Tag Archives: History

“Why Socialism”: Albert Einstein’s Resplendent Impertinence of Genius

The following essay was written by ChatGPT, and edited by Intellicurean, through the creative filter of Oscar Wilde’s barbed wit and George Bernard Shaw’s moral seriousness, of a review of John Bellamy Foster’s “Albert Einstein’s ‘Why Socialism?’: The Enduring Legacy of His Classic Essay” as it would appear in an esteemed magazine or journal.

In an era where celebrity chatter often drowns out meaningful discourse—ephemeral as the pixels that transmit it—it is both refreshing and necessary to recall that Albert Einstein was not merely a demigod of science, floating above the affairs of humankind. He was a thinker with moral conviction and intellectual courage. John Bellamy Foster’s timely volume, Albert Einstein’s “Why Socialism?”: The Enduring Legacy of His Classic Essay (Monthly Review, July 2025), excavates an overlooked manifesto whose radical clarity remains provocatively undiminished by time.


Unpacking Einstein’s Socialist Vision

More than seventy-five years have passed since Einstein contributed his essay Why Socialism? to the inaugural issue of Monthly Review in May 1949—right in the throes of America’s Red Scare. In that climate of ideological hysteria, even reason itself was suspect. Yet Einstein, with characteristic directness, named capitalism as the source of modern spiritual and economic malaise. “The economic anarchy of capitalist society,” he wrote, “is, in my opinion, the real source of the evil.”

This was no armchair abstraction. It was an act of moral and intellectual defiance in an era of conformity. Rather than tempering his critique to placate the political climate, Einstein diagnosed capitalism as a system that cripples the individual, erodes social cohesion, and mistakes profit for purpose. His socialism, then, was not bureaucratic dogma, but a humane vision: a call for solidarity, responsibility, and human dignity.

Foster’s introduction accomplishes three critical feats. First, it confirms Einstein’s consistent—if unfashionable—commitment to socialist ideals. Second, it situates Why Socialism? within a contemporary moment of deepening ecological and geopolitical crisis, not unlike the postwar anxieties Einstein addressed. Third, and most compellingly, Foster refuses to treat Einstein’s words as nostalgic artifacts. Instead, he reads them as instruments of moral interrogation for the present.


Einstein’s Moral Urgency in a Cynical Age

A powerful moment recounted in Foster’s commentary draws from a recently unearthed interview transcript titled, YES, ALBERT EINSTEIN WAS A SOCIALIST. In it, Einstein recounts a chilling conversation: a friend, contemplating nuclear annihilation, casually asks why Einstein is so concerned about humanity’s extinction. The question is as nihilistic as it is sincere—eerily prefiguring today’s fatalism disguised as realism.

Einstein’s response was telling. He saw this resignation not as philosophical sophistication, but as a symptom of capitalism’s emotional deadening. A world driven by profit, he argued, had alienated people not only from one another but from their very capacity to find joy. “The naive, simple and unsophisticated enjoyment of life,” he mourned, had become a casualty. The resulting solitude, he observed, was not noble introspection but a prison built of egotism and insecurity.

In Why Socialism?, Einstein extends this observation: “Man is, at one and the same time, a solitary being and a social being… As a social being, he seeks to gain the recognition and affection of his fellow human beings… and to improve their conditions of life.” The essay thus offers not just an economic critique, but a portrait of the spiritual crisis induced by capitalism.


A Socialism of Decency, Not Dogma

Einstein did not envision socialism as the rigid apparatus of state control feared by his critics. Instead, he imagined a cultural and moral transformation—one that would replace competition with cooperation, and empty success with meaningful contribution. “In addition to promoting his own innate abilities,” he wrote, “education would attempt to develop in [the individual] a sense of responsibility for his fellow man in place of the glorification of power and success in our present society.”

This human-centered socialism bears more resemblance to George Bernard Shaw’s ethical idealism than to any centralized Leninist command structure. It’s a socialism that asks not only how society is organized, but what kind of people it produces.


Economic Insecurity and the Specter of Waste

Foster’s commentary reaches its most powerful moments when it highlights the relevance of Einstein’s critique in light of today’s contradictions. Technological progress has not delivered leisure or security—it has exacerbated anxiety. “The worker is constantly in fear of losing his job,” Einstein observed. “Technological progress frequently results in more unemployment rather than an easing of the burden of work for all.”

