In contrast to recent years, few of the winning images emerged from far-flung expeditions. Most were taken by photographers working close to home. This may be a reflection of the many ways that birds provided solace during the challenging and restrictive conditions brought on by the pandemic.
Crumbling pastel-colored facades line its streets, parked vintage cars evoke times past, live music permeates the air. Welcome to Havana, home to an overwhelming energy. Situated along the Straits of Florida, the capital of Cuba has been through several identities: Spanish colonial settlement, mobster rule in the 1930s, glamour of the 1950s, Cuban revolution and, most recently, a cultural renaissance.
Havana’s bold, provocative approach to art, cuisine and entertainment—as well as the eclectic blend of African, French, Spanish and North American influences—including its range of architecture styles from the sixteenth century to the modern day, confer this epic city with a legendary status on par with the world’s greatest cities. While some of the building are in disrepair, the beauty of the baroque, neoclassical and art deco features triumphs.
The iconic Copa Room cabaret that hosted Ginger Rogers and Abbott and Costello still stands. The Gran Teatro de la Habana, built in the early twentieth century, is now home to the Cuban National Ballet. Habana Vieja is undergoing a massive restoration to its former glory. Havana could be seen as a work-in-progress, but it is more a testament to its never-ending determination to improve and progress, which might be the allure that attracts so many visitors. So take a seat at an authentic paladar (family-run restaurant) and enjoy the vibrant evolution of Havana.
Pamela Ruiz came to Cuba in the 1990s and fell in love, both with the country and her husband, Cuban artist Damian Aquiles. Formerly a location scout for photography shoots, she soon began to turn her attention to art, specifically bridging the international art world and Cuba.
How close have you ever gotten to a wild bird? Can you remember the details of its plumage or the curvature of its beak? Did it sit in one place long enough for you to really study all of its colors and other characteristics? Probably not—at least if it was alive. The avid birders among us sometimes search their whole life for a glimpse of a particularly rare species. But if you are just a casual observer of the winged creatures around us, the ones you do see likely come and go as flashes of color and sound. For ornithologists, the elusive nature of birds is just part of the job. Beyond fieldwork, though, access to rare or extinct species or those with a limited range can be especially difficult to get. If you were, say, hoping to study the green-headed tanager (a riotously multicolored songbird native to South America) and unable to travel to the northeastern region of the continent where it can be found, you would have to ask a museum to send you a specimen in the mail. Access to rare specimens, such as those of extinct birds, can be especially difficult to get.
“Libraries are especially useful in this moment, because they’re open to everybody,” Robert Dawson says. “They can be a way for us to talk to each other. Throughout the world, they’re symbols of hope.”
THE KINGFISHER HAS the poise of an Olympic diver. It catches food by plunging head-first into water, wings outstretched and beak pointed keenly at an unsuspecting minnow or stickleback swimming below. The bird dives in the blink of an eye, snatching its prey and flying away in a blur.
Alan McFadyen recently captured a kingfisher’s riveting dive in a gorgeous photo that shows the bird the moment before it nabs a fish, its body reflected as a mirror image in the water’s surface. The birds, which tend to be small, with large heads and dagger-like beaks, can dive at speeds up to 25 mph, making McFadyen’s photo a difficult shot. “The [kingfisher’s] speed is incredible and fascinating to watch,” he says. “Even at 10 frames per second, sometimes you get nothing in the [photograph]. It’s that fast.”
The Italian region of Tuscany is a feast for all senses. A creative incubator that has cultivated art and architecture for eras including Etruscan, Roman, Renaissance and modern times. Timeworn churches, once stops on nineteenth-century Grand Tours, stand tall in the towns’ piazzas. Rolling hills of wheat and colorful olive groves, that inspire authentic Tuscan cuisine, are dotted with villas built by the prestigious Medici family.
The Tyrrhenian Sea extends off its coast, lapping the shore of Elba, the island where the emperor Napoleon was exiled. Quaint villages, historic towns and bustling cities are scattered across its landscape, which is almost as varied as the communities themselves. From annual horse races at Piazza del Campo, and the centuries-old winemaking traditions of the Chianti region to the city of Pisa, an ancient Maritime Republic known for the youthful spirit of its Scuola Normale Superiore and Leaning Tower alike, Tuscany is the place of dreams, where thousands come to relive its history and take in the beauty of a region.
In the fashion world, Ferragamo, Gucci and Pucci all have ties to Florence and its endless inspiration. However, what truly defines Tuscany is its timelessness. Masterpieces from centuries past still lure immense crowds. Brunelleschi’s dome in Florence never fails to strike onlookers with awe.
Cuba, a place known for it’s unique mix of cultural and artistic influences along with it’s diverse architecture, repeatedly drew Eastman to work there throughout the years. Eastman’s lavish monumental photographs of the opulent colonial and Art Deco architecture of Havana impart on the viewer magnificently decorated rooms bathed in romantic Baroque light.
Seemingly caught in the rift of time and bearing the resulting mark making, these decadent and warm inviting spaces seemingly take on the role of storyteller, serving witness to a time now passed.
For five decades, Michael Eastman has explored the interiors and facades in diverse geographical locations producing photographs unified by their visual precision, monumentality, and painterly use of color. Eastman’s affection for the vernacular is reflected in the resultant photographs, rich in narrative and embodied with an intrinsic sense of place and time.
Born in 1947 in St. Louis, Missouri, Eastman studied at the University of Wisconsin. He is the recipient of the National Endowment for the Arts Grant, National Addy Award, and a Paris Photo BMW Finalist Prize. His images have appeared in Time, Life, Art in America, New York Times, and American Photographer. Eastman’s work is in numerous private and public collections, including The Metropolitan Museum of Art, NY; San Francisco Museum of Modern Art, CA; Art Institute of Chicago, IL; Los Angeles County Museum of Art, CA; High Museum of Art, Atlanta, GA; Saint Louis Art Museum, MO; and the International Center of Photography, NY. His publications include Havana (Prestel, 2011), Vanishing America (Rizzoli, 2008), and Horses (Knopf, 2003).
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