Tag Archives: History

THE ATLANTIC MAGAZINE – DECEMBER 2025 PREVIEW

THE ATLANTIC MAGAZINE: The latest issue featuresVOTE’

Senate Democrats Just Made a Huge Mistake

The shutdown was hurting Trump. Ending it helps him.Jonathan Chait

Pay Attention to the First 10 Minutes of SNL

James Austin Johnson’s catchall monologues have become an ideal format for the recent onslaught of political news.Erik Adams

THE GUARDIAN WEEKLY – NOVEMBER 7, 2025 PREVIEW

THE GUARDIAN WEEKLY: The latest issue features ‘A Massacre Foretold’ – The Tragedy of El Fasher’

For some time now, El Fasher in Sudan has been a city beyond the reach of journalists. But the haunting satellite image on our cover this week, of smoke billowing from fires near El Fasher’s airport, told its own story as starkly as anything that could be reported from the ground.

Other satellite images showed clusters of burned-out vehicles, and what appeared to be pools of blood beside piles of bodies on the ground. A massacre was under way that could be seen from space.

The last major city in Darfur to fall to the Rapid Support Forces (RSF) was already the scene of catastrophic levels of human suffering, but has “descended into an even darker hell”, senior UN officials warned last week. This key moment in the two-and-a-half-year-long civil war has unfolded in plain sight with minimal intervention from the international community, unless you count the United Arab Emirates, which has been arming the RSF paramilitaries.

Spotlight | The Andrew formerly known as a prince
Stupidity and self-entitlement sank King Charles III’s disgraced younger brother – and the royal reckoning may not be over yet, writes Stephen Bates

Technology | What if the internet just … stopped working?
Could everything suddenly go offline and if so, how? Aisha Down goes inside the fragile system holding the modern world together

Interview | Margaret Atwood puts the world to rights
At 85, she’s a literary seer and saint – and queen of the Canadian resistance. So what does the writer make of our dystopian society? Lisa Allardice finds out

Opinion | World leaders: Cop30 could be your great legacy
With the US backing away from the climate crisis, now is the moment when other nations must step up, says former British prime minister Gordon Brown

Culture | Back to black with Lynne Ramsay
The Scottish film director burst on to the scene with Ratcatcher and terrified audiences with We Need to Talk About Kevin. Her latest film stars Hollywood darling Jennifer Lawrence, but it doesn’t flinch from the dark side of family life, finds Amy Raphael

LITERARY REVIEW – NOVEMBER 2025

LITERARY REVIEW : The latest issue features Jeremy Noel-Tod on Seamus Heaney * Kathryn Murphy on Vermeer * Kirsten Tambling on two 18th-century artists * Sophie Oliver on Katherine Mansfield * Lucy Lethbridge on reading * Tom Shippey on the first king of England * Daniel Rey on Christopher Columbus * Nigel Jones on U-boats * Richard Vinen on the Second World War * John Phipps on John le Carré * Julian Baggini on effective altruism 

The Pen & the Spade

The Poems of Seamus Heaney By Rosie Lavan, Bernard O’Donoghue and Matthew Hollis (edd.)

Vermeer: A Life Lost and Found By Andrew Graham-Dixon

A woman stands, oblivious to our gaze, absorbed entirely in her activity – reading, pouring, weighing, holding out her pearls. A window to the left admits a radiance, which falls variously on the common stuff the room contains. The light enters as an absolute blank, but infuses colour as it illuminates the scene. 

Katherine Mansfield: A Hidden Life By Gerri Kimber

The rush to tell the story of Katherine Mansfield’s short, fascinating life began as soon as she died. Her husband, John Middleton Murry, a gifted editor, notoriously turned the publication of her writing into an industry. 

TIMES LITERARY SUPPLEMENT – OCTOBER 31, 2025 PREVIEW

TIMES LITERARY SUPPLEMENT: The latest issue features ‘Extinction rebellion’ – How Tennyson speaks to our fears.

Collision course

The troubled history of US-China relations By Katie Stallard

Playing a game to tell the truth

Iris Murdoch’s unseen poetry, transcribed for the first time By Miles Leeson

The Kraken wakes

Tennyson’s embrace of science and catastrophe theory By Angela Leighton

Winter is coming!

