Video timeline: 0:00 AI software 0:42 Why white-collar jobs? 2:01 AI and job cuts 3:52 What’s next?
Initial images, video and product designs could be taken over by machine learning tech. In fact, one report says nearly 4,000 workers lost their jobs in May to AI. Dropbox cut 16% of its workforce in part to invest more in the tech, while IBM sees a future where 30% of clerical work could be taken over by AI.
WSJ explains why AI may take some white-collar jobs – but also add new ones.
I did everything I could to avoid writing my historical novel. When I finally started “The Fraud,” one principle was clear: no Dickens.
By Zadie Smith
For the first thirty years of my life, I lived within a one-mile radius of Willesden Green Tube Station. It’s true I went to college—I even moved to East London for a bit—but such interludes were brief. I soon returned to my little corner of North West London. Then suddenly, quite abruptly, I left not just the city but England itself. First for Rome, then Boston, and then my beloved New York, where I stayed ten years. When friends asked why I’d left the country, I’d sometimes answer with a joke: Because I don’t want to write a historical novel. Perhaps it was an in-joke: only other English novelists really understood what I meant by it. And there were other, more obvious reasons.
We’re told that story will set us free. But what if a narrative frame is also a cage?
By Parul Sehgal
After a millennium, she remains the hardest-working woman in literature. It was not enough to be saddled with a husband who had the nasty habit of marrying and murdering a new virgin every day to assure himself of spousal fidelity. Nor was it enough to produce a series of nested stories under such deadlines (truly, I complain too much), stories so prickly and tantalizing that the king postponed her murder every night to wait for the next installment. That’s to say nothing of the entirely forgotten three children she bore over those thousand and one nights. Who recalls that there was always a new baby in Scheherazade’s arms?
BARRON’S MAGAZINE – JULY 3, 2023 ISSUE – The Ten Best Income Investments; Time to buy Real Estate Stocks; Automation is the Future, and more…
A steep slide in commercial real estate has put the sector on sale. Where to find 6% yields and growth.
The 60/40 portfolio isn’t dead. From utilities to junk bonds and energy pipelines, we offer ways investors can get high yields and appreciation.
FAST channels have brought back old-school TV channel guides—and plenty of advertising. But the shows are free and incredibly varied. Media execs are taking note.
Rockwell Automation’s shares should earn a higher valuation as investors begin to consider it for what it really is—a tech company.
THE NEW YORK TIMES BOOK REVIEW – JULY 2, 2023: The entire issue is devoted to literature in translation – reviews of translated books (by Javier Marías, Seamus Heaney, Natalia Ginzburg…); Daniel Hahn’s essay about translating picture books; Emily Wilson’s look at “Iliad” translations over the years, culminating with her own; a By the Book interview with the translator Jennifer Croft; and lots more.
Over the years, some 100 people have translated the entire “Iliad” into English. The latest of them, Emily Wilson, explains what different approaches to one key scene say about the original, and the translators.
“There has to be chemistry,” says the writer and prolific translator, whose second book will come out next year. “You don’t need prior knowledge of, say, Iceland or Icelandic in order to appreciate Victoria Cribb’s translation of Sjón.”
THE NEW YORK TIMES MAGAZINE (July 2, 2023) –
In this week’s cover story, Lynsey Addario takes us to a Ukrainian town where an 11-year-old is navigating a childhood transformed by war. Plus, a profile of the Christian pop star Marcos Witt and an investigation into how federal law targets thousands of women on anti-addiction medications.
In a Ukrainian town, an 11-year-old navigates a childhood transformed by war.
In a town near the Eastern front lines of the Donbas region of Ukraine, an 11-year-old boy named Yegor’s days were as predictable as they could be, given the unpredictability of war.
A string of uncanny videos show what generative A.I. and advertising have in common: They chew up the cultural subconscious and spit it back at us.
By Mac Schwerin
Even if I didn’t work in advertising, I would be a connoisseur of commercials. You’re probably one, too. Think of all the tropes you’ve ingested over the years — the forest-green hatchbacks conquering rugged Western landscapes, the miles of mozzarella stretched by major pizza chains. These are the images that let you know what kind of pitch you’re watching, so you won’t be confused when the brand shows up.
Humanities Magazine – Summer 2023 Issue
In the 1970s and ’80s, geographer Ken Martis mapped every congressional district and color-coded them by political party, going all the way back to the first Congress.
The Man in Black grew up in Dyess, Arkansas, in a community of poor farmers working government land.
A traveling exhibition explores the underworld
In the captivating survey “Comparative Hell: Arts of Asian Underworlds,” the damned are boiled alive. Writhing in pain, they are skewered, mauled by dogs, and devoured by ink-black birds. But the show is dotted throughout by charming reprieves: a lush jade-green garden, creamy-white blossoms, and whirling clouds. This is a hell that delights as much as it punishes.
Subtle shifts in stellar signals reveal pervasive waves from mergers of giant black ho
Scientists are learning how to cryopreserve living tissues, organs, and even whole organisms, then bring them back to life
The Wagner mutiny exposes the Russian tyrant’s growing weakness. But don’t count him out yet
Ukraine’s counter-offensive is going slowly
Factions close to the Russian president are thinking about life after him
By Jackson Lears
Shaw’s life force, Freud’s libido, Bergson’s ‘élan vital’—all are expressions of a spark that eludes the control of civilized modernity. Review by Jeremy McCarter.
“All history is the history of longing,” Jackson Lears has written.
By Philip J. Stern
The history of the British empire is really the history of ‘venture colonialism,’ developed by bold entrepreneurs, savvy investors—and some shady characters too. Review by Tunku Varadarajan.
By Rebecca Struthers
The craft requires ingenious engineering at a miniature scale and an appreciation for timeless beauty. Review by Michael O’Donnell.
By Patrick Mackie
The continuing appeal of Mozart’s music may lie in the contradictory nature of the composer, balancing elegance with challenging originality. Review by Lloyd Schwartz.
By Sarah Hart
Are great writers and brilliant mathematicians really so far apart? Within the structures of literary works of all kinds, numbers are hiding. Review by Timothy Farrington.
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