Donald Trump’s aversion to admitting fault suggests that we will not likely see events that grapple with the nuanced nature of the nation’s history this July 4th. By Jelani Cobb
Was the Declaration of Independence Better Before the Edits?
Amid contention, criticism, and compromise, a divided nation had to present a unified front. It came at a cost. By Jill Lepore
Barack Obama Considers His Role in the Age of Trump
The former President remains one of the most popular politicians in the country. What are his obligations to it?
“The Consolidation of Collections: New Light on the 18th-Century British Art Market” An in-depth study by the editorial team and guest contributors exploring how major British estates restructured their private galleries during the mid-1700s. The article utilizes newly discovered ledger books to trace the provenance of several key Italian Baroque works.
“Paolo Veneziano and the International Gothic in Venice” Following the research trends seen in the early part of the year, this feature provides a technical analysis of recently restored altarpieces attributed to Veneziano, focusing on the use of ultramarine and gold leaf techniques that defined the Venetian style in the 14th century.
“Nicholas Lanier and the ‘Star’ Drawings: New Discoveries” Building on recent scholarship (featured in related symposiums), this article identifies several previously unrecognized drawings from the collection of Nicholas Lanier (1588–1666). It specifically examines the “star-shaped marks” used by Lanier and his uncle Jerome to catalog their sixteenth-century Italian acquisitions.
Editorial and Shorter Notices Editorial: “The Future of Art History in the Digital Age” Editor Christopher Baker discusses the balance between traditional archival research and the integration of AI and digital imaging in art historical authentication.
Object in Focus: “George Frederic Watts’s Satan (1847)” A specialized notice providing a new interpretation of Watts’s massive canvas. The author argues that the figure’s pose was inspired by the Monte Cavallo Horse Tamers in Rome rather than the Apollo Belvedere, as previously thought.
Exhibition and Book Reviews The Farnese Gallery Drawings (Musée du Louvre, Paris): A critical review by Ketty Gottardo on the exhibition focusing on the Carracci brothers’ preparatory works.
Studio Prints: A History, 1968–2011: A review of the new publication by Paul Holberton Publishing, detailing the impact of the London workshop on 20th-century printmaking.
Modernizing the Catalog: A review of the Patek Philippe exhibition and the intersection of fine horology with decorative arts history.
LITERARY REVIEW : The latest issue featuresRitchie Robertson on Weimar * Charles Darwent on Louise Bourgeois * John Guy on the Tudors * Kirsten Tambling on dogs in art * Piers Brendon on Churchill and the crown * Saul David on AI warfare * Simon Nixon on private equity predators * Nigel Andrew on outsider animals * Zoe Guttenplan on Beatrice Warde * Maren Meinhardt on women and music * Lucy Lethbridge on swimming * Diane Purkiss on being published * Anthony Pagden on the West * Michael Reid on Lula * Anthony Teasdale on Tory leaders * Anna Reid on Vera Gedroits * Wendy Holden on Elizabeth II * Harriet Rix on trees * Emma Smith on Shakespeare’s identity * Jane Yager on Herta Müller * Sheena Joughin on Siri Hustvedt * Adam Kucharski on evidence * Keith Miller on Douglas Stuart * Natalie Perman on Jem Calder * and much, much more…
Weimar Germany: Death of a Democracy By Victor Sebestyen
Weimar: Life on the Edge of Catastrophe By Katja Hoyer
The small town of Weimar is overladen with historical associations. Goethe spent more than fifty years there as an employee and friend of Duke (later Grand Duke) Karl August. After the last grand duke abdicated in November 1918, the National Assembly met in Weimar to draw up a new republican constitution for Germany. Other symbolically charged venues considered were Nuremberg (home of Dürer) and Bayreuth (because of Wagner), but it was Weimar that gave its name to the period of German history from …
Having been named for her father, Louis, a mere dealer in antique tapestries, seemed insufficiently romantic to Louise Bourgeois, who was born on Christmas Day in 1911. She preferred the idea that her namesake was Louise Michel, ‘the red virgin of Montmartre’, an anarchist heroine of the Paris Commune. It wasn’t true, of course, but …
A phrase like ‘fortress England’ seems to echo down the centuries, and turns up again in This Little World, Nandini Das’s new study of identity and belonging, cross-border migration, assimilation and estrangement in the period between 1500 and the restoration of Charles II. Das seeks to unmask the period’s most fundamental assumptions about English … read more
In March 2022, soon after the full-scale Russian invasion of Ukraine began, Kyiv-based illustrator Masha Foya produced what I think is one of the Guardian Weekly’s most powerful covers on the war, concerning the devastation of Mariupol. So it’s a pleasure to feature Masha’s work again for the current edition, this time marking 40 years since the Chornobyl nuclear disaster.
“Since childhood, the story of Chornobyl has always made me feel a strange dissonance – such a tragedy occurring on a beautiful spring day in April,” explains Masha on the thought process behind her design, in which seasonal greens fade away into ominous skies.