Tales of the uncanny from a master of ambiguity By Joyce Carol Oates

THE GUARDIAN WEEKLY – OCTOBER 31, 2025 PREVIEW

THE GUARDIAN WEEKLY: The latest issue features ‘Pressure Points’ – Will US sanctions put the squeeze on Putin?

Donald Trump’s sudden decision last week to sanction Russian oil producers suggested the US president has finally lost patience with Vladimir Putin after a series of fruitless talks over ending the war in Ukraine.

Could it break the deadlock? Oil sanctions have the potential to genuinely damage Moscow’s finances, as the Russian president himself admitted last week. It remains to be seen, though, whether economic pressure alone can bend Putin’s arm over a conflict he views as defining to his legacy.

In this week’s big story, Guardian Russia affairs reporter Pjotr Sauer asks whether sanctions could succeed where diplomacy has failed, while Christopher S Chivvis of the Carnegie Endowment for International Peace argues that a negotiated settlement remains the likeliest way to bring nearly four years of fighting to a halt.

In the frontline Ukrainian city of Kupiansk, senior reporter Peter Beaumont finds little hope of a quick resolution, with much of the population having left and the remaining soldiers stuck in a war they believe is “going nowhere for either side”.

Five essential reads in this week’s edition

Spotlight | The populist leaders’ economic playbook
From Milei to Meloni, are the economics of populism always doomed to failure? This long read from economics editor Heather Stewart tries to bridge the gaps between populist aspiration and fiscal reality

Environment | The deadly migration routes of elephants
Human-wildlife conflict has overtaken poaching as a cause of fatalities among elephants – and is deadly for people too. Now some villages are finding new ways to live alongside the mammals, reports Patrick Greenfield

Interview | Is Jimmy Wales the good guy of the internet?
The Wikipedia founder stands out from his contemporaries for being driven by more than money. But can the people’s encyclopedia withstand attacks from AI and Elon Musk? By David Shariatmadari

Opinion | Without genuine truth and justice, the war in Gaza cannot end
A fragile ceasefire is in place, but what’s needed is an international tribunal for resolution and reparation. That’s the only route to lasting peace, argues Simon Tisdall

Culture | The electrifying genius of Gerhard Richter
He has painted everything from a candle to 9/11, walked his naked wife through photographic mist, and turned Titian into a sacred jumble. A new Paris show reveals the German artist in all his contradictory brilliance, says Adrian Searle

THE NEW YORK REVIEW OF BOOKS – NOVEMBER 20, 2025

Table of Contents - November 20, 2025 | The New York Review of Books

THE NEW YORK REVIEW OF BOOKS: The latest issue features Fintan O’Toole on Kamala’s pointless campaign memoir, Jonathan Lethem on One Battle After Another, Anne Diebel on the trials of infertility, Colin B. Bailey on Watteau’s sad clowns, Linda Kinstler on the invention of sovereign states, Langdon Hammer on James Schuyler’s shimmering poetry, Samuel Stein on NIMBYs and YIMBYs, Miranda Seymour on Frankenstein’s mother, Adam Shatz on Alice Coltrane, a poem by Rae Armantrout, and much more.

The Lingering Delusion

107 Days by Kamala Harris

Kamala Harris’s memoir 107 Days succeeds at least in distilling the evasions and weaknesses of the modern Democratic Party.

Falling Off the Map

The Life and Death of States:  Central Europe and the Transformation of Modern Sovereignty by Natasha Wheatley

How States Die: Membership and Survival in the International System by Douglas Lemke

World War I set the stage a century ago for new ways of thinking about where states come from and what happens when they disappear.

APOLLO MAGAZINE – NOVEMBER 2025 PREVIEW

November 2025 - Apollo Magazine

APOLLO MAGAZINE: The latest issue features The Studio Museum in Harlem is back | have we reached peak Bloomsbury? | Tilda Swinton turns herself into art | how Constable ploughed his own furrow | Michaelina Wautier takes her place among the greats

Is the art market at a turning point?

