model improvises a live piano soundtrack for Frank Powell’s 1915 film “A Fool There Was.”
9:12 – Security supervisor Chet Gold greets volunteer Fred Liberman. Gold returns to his favorite room in the new MoMA.
From a Cornell University news release:
“Another behavior change is physical exercise,” Pillemer said. “A paradox of pain is that exercise helps reduce it, but it’s difficult for people in pain to think about exercising. So they don’t exercise, they get more sedentary and the pain increases; it’s a vicious circle. So how do you get people to actually change their behavior?”
More than 100 million Americans suffer from chronic pain – outnumbering those affected by heart disease, diabetes and cancer combined.
To develop innovative approaches to pain management, a team of behavioral and social science researchers on Cornell’s Ithaca campus, clinical researchers at Weill Cornell Medicine and computer scientists at Cornell Tech has received a five-year, $3 million grant from the National Institute on Aging, part of the National Institutes of Health (NIH).
To read more: http://news.cornell.edu/stories/2019/10/nih-grant-will-fund-non-pharmacological-pain-research
Featured cars have won many of the world’s most iconic races, including Le Mans, the Indianapolis 500, and the Italian Grand Prix, and were loaned to the Museum by internationally recognized collectors from Arizona and across the United States. Legends of Speed offers an unparalleled opportunity for Museum guests to experience and learn about some of the most successful and famous racecars of all time.
Legends of Speed is the first major exhibition of racing cars presented at Phoenix Art Museum. Opening in fall 2019 and featuring more than 20 legendary cars by Maserati, Mercedes, Alfa Romeo, Ford, and more, the landmark exhibition showcases an unprecedented collection of cars driven by some of the greatest drivers in the history of racing, including A.J. Foyt, Dan Gurney, and Stirling Moss.
Boomers Daily 