A virtuoso of the eighteenth-century version of viral memes and fake news, he had a sense of political theatre that helped create a radical new reality.
Sergio García Sánchez’s “Old Haunts”
The artist discussed Día de todos los santos and taking inspiration from the Old Masters.
CBS Sunday Morning – Author John Irving has mined his personal history and obsessions as the starting point for such acclaimed works of fiction as “The World According to Garp” and “The Cider House Rules.” Now 80, he has published his first novel in seven years, “The Last Chairlift,” a tale of sexual politics and ghosts. He talks with correspondent Rita Braver about inspiration, Charles Dickens, and acceptance.
This week: we talk to Emma Brown of Just Stop Oil about why the group targeted Vincent Van Gogh’s Sunflowers in the National Gallery, London, for its climate emergency protest.
Stacy Boldrick, assistant professor of museum studies at the University of Leicester, discusses the climate protests in the context of the long history of iconoclasm and attacks on works of art. The first version of Paris+, Art Basel’s fair in the French capital, opened this week, and we ask Melanie Gerlis, a columnist for the Financial Times and The Art Newspaper, how it compares to Paris’s previous fair, Fiac, and to the Frieze fairs in London last week.
And this episode’s Work of the Week is Frank Bowling’s Suncrush (1976), which features in an exhibition of the Guyana-born artist’s work at the Museum of Fine Arts in Boston. Reto Thüring, the curator of the show, tells us about the painting and Bowling’s 10-year stay in America in the 1960s and 1970s.
Links:juststopoil.orgStacy Boldrick, Iconoclasm and the Museum, Routledge, 212pp, £27.99, $35.96 (pb)Paris+, until 23 October.Melanie Gerlis, The Art Fair Story: a Rollercoaster Ride, Lund Humphries, 104pp, £19.99, $34.99 (hb)Frank Bowling’s Americas, Museum of Fine Arts, Boston, 22 October-9 April 2023; San Francisco Museum of Modern Art, 13 May-10 September next year. Related shows: Equals 6: A Sum Effect of Frank Bowling’s 5+1, University Hall Gallery, UMass Boston, 14 November-18 February 2023; Revisiting 5+1, Paul W. Zuccaire Gallery, Staller Center for the Arts, Stony Brook University, 10 November-23 February 2023.
England, under the volatile Tudor dynasty, was a thriving home for the arts. An international community of artists and merchants, many of them religious refugees, navigated the high-stakes demands of royal patrons, including England’s first two reigning queens. Against the backdrop of shifting political relationships with mainland Europe, Tudor artistic patronage legitimized, promoted, and stabilized a series of tumultuous reigns, from Henry VII’s seizure of the throne in 1485 to the death of his granddaughter Elizabeth I in 1603.
The Tudor courts were truly cosmopolitan, boasting the work of Florentine sculptors, German painters, Flemish weavers, and Europe’s best armorers, goldsmiths, and printers, while also contributing to the emergence of a distinctly English style. Join Elizabeth Cleland, Curator in the Department of European Sculpture and Decorative Arts, and Adam Eaker, Associate Curator in the Department of European Paintings, to explore The Tudors: Art and Majesty in Renaissance England, which traces the transformation of the arts in Tudor England through more than 100 objects—including iconic portraits, spectacular tapestries, manuscripts, sculpture, and armor—from both The Met collection and international lenders.
Paris+, par Art Basel is the fourth event of its kind in the portfolio of Art Basel, the world’s biggest art fair. Other, related editions are regularly held in Hong Kong, Miami Beach, and the Swiss city of Basel, where its tentpole fair is held. Expect big sales and even bigger crowds, as has long been the case with Art Basel’s other editions.
This week’s issue of the TLS, featuring @George_Berridge , Claire Lowdon and Edmund Gordon on new books by Cormac McCarthy, Barbara Kingsolver and George Saunders, respectively; Gabriel Josipovici on Cézanne; @15thcgossipgirl on Chaucer’s innocence; @rinireg on hatred – and more.
Getting Lost by Annie Ernaux, translated from the French by Alison L. Strayer
Annie Ernaux, the 2022 Nobel Literature laureate, has published a diary of a sublime love affair—both a quest for self-awareness and a desire to escape the self—in which she traces a familiar arc of loss.
American prisons are often unjust, inhumane, and ineffective at protecting public safety. Mariame Kaba and Ruth Wilson Gilmore believe they should be eliminated entirely.
We Do This ’Til We Free Us: Abolitionist Organizing and Transforming Justice by Mariame Kaba, edited by Tamara K. Nopper and with a foreword by Naomi Murakawa
Abolition Geography: Essays Towards Liberation by Ruth Wilson Gilmore, edited by Brenna Bhandar and Alberto Toscano
Yasmine Seale’s new translation of The Thousand and One Nights has a texture—tight, smooth, skillfully patterned—that make previous versions seem either garish or slightly dull by comparison.
The Annotated Arabian Nights: Tales from 1,001 Nights translated from the Arabic by Yasmine Seale, edited and with an introduction and notes by Paulo Lemos Horta
The filmmaker Jafar Panahi’s recent arrest in Tehran’s notorious Evin prison marks the latest phase in a campaign that the Iranian judiciary has been waging against him for over a decade.
No Bears a film written and directed by Jafar Panahi
A historical survey of the personal essay shows it to be the purest expression of the lie that individual subjectivity exists prior to the social formations that gave rise to it.
🎈New Podcast: William Boyd on The Romantic🎈 Our guest this week is William Boyd. He discusses the technological explosion of the 19th century, the pitfalls of the romantic nature, and how writing “whole life” novels changes as the author gets older. 🎧: https://t.co/kgkLPQcWlvpic.twitter.com/lfO3TvAFIY
Soldier. Farmer. Felon. Writer. Father. Lover. One man, many lives. Born in 1799, Cashel Greville Ross experiences myriad lives: joyous and devastating, years of luck and unexpected loss. Moving from County Cork to London, from Waterloo to Zanzibar, Cashel seeks his fortune across continents in war and in peace. He faces a terrible moral choice in a village in Sri Lanka as part of the East Indian Army. He enters the world of the Romantic Poets in Pisa. In Ravenna he meets a woman who will live in his heart for the rest of his days. As he travels the world as a soldier, a farmer, a felon, a writer, a father, a lover, he experiences all the vicissitudes of life and, through the accelerating turbulence of the nineteenth century, he discovers who he truly is. This is the romance of life itself, and the beating heart of The Romantic.