After a gloomy few years, promising auction results and some exciting upcoming sales suggest that the market could be on the road to recovery

Yerevan, Armenia’s rock-star capital

A century ago, Alexander Tamanyan devised a startling layout for the city. Despite changes in regime and fashion, his vision has endured

THE ALGORITHM OF IMMEDIATE RESPONSE

How outrage became the fastest currency in politics—and why the virtues of patience are disappearing.

By Michael Cummins, Editor | October 23, 2025

In an age where political power moves at the speed of code, outrage has become the most efficient form of communication. From an Athenian demagogue to modern AI strategists, the art of acceleration has replaced the patience once practiced by Baker, Dole, and Lincoln—and the Republic is paying the price.


In a server farm outside Phoenix, a machine listens. It does not understand Cleon, but it recognizes his rhythm—the spikes in engagement, the cadence of outrage, the heat signature of grievance. The air is cold, the light a steady pulse of blue LEDs blinking like distant lighthouses of reason, guarding a sea of noise. If the Pnyx was powered by lungs, the modern assembly runs on lithium and code.

The machine doesn’t merely listen; it categorizes. Each tremor of emotion becomes data, each complaint a metric. It assigns every trauma a vulnerability score, every fury a probability of spread. It extracts the gold of anger from the dross of human experience, leaving behind a purified substance: engagement. Its intelligence is not empathy but efficiency. It knows which words burn faster, which phrases detonate best. The heat it studies is human, but the process is cold as quartz.

Every hour, terabytes of grievance are harvested, tagged, and rebroadcast as strategy. Somewhere in the hum of cooling fans, democracy is being recalibrated.

The Athenian Assembly was never quiet. On clear afternoons, the shouts carried down from the Pnyx, a stone amphitheater that served as both parliament and marketplace of emotion. Citizens packed the terraces—farmers with olive oil still on their hands, sailors smelling of the sea, merchants craning for a view—and waited for someone to stir them. When Cleon rose to speak, the sound changed. Thucydides called him “the most violent of the citizens,” which was meant as condemnation but functioned as a review. Cleon had discovered what every modern strategist now understands: volume is velocity.

He was a wealthy tanner who rebranded himself as a man of the people. His speeches were blunt, rapid, full of performative rage. He interrupted, mocked, demanded applause. The philosophers who preferred quiet dialectic despised him, yet Cleon understood the new attention graph of the polis. He was running an A/B test on collective fury, watching which insults drew cheers and which silences signaled fatigue. Democracy, still young, had built its first algorithm without realizing it. The Republican Party, twenty-four centuries later, would perfect the technique.

Grievance was his software. After the death of Pericles, plague and war had shaken Athens; optimism curdled into resentment. Cleon gave that resentment a face. He blamed the aristocracy for cowardice, the generals for betrayal, the thinkers for weakness. “They talk while you bleed,” he shouted. The crowd obeyed. He promised not prosperity but vengeance—the clean arithmetic of rage. The crowd was his analytics; the roar his data visualization. Why deliberate when you can demand? Why reason when you can roar?

The brain recognizes threat before comprehension. Cognitive scientists have measured it: forty milliseconds separate the perception of danger from understanding. Cleon had no need for neuroscience; he could feel the instant heat of outrage and knew it would always outrun reflection. Two millennia later, the same principle drives our political networks. The algorithm optimizes for outrage because outrage performs. Reaction is revenue. The machine doesn’t care about truth; it cares about tempo. The crowd has become infinite, and the Pnyx has become the feed.

The Mytilenean debate proved the cost of speed. When a rebellious island surrendered, Cleon demanded that every man be executed, every woman enslaved. His rival Diodotus urged mercy. The Assembly, inflamed by Cleon’s rhetoric, voted for slaughter. A ship sailed that night with the order. By morning remorse set in; a second ship was launched with reprieve. The two vessels raced across the Aegean, oars flashing. The ship of reason barely arrived first. We might call it the first instance of lag.

Today the vessel of anger is powered by GPUs. “Adapt and win or pearl-clutch and lose,” reads an internal memo from a modern campaign shop. Why wait for a verifiable quote when an AI can fabricate one convincingly? A deepfake is Cleon’s bluntness rendered in pixels, a tactical innovation of synthetic proof. The pixels flicker slightly, as if the lie itself were breathing. During a recent congressional primary, an AI-generated confession spread through encrypted chats before breakfast; by noon, the correction was invisible under the debris of retweets. Speed wins. Fact-checking is nostalgia.