The implications are strikingly modern. The rise of AI, automation, and gig economies has done little to stabilize human life. Meanwhile, the grotesque spectacle of billionaires launching vanity rockets while basic needs go unmet seems to fulfill Einstein’s warning: “Private capital tends to become concentrated in few hands… at the expense of smaller ones.”

Einstein’s insights cut deeper than economics. He warned that unbridled competition produces “a huge waste of labor and… crippling of the social consciousness of individuals.” Foster echoes this, showing how the very mechanisms that promise efficiency often produce alienation and redundancy. In a world where millions remain hungry while supply chains overflow, the diagnosis of “planned chaos” is tragically apt.


The Courage to Imagine a Better World

To Foster’s credit, the book does not shy away from the difficulties of implementing socialism. It acknowledges Einstein’s own candor: that centralized systems can create new forms of domination. “How can the rights of the individual be protected,” he asked, “and therewith a democratic counterweight to the power of bureaucracy be assured?”

Foster does not offer easy answers, nor does he romanticize Einstein’s views. But what he recovers is the philosopher’s refusal to retreat into cynicism. Einstein, like Shaw, understood that history does not advance through comfort or caution. It advances through the courage to propose—and live by—dangerous ideals.

This moral clarity is what makes Why Socialism? enduring. In an era when capitalism insists that no alternatives exist, Einstein reminds us that alternatives are always possible—so long as we preserve the moral imagination to conceive them.


No Middle Ground—And That’s the Point

If one criticism can be leveled at Foster’s approach, it is that he leaves little room for ambiguity. This is no quiet meditation on gradual reform. It is a call to judgment. In a time when readers often seek the past as comfort, Foster compels us to read it as confrontation. The result is not a nostalgic ode to Einstein’s politics but a provocation: What kind of civilization do we want?

Einstein wrote, “I am convinced there is only one way to eliminate these grave evils, namely through the establishment of a socialist economy, accompanied by an educational system which would be oriented towards social goals.” The boldness of that sentence still stings in a society that treats cooperation as utopian and hoarding as genius.

Foster’s restraint is notable throughout—he avoids both hagiography and polemic. He invites the reader to wrestle with Einstein’s ideas, not worship them. The book’s greatest achievement is that it makes us take Einstein seriously—not just as a physicist, but as a moral thinker who challenged the logic of his time and, perhaps, still ours.


Conclusion: A Dangerous Hope

To read Why Socialism? in 2025 is to hear a still-resonant signal from a thinker who refused to let go of the future. Einstein’s socialism was never about bureaucracies—it was about the possibility of decency, of cooperation, of lives lived without fear. And if that vision sounds naive today, then perhaps the problem lies not in the vision, but in the world that has taught us to dismiss it.

As Foster’s book makes clear, the choice remains what it was in 1949: between solidarity and atomization, between a society built on care or one cannibalized by competition. It is, at bottom, a choice between life and extinction.

One imagines Einstein, ever the pragmatist with a poet’s soul, would have approved.

REVIEW: “Donald Trump, Zohran Mamdani, and Posting as Politics”

An AI Review: “Donald Trump, Zohran Mamdani, and Posting as Politics”

In The New Yorker essay “Donald Trump, Zohran Mamdani, and Posting as Politics,” Kyle Chayka explores how social media has become not merely a communication tool for political figures but the primary arena in which politics itself now unfolds. The piece contrasts the digital personas of Donald Trump and Zohran Mamdani to illustrate how posting has evolved into a core exercise of power and a new form of political identity.

Chayka begins by chronicling former President Trump’s frenetic use of Truth Social, the platform he created after leaving Twitter. Trump does not merely announce decisions online; he appears to make them there. For instance, in June 2025, Trump unilaterally declared and publicized a ceasefire between Israel and Iran on Truth Social after having ordered strikes on Iranian nuclear facilities only days earlier. He issued warnings and taunts in the same all-caps style he once used to brag about the size of his nuclear arsenal compared to Kim Jong Un’s. The essay argues that this real-time posting has compressed world-shaking events into casual, ephemeral updates, trivializing violence and policy into the equivalent of viral content.

