My husband doesn’t enjoy peeling oranges. He doesn’t like the little white webs of pith or the way the juice trickles between his fingers and soaks and stains the skin. He’s not a fan of pips. The citrus-sweet taste he could take or leave. If I had to choose between him and my favourite fruit, I like to think I’d stick with him.
On this episode of The London Magazine Podcast, we speak with Max Wilkinson.Max is a playwright and screenwriter whose award-winning play, Rainer, about a voyeuristic delivery rider riding around London, played at the Arcola Theatre last summer and is being produced for BBC Radio Four’s Afternoon play slot.
When Clare wakes, the car is moving along a wide valley between fields of grazing cattle. She shifts in her seat, her side sweaty where her brother Robbie has been leaning against her. The last thing she remembers is crossing into Austria at a high pass, a young border guard peering in at them through the drizzle. Now the sun is out, and the tarmac is steaming in the heat. At a junction, her father slows down. ‘This is it,’ he says, turning the car. They pass through a village, all whitewashed houses with large overhanging roofs. In the deserted square is a small inn, Der Jäger painted across one wall in beautiful gothic script. Next to the lettering is a twenty-foot-high figure of a hunter in Tyrolean leather trousers and green hat, striding across a mountain side. Clare notices that he has the same jaw as John Travolta in Grease.
K11 Musea, Hong Kong – From the subway yards and parking lots of 1970s New York, K11 MUSEA’s third annual Art Karnival welcomes China’s largest street art exhibition, ‘City As Studio’!
Bleeding the city with the heart and soul of the art form, we take the plunge into the world of spray paint, tags, and throw-ups that steered a global cultural movement. Presented by K11 MUSEA and K11 Art Foundation, curated by “Champion of Graffiti and Street Art” Jeffrey Deitch,the exhibition brings the extensive history and evolution of street art to the people,
Over 100 works showcase the visions of more than 30 artists, including some of the most recognisable names of the medium — from veterans Jean-Michel Basquiat, Keith Haring, and FUTURA, to young bloods KAWS, AIKO, and more.
Orion Magazine (Spring 2023) – THIS ISSUE features exclusively works in or about translation, engaging with over twenty-five languages across six continents.
The Northern Mariana Islands lie in a crescent moon south-southeast of Japan. At the lower point is Guåhan, also known as Guam, an island that is geologically part of the same volcanic chain but that set itself apart by becoming an unincorporated U.S. territory instead of remaining part of the Commonwealth.
BANZEIRO—THIS IS WHAT THE PEOPLE of the Xingu call places where the river grows savage. Where, if you’re lucky, you can make it through; where, if you’re not, you can’t. It is a place of danger between where you’re coming from and where you want to go.
Our Spring 2023 issue speaks to the language of nature and features works in or about translation. Here, Orion staffers and friends pulled together a list of their favorite fiction and nonfiction books that in some way reflect this literature of etymology.
This slim fantastical novel reads like an incantation. Set in rural late-19th century Iceland, its braided, lyrical, fugue-like narrative is tender and electric. Here we find a cruel priest named after a monster, trapped in an ice cave, raving at a dead fox. But too, a kindly herbalist burying his friend with her feather collection—a young woman with Down syndrome who spoke a language of her own—who he rescued from an unthinkable fate. This was my first encounter reading Sjón, who is apparently so big in his home country he doesn’t need a last name, but the book’s otherworldliness made perfect sense when I learned he writes lyrics for Björk. This one will haunt me for a while.
In Lulu Miller’s Why Fish Don’t Exist, naming becomes an imposition, an attempt at order and, sometimes, hierarchy. In this book—part memoir, part biography—Miller is searching for a reason to keep living, a sense of order in a chaotic world, and she does so by looking to a taxonomist who spent his life naming the creatures under the sea: David Starr Jordan.
How the climate catastrophists learned to stop worrying and love the calm
The first signs that the mood was brightening among the corps of reporters called to cover one of the gravest threats humanity has ever faced appeared in the summer of 2021. “Climate change is not a pass/fail course,” Sarah Kaplan wrote in the Washington Post on August 9.
When I was a kid, in the touch-tone era in the Midwest, I often dialed, for no real reason, the “time lady”—an actress named Jane Barbe, it turns out—who would announce, with prim authority “at the tone,” the correct time to the second. I was, in those days, a bit obsessed with time.
Kunsthalle Praha, Prague, Czech Republic (March 20, 2023) – From post-war Paris and New York, through swinging London, to the free spirits of Tehran and Beijing. Kunsthalle Praha explores the idea of bohemia.
A popular, growing class of drugs for obesity and diabetes could, in an ideal world, help us see that metabolism and appetite are biological facts, not moral choices.
David Kordansky Gallery (March 18, 2023) is pleased to present Paths Crossed, an exhibition of new paintings by Hilary Pecis, on view in Los Angeles at 5130 W. Edgewood Pl. from March 18 through April 22, 2023.
Hilary Pecis Frog Town Pear Blossoms, 2023
Pecis creates drawings and paintings inspired by the interior, exterior, and inter-spaces that surround her daily life. For her first exhibition with David Kordansky Gallery, the artist presents a selection of lush, saturated landscapes reflecting the mountainous, desert, and urban landscapes commonly associated with Southern California.
From the Romans to the Russians, monarchies that at one time seemed all powerful have come crashing down as a result of violence, political manoeuvring or the will of the people. Danny Bird charts the downfall of 10 kingdoms and empires throughout history
Poetry a special section T. S. Eliot’s still point by James Matthew Wilson Singing the “Frauenliebe” by Ian Bostridge The foundational “Kokinshu” by Torquil Duthie A White Russian on the rocks by Boris Dralyuk
Darkness visible: Auden collected by William Logan