Cleon’s attack on elites made him irresistible. He cast refinement as fraud, intellect as betrayal. “They dress in purple,” he sneered, “and speak in riddles.” Authenticity became performance; performance, the brand. The new Cleon lives in a warehouse studio surrounded by ring lights and dashboards. He calls himself Leo K., host of The Agora Channel. The room itself feels like a secular chapel of outrage—walls humming, screens flickering. The machine doesn’t sweat, doesn’t blink. It translates heat into metrics and metrics into marching orders. An AI voice whispers sentiment scores into his ear. He doesn’t edit; he adjusts. Each outrage is A/B-tested in real time. His analytics scroll like scripture: engagement per minute, sentiment delta, outrage index. His AI team feeds the system new provocations to test. Rural viewers see forgotten farmers; suburban ones see “woke schools.” When his video “They Talk While You Bleed” hits ten million views, Leo K. doesn’t smile. He refreshes the dashboard. Cleon shouted. The crowd obeyed. Leo posted. The crowd clicked.

Meanwhile, the opposition labors under its own conscientiousness. Where one side treats AI as a tactical advantage, the other treats it as a moral hazard. The Democratic instinct remains deliberative: form a task force, issue a six-point memo, hold an AI 101 training. They build models to optimize voter files, diversity audits, and fundraising efficiency—work that improves governance but never goes viral. They’re still formatting the memo while the meme metastasizes. They are trying to construct a more accountable civic algorithm while their opponents exploit the existing one to dismantle civics itself. Technology moves at the speed of the most audacious user, not the most virtuous.

The penalty for slowness has consumed even those who once mastered it. The Republican Party that learned to weaponize velocity was once the party of patience. Its old guardians—Howard Baker, Bob Dole, and before them Abraham Lincoln—believed that democracy endured only through slowness: through listening, through compromise, through the humility to doubt one’s own righteousness.

Baker was called The Great Conciliator, though what he practiced was something rarer: slow thought. He listened more than he spoke. His Watergate question—“What did the President know, and when did he know it?”—was not theater but procedure, the careful calibration of truth before judgment. Baker’s deliberation depended on the existence of a stable document—minutes, transcripts, the slow paper trail that anchored reality. But the modern ecosystem runs on disposability. It generates synthetic records faster than any investigator could verify. There is nothing to subpoena, only content that vanishes after impact. Baker’s silences disarmed opponents; his patience made time a weapon. “The essence of leadership,” he said, “is not command, but consensus.” It was a creed for a republic that still believed deliberation was a form of courage.

Bob Dole was his equal in patience, though drier in tone. Scarred from war, tempered by decades in the Senate, he distrusted purity and spectacle. He measured success by text, not applause. He supported the Americans with Disabilities Act, expanded food aid, negotiated budgets with Democrats. His pauses were political instruments; his sarcasm, a lubricant for compromise. “Compromise,” he said, “is not surrender. It’s the essence of democracy.” He wrote laws instead of posts. He joked his way through stalemates, turning irony into a form of grace. He would be unelectable now. The algorithm has no metric for patience, no reward for irony.

The Senate, for Dole and Baker, was an architecture of time. Every rule, every recess, every filibuster was a mechanism for patience. Time was currency. Now time is waste. The hearing room once built consensus; today it builds clips. Dole’s humor was irony, a form of restraint the algorithm can’t parse—it depends on context and delay. Baker’s strength was the paper trail; the machine specializes in deletion. Their virtues—documentation, wit, patience—cannot be rendered in code.

And then there was Lincoln, the slowest genius in American history, a man who believed that words could cool a nation’s blood. His sentences moved with geological patience: clause folding into clause, thought delaying conclusion until understanding arrived. “I am slow to learn,” he confessed, “and slow to forget that which I have learned.” In his world, reflection was leadership. In ours, it’s latency. His sentences resisted compression. They were long enough to make the reader breathe differently. Each clause deferred judgment until understanding arrived—a syntax designed for moral digestion. The algorithm, if handed the Gettysburg Address, would discard its middle clauses, highlight the opening for brevity, and tag the closing for virality. It would miss entirely the hesitation—the part that transforms rhetoric into conscience.