It also reflects present-day anxieties. For a special report, Pjotr Sauer visits the site of the world’s worst nuclear accident and sees up close how the giant containment structure around the failed reactor is in urgent need of costly repairs after a Russian drone strike, as fears grow of a possible new catastrophe.
Five essential reads in this week’s edition
Environment | Why apes are more like us than we ever thought Imagination, reason and ability to recognise faces from the past are not the sole preserve of humans, studies show. Gloria Dickie reports
Finance | The wagering of war Once largely siloed to sporting events, betting has now spread to include contracts on news events where insider information could pay handsomely. With over $1bn in perfectly timed bets on the Iran war having recently been seen, Lauren Aratani explores what exactly is going on
Feature | The big game hunters who believe they can save Africa’s wildlife One way to pay for wildlife conservation is to allow the rich to bag a few animals for high prices. But critics see this approach as an exercise in neocolonialism. Cal Flynwent in pursuit of answers
Opinion | Starmer’s listless government shows zombie politics is the new norm Distracted, listless and unambitious – the British PM’s true form has finally emerged. But whatever comes next must end this ruinous cycle for the country, argues Nesrine Malik
Culture | Iron Maiden on 50 years of heavy metal madness As a career-spanning documentary hits cinemas, the legendary rock band revisit their path from pubs to stadiums over half a century of headbanging hits. Harry Sword buckles up
“Saguaro in the Sea” by Sophia Acuña: on surfing and indigeneity in Southern California, told through collage.
“Care Directive” by Sarah Matsui: a daughter’s attempt to keep her aging father in Hawaii from all sorts of calamity, but having to monitor him from the mainland.
“Triptych: A Biographer’s Sketchbook” by Carolyn Burke: “The Baroness was lively, curious, and still blond at eighty-five. She received me in a flurry of franglais, the mingling of two languages in which we would converse, and put us at ease with pink champagne, her favorite.”
Fiction
“Decoys” by Will Boast: goofing around working at the town supermarket, burning through the days till it all comes to head.
“Lilac Mud” by Anita Felicelli: A Bay Area artist in Amsterdam is approached one night by a man claiming to be a former student, leading to a crisis of identity and purpose.
“Grote geplumaceerde” by Emily Nemens: “Afterward, staring hard at her phone, which was her radio, which was the bearer of bad news, she wondered what mattered at all.”
Poetry
Kevin Cantwell, Geraldine Jorge, Jonathon Keats, Caroline Kessler, and Noelani Piters.
In Conversation
Lydia Kiesling talks to acclaimed author Karen Russell about Russell’s latest novel, The Antidote, and about Russell’s “fascination with foundational myths, the things we choose to know, and the things we choose to ignore or forget.”
APOLLO MAGAZINE: The latest issue features Inside the crisis at the Louvre | how Marcel Duchamp invented modern art | an interview with Abbas Akhavan | Whistler shows his metal
FEATURES | Valeria Costa-Kostritsky explores the crisis at the Louvre; Hettie Judah talks to Abbas Akhavan before the artist represents Canada at the Venice Biennale; Ana María Bresciani of the Munchmuseet on Edvard Munch and the chocolate factory; Nicole Rudick on how Marcel Duchamp has been misunderstood; and Tara Contractor takes a closer look at Whistler’s love of metallic surfaces
REVIEWS | Sheila Barker on Raphael’s interest in women – and their interest in him; Zachary Ginsberg takes the temperature of contemporary American art at the Whitney Biennial; Digby Warde-Aldam admires Hurvin Anderson’s tricky balancing acts; Robert Hanks on the role of man’s best friend in art history; and William Aslet on the craftsmen behind some of Britain and Ireland’s best buildings
MARKET | Jane Morris on the status of online auctions; Emma Crichton-Miller on the mid-century French designers who married form, function and fun; in New York fair previews: Fatema Ahmed picks highlights from TEFAF; and Arjun Sajip looks ahead to Frieze
PLUS | Charles Darwent salutes the subtleties of Jasper Johns; Samuel Reilly on the threat to one of Glasgow’s most unusual attractions; Will Wiles applauds the witty architectural cartoons of Alan Dunn; Ivan Day on extravagant banquets in the Georgian era; Christina Makris visits the vineyard of Château La Coste; Helena Attlee is fired up by a depiction of Mount Etna; and Edward Behrens on a sale that shines new light on Gerhard Richter
The exact reasons are often left vague and the successors to be determined, but people are leaving the Administration—including three Cabinet secretaries. By Benjamin Wallace-Wells
Can the E.P.A. Survive Lee Zeldin?
The agency, which was founded to protect the environment and human health, has cancelled safety regulations, supported coal, and stopped caring about climate change. By Elizabeth Kolbert
Donald Trump’s Economic Warfare Abroad Comes Home
From tariffs to the war with Iran, the President is blowing up the global economy.
The actor and comedian is keenly aware of humanity’s limitations, but he’s not giving up. By David Marchese
‘I Don’t Know If We Can Come Back From This’: The View From Inside Trump’s D.H.S.
Dozens of agents and officials share their stories about working in the Department of Homeland Security during the harsh crackdown on illegal immigration.
News, Views and Reviews For The Intellectually Curious
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