Yet Trump is not alone in harnessing the power of constant broadcasting. Chayka turns to Zohran Mamdani, a 33-year-old New York State assembly member and Democratic nominee for New York City mayor, who embodies a different approach to digital politics. Where Trump’s style is bombastic and combative, Mamdani’s presence on TikTok and Instagram is more polished and warm. His short-form videos—some produced by the creative agency Melted Solids—blend documentary realism with the aesthetics of viral influencer content. Clips of Mamdani walking through Manhattan or spontaneously greeting his filmmaker mother, Mira Nair, have garnered millions of views. His collaborations with high-profile digital creators like the Kid Mero and Emily Ratajkowski reflect an understanding that modern campaigns are not only about policy but about generating a steady stream of engaging material.

Chayka underscores that both politicians are symptoms of the same phenomenon: social media has swallowed the traditional infrastructure of political communication. No longer is there a clear boundary between a politician’s private musings and official pronouncements. The medium has become the message—and often the entire substance. Even memes have turned into flash points of political conflict. The article recounts how U.S. border officials detained a Norwegian tourist, Mads Mikkelsen, who carried a satirical meme of Vice President J.D. Vance on his phone, suggesting that political images have acquired the power to implicate their holders in ideological battles.

This transformation, Chayka argues, has significant consequences. Trump’s unfiltered posts, once viewed as a sideshow, have become a primary instrument of governance, with the potential to inflame conflicts or disrupt alliances. Meanwhile, Mamdani’s refined authenticity—crafted through video diaries and collaborations—illustrates how even progressive candidates must adopt the same always-online posture to cultivate a political following. While Mamdani’s style is less aggressive than Trump’s, it similarly depends on projecting a version of authenticity that is inseparable from performance.

The essay closes by reflecting on the future of American politics in this environment. The Democratic Party has struggled to counter Trump’s cultural dominance, as shown by tone-deaf spectacles like a Pride concert at the Kennedy Center with anti-Trump parodies of Les Misérables. In contrast, Mamdani’s campaign has generated genuine enthusiasm. Yet Chayka raises an open question: can the idealistic energy of this new digital-first politics survive the compromises of actual governance? If online performance has become the main credential for leadership, it is unclear whether any politician—no matter their ideology—can avoid the pressures of perpetual self-promotion.

In the end, Chayka’s essay offers a clear warning: social media has transformed politics into a theater of the immediate, where every post carries the weight of policy and every meme can become an instrument of power. Whether this dynamic can be reconciled with the demands of responsible government remains the central challenge of the digital age.

Strengths of the Essay

  1. Compelling Illustrations of Digital-First Governance
    • The article effectively juxtaposes Trump’s all-caps proclamations with Mamdani’s handheld videos.
    • Vivid examples: Trump’s posts about Iranian bombings feel almost satirical in their triviality—like “food grams”—yet they are deadly serious.
    • The Vance meme incident (Norwegian tourist Mikkelsen denied entry partly over a meme) underscores how digital artifacts can become politically consequential.
  2. Clear Argument
    • Chayka convincingly demonstrates that posting is no longer merely a marketing tactic—it is a form of exercising power.
    • The phrase “influencer-in-chief” encapsulates this new paradigm succinctly.
  3. Timeliness and Relevance
    • The piece captures the unsettling normalcy of this phenomenon—how we now expect statecraft to be conducted via apps.
    • It connects to broader anxieties about the erosion of institutional boundaries between governance and entertainment.
  4. Balanced Comparison
    • The contrast between Trump’s aggression and Mamdani’s optimism avoids simple equivalence.
    • The essay suggests that while style differs, both are beholden to the same dynamics: immediacy, spectacle, and performative authenticity.

Areas For Further Exploration

  1. A Critique of Consequences
    • While Chayka notes the trivialization of serious decisions (e.g., bombings posted like selfies), he stops short of examining the systemic dangers—the erosion of deliberative processes, the collapse of public trust, and the incentivizing of extremism.
    • A deeper dive into why social media rewards such maximalist performances—and how this affects democracy—would have been valuable.
  2. An Exploration of Audience Complicity
    • The essay portrays politicians as the main actors, but it could interrogate how audiences co-produce this environment: what are the incentives to consume, share, and reward this content?
    • Do voters really want “authenticity,” or simply entertainment masquerading as politics?
  3. Further developed Historical Context
    • While the piece references Trump’s first term, it could have drawn richer parallels with earlier media transformations:
      • Roosevelt’s radio “Fireside Chats”
      • Kennedy’s TV charisma
      • Obama’s early social media campaigns
    • This would help readers situate today’s moment within a longer trajectory.

