Times Literary Supplement @TheTLS (February 24, 2023) features Geoffrey Wheatcroft on the US and the First World War; @SarahJLonsdale on Vera Brittain and Winifred Holtby; @nicolaupsonbook on Josephine Tey; @MirandaFrance1 on the Condor trials; @cesca_peacock on Poets in Vogue – and more.
All of us depend, in early age and often at the end of life, on the care of others. We are shaped by individual, consequential but highly contingent acts of care, or their absence.
Labours of Love: The Crisis of Care by Madeleine Bunting
The Care Crisis: What Caused It and How Can We End It? by Emma Dowling
Cannibal Capitalism: How our System is Devouring Democracy, Care and the Planet by Nancy Fraser
It is one of the curious qualities of the lighthouse that while its raison d’être is to be visible, durable and stable in the most adverse conditions, it is often seen as a site of ambiguity and insecurity.
Many groups who identify as Indigenous don’t claim to be first peoples; many who did come first don’t claim to be Indigenous. Can the concept escape its colonial past?
As unrest roils the country, a controversial figure from the far right helps Benjamin Netanyahu hold on to power.
When the country’s mining industry collapsed, a criminal economy grew in its place, with thousands of men climbing into some of the deepest shafts in the world, searching for leftover gold.
Names, pronouns & the law by Joshua T. Katz
Balanchine’s Austrian evening by Laura Jacobs
A Jewish life in the Third Reich by Bruce Bawer
Learning from David Milch by William Logan
New poems by Michael Weingrad & Henri Cole
The New York Times Book Review – February 19, 2023:
In “The Declassification Engine,” Matthew Connelly traces the evolution of America’s obsession with secrecy and the alarming implications for our understanding of the past.
His new novel, “Every Man a King,” is a hard-boiled tale of billionaires, white nationalists and a detective with a complicated past.
New books from Kevin Jared Hosein, Pilar Quintana, Nona Fernández and Patrick Modiano.
True crime stories, like Sarah Weinman’s Scoundrel, make for suspenseful reading. But do they exploit the criminal, and deepen a thirst for punishment?
The Howe family achieved an influential position of power in late-eighteenth-century Britain, propelled by the shrewd social intelligence of the Howe women.
The Guggenheim Museum Bilbao presents Joan Miró. Absolute Reality. Paris, 1920–1945, an exhibition that explores the career between the years 1920 and 1945 of one of the most outstanding artists of the 20th century. The start of this fundamental period in Miró’s oeuvre is marked by the date of his first trip to Paris, a key city in his life and work, and it closes with the year when Miró, after producing his Constellations (1940–41) and then hardly painting at all for some years, created a great series of works on white backgrounds that consolidated his language of signs floating on ambiguous grounds.
In the 25 years of activity covered by the exhibition, there is a constant flow of new ideas ranging from his initial magic realism to his language of constellated signs. In this development, it becomes clear that prehistoric art, including rock paintings, petroglyphs, and statuettes, held a special interest for Miró, a fascination confirmed by his notebooks, where he proposes returning to the dawn of art in order to retrieve its original spiritual sense.
 Illustration by Ben Giles |
The New York Times Book Review – February 12, 2023:
“Unscripted,” an account by the Times journalists James B. Stewart and Rachel Abrams of the media titan Sumner Redstone’s final years, is a chronicle of corporate greed, manipulation, misogyny and sexual impropriety on a spectacular scale.
Laurie Winer’s new book, “Oscar Hammerstein II and the Invention of the Musical,” takes the measure of Sondheim’s mentor and spiritual godfather.
Johannes Vermeer (1632-1675) lived and worked in Delft. His work is best known for his tranquil, introverted indoor scenes, his unprecedented use of bright, colorful light and his convincing illusionism.
In contrast to Rembrandt, Vermeer left a remarkably small oeuvre with about 35 paintings. As his paintings generally considered the most prized treasures of every museum collection, Vermeer paintings are rarely lent out.
BIGGEST EVER VERMEER SHOW TO TAKE PLACE AT THE RIJKSMUSEUM IN 2023—AND IT WILL INCLUDE THE GIRL WITH THE PEARL EARRING
The Art Newspaper
The exhibition will include masterpieces such as The Girl with a Pearl Earring (Mauritshuis, The Hague), The Geographer (Städel Museum, Frankfurt am Main), Lady Writing a Letter with her Maid (The National Gallery of Ireland, Dublin) and Woman Holding a Balance (The National Gallery of Art, Washington DC).
Works never before shown to the public in the Netherlands will include the newly restored Girl Reading a Letter at the Open Window from the Gemäldegalerie Alte Meister in Dresden.
Giuliani: The Rise and Tragic Fall of America’s Mayor By Andrew Kirtzman
Boomers Daily 