In this issue, Kim Tingley on the quest to make the most of our body clocks with “circadian medicine”; Virginia Eubanks on her partner’s PTSD and her struggle as a caregiver; Mark Binelli on Yuval Sharon, the most visionary opera director of his generation; Jake Bittle on the restaurateur who changed America’s energy industry; and more.
CHILE’S VILLARRICA NATIONAL PARK—As a motley medley of mycologists climbed the basalt slopes of the Lanín volcano earlier this year, the green foliage at lower elevations gave way to autumnal golds and reds. Chile’s famed Araucaria—commonly called monkey puzzle trees—soon appeared, their spiny branches curving jauntily upward like so many cats’ tails.
The hype about TikTok is justified—and so are the concerns. There’s a reason why the world’s most exciting app is also its most mistrusted https://econ.st/3bQE9JX
How animals perceive the world, a return to Chagos, Steve Bannon, and a mad hunt for Civil War gold. Plus Jack White, how the U.S. has no nuclear strategy, dad rage, Ulysses at 100, one family’s doll test, downsides of beach resorts, and more.
COVER STORY
How Animals Perceive the World – Every creature lives within its own sensory bubble, but only humans have the capacity to appreciate the experiences of other species. What we’ve learned is astounding.
FEATURES
American Rasputin – Steve Bannon is still scheming. And he’s still a threat to democracy.
They Bent to Their Knees and Kissed the Sand – Half a century ago, the British government forcibly removed 2,000 people from a remote string of islands in the middle of the Indian Ocean. They’ve never stopped struggling to return.
‘Je vois red’ raged Louise Bourgeois (1911–2010) on one of the loose sheets of paper that she made notes on, most often about herself and her work and, in this case, about the painting Natural history #2 (1944; Easton Foundation, New York), which struck her as all going wrong. Slipping between two languages, Bourgeois’s fury conforms to the themes of rage, the death drive and childhood aggression that the art historian Mignon Nixon has traced in the artist’s work in reference to the ideas of the psychoanalyst Melanie Klein.