Conservative movements to reform education are often defined by what they’re against. At a recent public briefing, the governor of Florida, Ron DeSantis, decried the imposition of critical race theory and mandatory diversity-and-inclusion training at the state’s schools.
The former President’s campaigns against officials investigating him have supplied Joe Biden with a favored theme: the need to fortify democratic institutions.
Tate Modern – Explore the powerful work of two groundbreaking modern artists, a unique chance to discover the visionary work of Swedish painter Hilma af Klint and experience Dutch painter Piet Mondrian’s influential art in a new light.
Hilma af Klint The Ten Largest, Group IV No.2, Childhood 1907 Hilma af Klint Foundation
Although they never met, af Klint and Mondrian both invented their own languages of abstract art rooted in nature. At the heart of both of their artistic journeys was a shared desire to understand the forces behind life on earth.
Best known for his abstract work, Mondrian in fact began his career – like af Klint – as a landscape painter. Alongside Mondrian’s iconic grids, you will see the rarely exhibited paintings of flowers he continued to create throughout his life. Also on display will be enigmatic works by af Klint in which natural forms become a pathway to abstraction.
Both artists shared an interest in new ideas in spirituality, scientific discovery and philosophy. Af Klint was also a medium, and this exhibition showcases the large-scale, otherworldly masterpieces she believed were commissioned by higher powers.
Largely known today as the subject of The Met’s iconic portrait by Diego Velázquez, Pareja—who was born in Antequera, Spain—was enslaved in Velázquez’s studio for over two decades before becoming an artist in his own right. This presentation is the first to tell his story and examine the ways in which enslaved artisanal labor and a multiracial society are inextricably linked with the art and material culture of Spain’s “Golden Age.”
Diego Velázquez’s portrait of Juan de Pareja (ca. 1608–1670) has long been a landmark of European art, but this provocative study focuses on its subject: an enslaved man who went on to build his own successful career as an artist. This catalogue—the first scholarly monograph on Pareja— discusses the painter’s ties to the Madrid School of the 1660s and revises our understanding of artistic production during Spain’s Golden Age, with a focus on enslaved artists and artisans.
The authors illuminate the highly skilled labor within Seville’s multiracial society; the role of Black saints and confraternities in the promotion of Catholicism among enslaved populations; and early twentieth-century scholar Arturo Schomburg’s project to recover Pareja’s legacy.
The book also includes the first illustrated and annotated list of known works attributed to Pareja. Published by The Metropolitan Museum of Art/Distributed by Yale University Press
National Gallery of Art (March 29, 2023) – What is the duty of an artist? Philip Guston’s answer might surprise you. Philip Guston constantly re-invented his style over the course of five decades.
As the world whirled around him, he painted to meet the moment. He captured both simple pleasures of daily life (like eating or driving) and large-scale violence by “bearing witness” to the world with an unflinching look at war, racism, and his own inner demons.
Edinburgh calls to readers, its pearl-grey skies urging them to curl up with a book. Maggie O’Farrell, the author of “Hamnet,” suggests reading that best reflects her city.
Aesthetica Magazine (April/May 2023) – Inside this issue, we consider identity, relationships and the impact of technology. We discuss the persistence of images and their ability to embed themselves in collective memory in Thomas Demand’s retrospective,
The Stutter of History. Refik Anadol speaks to us about the relationship between humans and machines, exploring the influence of art and creativity, as we rely more and more on AI to guide us through our lives. What does the future look like in this new world? Should we embrace it or fear it? Also, I am pleased to bring you an overview of this year’s shortlisted artists for the Aesthetica Art Prize 2023.
Memory Investigated
Thomas Demand highlights the fiction beneath attempts to document the truth, questioning the power and responsibility behind art and its maker.
A Sense of Wonder
Gareth Iwan Jones’ fascination with woodland ecocystems inspired enchanting scenes that document the beauty and mystery of forests.
March 31, 2023: The Art Newspaper’s annual report on museum visitor figures around the world has been published.
We talk to Lee Cheshire, who co-edited the report, and to Charles Saumarez Smith, a former director or chief executive of three London museums and galleries—the National Portrait Gallery, National Gallery and Royal Academy of Arts—about how important the figures are to museums and whether they are a valid gauge of institutions’ success.
The exhibition Manet/Degas opened at the Musée d’Orsay in Paris this week, before travelling later in the year to the Metropolitan Museum of Art in New York. Ben Luke visits the show in Paris and speaks to Laurence des Cars, the former director of the Musée d’Orsay and now president-director of the Musée du Louvre, and Stéphane Guégan, the co-curator of the exhibition.
And in London, a show of the paintings of Berthe Morisot, the pioneering Impressionist with artistic and familial connections to Manet and Degas, has opened at the Dulwich Picture Gallery.
This episode’s Work of the Week is Morisot’s Woman at Her Toilette (1875-80). Lois Oliver, the curator of the exhibition in Dulwich, tells us about this pivotal picture.Manet/Degas, Musée d’Orsay, Paris, until 23 July; Metropolitan Museum of Art, New York, 24 September-7 January 2024Berthe Morisot: Shaping Impressionism, Dulwich Picture Gallery, London, until 10 September, Musée Marmottan Monet later in 2023 (dates to be announced).
First up, the Los Angeles County Museum. This museum has long been a hub for cutting-edge contemporary art, and this month’s exhibition is no exception. Featuring the artwork of women representing the Islamic community, this show promises to be a feast for the senses.
Next, we’re off to London’s Design Museum, where we’ll be exploring the art of famous artist and architect Ai Weiwei. With interactive exhibits and immersive installations, this show is a must-see for anyone interested in the future of architecture as art.
From there, we’ll be making our way to the Baltimore Museum of Art, where we’ll be exploring the 50th anniversary of hip-hop. With works spanning the decades, this exhibition offers a fascinating insight into the ways in which artists have represented themselves and others throughout the story of this unique and popular music genre.
Last but not least, we’ll be heading to the Kunsthaus Zürich, where we’ll be exploring the fascinating intersection of Alberto Giacometti and Salvador Dalí. From the bold, colorful works of the Dalí to the chiseled and lapidarian aesthetic of the Giacometti, this show is a celebration of one of Europe’s most profound and innovative surrealist artists of the 20th century.
The New York Review of Books – April 20, 2023 issue:The London Book Fair Issue—is online now, with Cathleen Schine on Maxine Hong Kingston’s talking-stories, Jameel Jaffer on the “ethical train wreck” at the Office of Legal Counsel, Rumaan Alam on Namwali Serpell, Geoffrey O’Brien remembers Joe Brainard, Michelle Nijhuis on swamps and bogs, E. Tammy Kim on the legend of Harry Bridges, John Banville on John le Carré, Mark O’Connell on the world without us, Manisha Sinha on antebellum Black citizens, Matthew Desmond on handouts for the rich, poems by Homer and Isabel Galleymore, and much more.
Two recent books show that the concept of ecological restoration is a fuzzy one: even practitioners rarely agree on what is being restored, or to what end.
Boomers Daily 