Broader Implications

The essay ultimately raises unsettling questions:

  • If the performance of authenticity is now the primary qualification for political power, how do policy substance and institutional competence survive?
  • Is there any way for governance to reassert seriousness, or will the logic of virality always prevail?
  • What happens when online theater collides with offline consequences—wars, economies, civic life?

These questions feel especially urgent given that the piece suggests this dynamic is not limited to Trump’s right-wing populism but has also infiltrated progressive candidates.

*THIS ESSAY WAS WRITTEN BY CHAT GPT AND EDITED BY INTELLICUREAN.

THE NEW YORK REVIEW OF BOOKS – JULY 24, 2025

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THE NEW YORK REVIEW OF BOOKS: The latest issue features Joyce Carol Oates on serial killers and toxic metals, Fintan O’Toole on Trump’s domestic army, David Shulman on the second Nakba, Regina Marler on the Brothers Grimm, Michelle Nijhuis on what we save, Peter Canby on the murder of a priest, Ruth Bernard Yeazell on Albert Barnes’s art sense, Ian Johnson on Xi père, Lola Seaton on Sheila Heti’s deceptive ease, James Gleick on AI nonsense, poems by Milan Děžinský and Devon Walker-Figueroa, and much more.

‘I Am the Heir to Delacroix’

Jack Whitten’s brilliantly restless innovation is a rigorous interrogation and a surging expansion of what painting can do.

Jack Whitten: The Messenger an exhibition at the Museum of Modern Art, New York City, March 23–August 2, 2025

Jack Whitten: Notes from the Woodshed, Second Edition edited by Katy Siegel

The Parrot in the Machine

The artificial intelligence industry depends on plagiarism, mimicry, and exploited labor, not intelligence.

The AI Con: How to Fight Big Tech’s Hype and Create the Future We Want by Emily M. Bender and Alex Hanna

The Line: AI and the Future of Personhood by James Boyle

Locked Up by Erdogan

For his work as an activist and philanthropist, Osman Kavala has been unjustly imprisoned in Turkey for seven and a half years.

COUNTRY LIFE MAGAZINE – JULY 2, 2025 PREVIEW

Country Life Cover 2 July 2025

COUNTRY LIFE MAGAZINE: The latest issue features “Take The Plunge’… –

Come on in, the water’s lovely

The seaside lido is enjoying a fresh wave of popularity a century and more after its first appearance on the British coast. Kathryn Ferry dives in

Spreads from Country Life 2 July 2025

Winging it

Watch out, watch out, there’s a thief about! Mark Cocker warns that no undergarment is safe from the resurgent red kite, a bird soaring back from near extinction

Travel

• Christopher Wallace checks in to a new opening in Marrakech, Morocco’s Mecca for luxury hotels

• Teresa Levonian Cole blazes a trail in the Spanish Pyrenees

• Pamela Goodman gets on her bike to explore the Welsh border country

Spreads from Country Life 2 July 2025

Life’s a pretty picnic

Deborah Nicholls-Lee shares a hamper-full of tasty morsels from the long and varied history of alfresco dining on canvas

Ricardo Afonso’s favourite painting

The musical-theatre actor chooses an ‘otherworldly’ work that stirs complex emotions

The legacy

Amie Elizabeth White salutes Sir James Clark Ross, the vastly experienced naval officer who discovered Antarctica in 1841

In God’s acre we trust

Laura Parker learns how the absence of interference over centuries enabled our wildlife-rich graveyards to become a ‘Noah’s Ark of species’

Spreads from Country Life 2 July 2025

Keeping a low profile

The countryside is littered with storm-damaged trees that simply refuse to die. Jack Watkins celebrates great arboreal survivors