The republic of Lincoln has been replaced by the republic of refresh. The party of Lincoln has been replaced by the platform of latency: always responding, never reflecting. The Great Compromisers have given way to the Great Amplifiers. The virtues that once defined republican governance—discipline, empathy, institutional humility—are now algorithmically invisible. The feed rewards provocation, not patience. Consensus cannot trend.

Caesar understood the conversion of speed into power long before the machines. His dispatches from Gaul were press releases disguised as history, written in the calm third person to give propaganda the tone of inevitability. By the time the Senate gathered to debate his actions, public opinion was already conquered. Procedure could not restrain velocity. When he crossed the Rubicon, they were still writing memos. Celeritas—speed—was his doctrine, and the Republic never recovered.

Augustus learned the next lesson: velocity means nothing without permanence. “I found Rome a city of brick,” he said, “and left it a city of marble.” The marble was propaganda you could touch—forums and temples as stone deepfakes of civic virtue. His Res Gestae proclaimed him restorer of the Republic even as he erased it. Cleon disrupted. Caesar exploited. Augustus consolidated. If Augustus’s monuments were the hardware of empire, our data centers are its cloud: permanent, unseen, self-repairing. The pattern persists—outrage, optimization, control.

Every medium has democratized passion before truth. The printing press multiplied Luther’s fury, pamphlets inflamed the Revolution, radio industrialized empathy for tyrants. Artificial intelligence perfects the sequence by producing emotion on demand. It learns our triggers as Cleon learned his crowd, adjusting the pitch until belief becomes reflex. The crowd’s roar has become quantifiable—engagement metrics as moral barometers. The machine’s innovation is not persuasion but exhaustion. The citizens it governs are too tired to deliberate. The algorithm doesn’t care. It calculates.

Still, there are always philosophers of delay. Socrates practiced slowness as civic discipline. Cicero defended the Republic with essays while Caesar’s legions advanced. A modern startup once tried to revive them in code—SocrAI, a chatbot designed to ask questions, to doubt. It failed. Engagement was low; investors withdrew. The philosophers of pause cannot survive in the economy of speed.

Yet some still try. A quiet digital space called The Stoa refuses ranking and metrics. Posts appear in chronological order, unboosted, unfiltered. It rewards patience, not virality. The users joke that they’re “rowing the slow ship.” Perhaps that is how reason persists: quietly, inefficiently, against the current.

The Algorithmic Republic waits just ahead. Polling is obsolete; sentiment analysis updates in real time. Legislators boast about their “Responsiveness Index.” Justice Algorithm 3.1 recommends a twelve percent increase in sentencing severity for property crimes after last week’s outrage spike. A senator brags that his approval latency is under four minutes. A citizen receives a push notification announcing that a bill has passed—drafted, voted on, and enacted entirely by trending emotion. Debate is redundant; policy flows from mood. Speed has replaced consent. A mayor, asked about a controversial bylaw, shrugs: “We used to hold hearings. Now we hold polls.”

To row the slow ship is not simply to remember—it is to resist. The virtues of Dole’s humor and Baker’s patience were not ornamental; they were mechanical, designed to keep the republic from capsizing under its own speed. The challenge now is not finding the truth but making it audible in an environment where tempo masquerades as conviction. The algorithm has taught us that the fastest message wins, even when it’s wrong.

The vessel of anger sails endlessly now, while the vessel of reflection waits for bandwidth. The feed never sleeps. The Assembly never adjourns. The machine listens and learns. The virtues of Baker, Dole, and Lincoln—listening, compromise, slowness—are almost impossible to code, yet they are the only algorithms that ever preserved a republic. They built democracy through delay.

Cleon shouted. The crowd obeyed. Leo posted. The crowd clicked. Caesar wrote. The crowd believed. Augustus built. The crowd forgot. The pattern endures because it satisfies a human need: to feel unity through fury. The danger is not that Cleon still shouts too loudly, but that we, in our republic of endless listening, have forgotten how to pause.