The good stuff

Hetty Lintell puts her best foot forward with a selection of sandals

Interiors

Arabella Youens commends an elegant townhouse kitchen and Amelia Thorpe picks out rhubarb accessories to brighten the home

London Life

• Will Hosie assesses the cost of our partying in the parks

• How the style set are reaffirming that west is best

Lost, but not forgotten

George Plumptre applauds the masterful restoration of the Arts-and-Crafts garden at Knowle House in East Sussex

Spreads from Country Life 2 July 2025

Arts & antiques

Laura Dadswell believes her pair of 18th-century Venetian mirrors is the fairest of them all, as she tells Carlo Passino

LITERARY REVIEW – JULY 2025

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LITERARY REVIEW (July 1, 2025): The latest issue features ‘Will Wiles on the Art of Purism…

Hung, Drawn & Courted – Family Romance: John Singer Sargent and the Wertheimers By Jean Strouse

John Singer Sargent: The Charcoal Portraits By Richard Ormond

No Sketching! – Monsieur Ozenfant’s Academy By Charles Darwent

Artists on Tour – Art on the Move in Renaissance Italy By David Landau

Literary Lives

FOREIGN POLICY MAGAZINE – SUMMER 2025 PREVIEW

FOREIGN POLICY MAGAZINE (06.30.25): The latest issue features ‘The Historical Presidency’ – Nine essays on what the global past reveals about our confounding present…

The End of Modernity

A crisis is unfolding before our eyes—and also in our heads. By Christopher Clark

Why Compare the Present to the Past?

Thinking via historical analogy has become the preferred way to confront our anxieties. Ivan KrastevLeonard Benardo

Is This an American Cultural Revolution?

Liberal critics charge Trump with creating a cult of personality not unlike Mao Zedong’s. Julia LovellNicholas Guyatt

Russia Has Started Losing the War in Ukraine

The military tide may have turned against Putin. Michael Kimmage

APOLLO MAGAZINE – JULY/AUGUST 2025

July/August 2025 | Apollo Magazine

APOLLO MAGAZINE (06.30.25): The latest issue features ‘Queen Sonja pops to the Factory’…

In this issue

The Queen of Norway’s very modern art collection

The Gilded Age – is greed good again?

Emily Kam Kngwarray lights up Tate Modern

An interview with Erin Shirreff

Plus: Cinecittà in focus, Wangechi Mutu at the Galleria Borghese, the light touch of Antoine Watteau, Egypt’s new home for antiquities, how polenta caused a stir in Venice, the Aspen art scene continues to snowball, and the revival of London’s art market; in reviews: Amy Sherald’s portraits, King James VI and I’s cultural legacy, and what is a Jewish country house?

Queen Sonja pops to the Factory

The rocky history of Lismore Castle

TRAVEL & HISTORY: MARTIN LUTHER IN WITTENBERG

DW TRAVEL (June 29, 2025): Ever heard of Wittenberg? This small, German city is where the theologian Martin Luther sparked a revolution against the Catholic Church in the late Middle Ages.

Video Timeline: 00:00 Intro 00:30 Where is Wittenberg? 00:44 Wittenberg and Martin Luther, meet Pastor Bridget Gautieri from ELCA Wittenberg Center 01:00 Wittenberg Castle Church, Luther’s 95 theses 03:58 Wittenberg360 05:36 The Luther House, meet tour guide Oliver Friedrich van der Linde 07:45 The Bugenhagen House 08:50 The Cranach House 11:26 Martin Luther’s grave in the Castle Church

We’ll take you to the place where Luther is said to have nailed up his famous 95 theses that led to the Reformation movement.

#wittenberg #lutheran #martinluther

SMITHSONIAN MAGAZINE – JULY/AUGUST 2025

SMITHSONIAN MAGAZINE (June 27, 2025): The latest issue features ‘Hemingway in Pamplona’….

A Search for the World’s Best Durian, the Divisive Fruit That’s Prized—and Reviled

Devotees of the crop journey to a Malaysian island to find the most fragrant and tasty specimens

Tom Downey Photographs by Annice Lyn

Celebrate the 50th Anniversary of ‘Jaws’ With 15 Shark Snapshots

Archaeologists Say They’ve Pieced Together the Ancient Fragments of the ‘World’s Most Difficult Jigsaw Puzzle’