Perhaps the measure of a civilization is not how fast it speaks, but how long it listens. Somewhere between the hum of the servers and the silence of the sea, the slow ship still sails—late again, but not yet lost.

THIS ESSAY WAS WRITTEN AND EDITED UTILIZING AI

THE GUARDIAN WEEKLY – OCTOBER 24, 2025 PREVIEW

THE GUARDIAN WEEKLY: The latest issue features ‘Youth Quake’ – How Gen Z protesters toppled Madagascar’s leader.

Madagascar rarely makes front page news but the toppling of its president by protesters led by Gen Z Madagascar is part of a phenomenon that stretches from Nepal to Indonesia and the Philippines to Morocco. Leaderless groups, formed online, have learned from one another as they take to the streets to vent their frustration against what they see as corrupt older elites and a lack of economic opportunity for their generation.

Our southern Africa correspondent, Rachel Savage, explains how a tumultuous month unfolded on the Indian Ocean island and explores the deep-seated discontent that led to the military siding with student demonstrators to force President Andry Rajoelina out of power.

Five essential reads in this week’s edition

Spotlight | A far-right fight club on their hands
Ben Makuch reports on security service monitoring of ‘active clubs’ as they move across borders to spread extremism, mixing the behaviour of football hooligans with the ideology of the Third Reich

Benin bronzes at the Metropolitan Museum of Art in New York.
Benin bronzes at the Metropolitan Museum of Art in New York. Photograph: Art2010/Alamy

Spotlight | Nothing to see here?
Due to open within weeks, Nigeria’s Museum of West African art is intended to showcase the Benin bronzes and other masterpieces stolen by 19th-century colonisers. But the project has been beset by political rows that mean, as Philip Oltermann and Eromo Egbejule report, visitors will see more replicas than original pieces

Science | Waiting for graphene to explode
Two decades after the material was first produced and then much hyped, graphene has dropped from business and general discussion. Julia Kollewe reports on the successes and setbacks of taking it from lab to mainstream use

Opinion | An A-level in English won’t make integration work
A government demand that immigrants get a qualification that most British citizens don’t have if they want to earn the right to stay is the latest absurd way to focus on ‘outsiders’ rather than address domestic problems, argues Nesrine Malik

Culture | The hardest part
David Harewood reflects on returning to play Othello after almost 20 years and with fellow Black actors looks at how attitudes to Shakespeare’s most difficult tragedy have changed


What else we’ve been reading

The year’s Stirling prize has gone to a social housing complex for older people in south-east London. Catherine Slessor writes with great enthusiasm about how the award-winning architects Witherford Watson Mann have completely reimagined accommodation for later life. Out with disorientating corridors, in with bright, informal, nature filled spaces, described by the Stirling judges as “a provision of pure delight”. Emily El Nusairi, deputy production editor

Kathryn Lewek as the Queen Of The Night in The Magic Flute at the Royal Opera House.
Kathryn Lewek as the Queen Of The Night in The Magic Flute at the Royal Opera House. Photograph: Tristram Kenton/The Guardian

I saw The Magic Flute in Paris last year, and it was fascinating to see how different opera houses interpret the staging. This review of a London production made me reflect on the way different directors handle staging and sound to bring the story to life. It reminded me of listening to the Queen of the Night’s aria when I was growing up and the experience of seeing opera live. Hyunmu Lee, CRM executive

SMITHSONIAN MAGAZINE – NOVEMBER 2025

SMITHSONIAN MAGAZINE: The latest issue features ‘The Fire That Fueled The American Revolution

In January 1776, Virginia’s Port City of Norfolk Was Set Ablaze, Galvanizing the Revolution. But Who Really Lit the Match?

Blaming the British for the destruction helped persuade some wavering colonists to back the fight for independence. But the source of the inferno was not what it seemed

After the L.A. Fires, Locals Turn to Native Plants to Help Shield Homes From Flames and Clean Contaminated Soil

Scientists and community members in Altadena are testing ways that California species can assist efforts to rebuild

You Can See the Parthenon Without Scaffolding for the First Time in Decades

The temporary structures will return next month—but in the meantime, visitors will enjoy rare unobstructed views of the ancient hilltop temple in Athens