Tag Archives: Arts & Literature

Reviews: ‘The Week In Art’

The Art Newspaper April 27, 2023: This week: AI and art. We explore some of the key aspects relating to artificial intelligence and its use in the art world: the works being made using AI technologies and exploring their impact; anxieties about machines replacing humans; the idea of AIs being able to think and create independently; and whether we can truly grasp the significance and possible effects of the technologies and those who control it, and more.

Host Ben Luke talks to Noam Segal—an associate curator at the Solomon R. Guggenheim Museum, New York, whose focus is on technology-based art—about AI, its history in art, its social and environmental effects, and how artists are using it today. The Art Newspaper’s live editor, Aimee Dawson, talks to the artist and writer Gretchen Andrew about making art with AI and together they explore its wider application across the art world.

And this episode’s Work of the Week is Pseudomnesia: The Electrician, an image made using AI by the photographer Boris Eldagsen. The piece caused controversy earlier this month when it was awarded a prize at the Sony World Photography Awards, which Eldagsen refused to accept. The researcher and photographer Lewis Bush discusses the work, the controversy and wider questions around AI and photography.

New York Art Exhibitions: ‘Matt Bollinger – Station’

Bollinger, Uncle Dave, 2023 (MBO 23.003) 2
Matt Bollinger, Uncle Dave, 2023.

François Ghebaly Gallery, New York City (April 27, 2023) – François Ghebaly is proud to present Station by Matt Bollinger. Ithaca-based artist Matt Bollinger works from a complex interdisciplinary base: as painter, draftsman, animator, and elegist, he creates work that straddles the projects of both visual art and narrative fiction.

Matt Bollinger – Station

April 22 – May 27, 2023

His stories, by and large, are of America’s rural working class–each is told through a bricolage of memory, family history, direct observation, art-historical research, and literary invention. For his latest exhibition, Bollinger chronicles the semi-fictional inhabitants of a rural central Missourian community, offering in the process ruminative, disillusioned vignettes of the real ‘American Dream.’

Bollinger, Brothers V, 2022 (MBO 22.005) 1
Matt Bollinger, Brothers V, 2022.

Spanning the far wall, Uncle Dave (2023) is the most ambitious work in Bollinger’s show–with its impressive vertical dimension, some eight feet-tall, the painting acts as an anchor to the New York gallery space, drawing the eye in and upward. The work depicts three sanitation workers surrounding the bright yellow cab of a dump truck. Framed by wildflowers underfoot and the scintillating glare of another truck’s headlight, the men are shown in progressive life stages.

Bollinger, Cape Hollow II, 2022 (MBO 22.002) 1
Matt Bollinger, Cape Hollow II, 2022.

At the far right, the youth holds a rake and stares listlessly out of view. The middle-aged man, partially obscured, gestures forward with a lighter and a yellow traffic flag, while the eldest is positioned above the other men and descends from the cab, directly confronting the viewer’s gaze. The work’s triadic symbol of labor, class, and the passage of time ––alongside compositional affinities, somewhere between Courbet and religious genre painting ––underscores many of the themes latent both in the exhibition title and in the artist’s work at large.

Exhibitions: ‘Dia al-Azzawi- Painting Poetry’ At The Ashmolean Museum, UK

Ashmolean Museum (April 26, 2023): ‘The Arab world’s most influential living artist’, Dia al-Azzawi is best known for monumental and colourful canvasses. His work spans many genres, including a type of artist books known in Arabic as ‘dafatir’.

DIA AL-AZZAWI

PAINTING POETRY

Here Francesca Leoni, curator of Dia al-Azzawi: Painting Poetry at the Ashmolean, introduces us to the work of this important contemporary artist and takes us through the exhibition currently on display at the Ashmolean Museum.

Dia Al-Azzawi is an Iraqi painter and sculptor, now living and working in London, and one of the pioneers of modern Arab art. He is noted for incorporating Arabic script into his paintings. 

Dia al-Azzawi: Painting Poetry is open and free to visit until 10 June 2023.

Arts/Books: Times Literary Supplement – April 28, 2023

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Times Literary Supplement @TheTLS (April 28, 2023) – This week’s @TheTLS, featuring Abigail Green on 1848; @WeTheBrandon on the geopolitics of space; @woodsgregory on James Purdy; @JulianBaggini on food policy; @scheffer_pablo on the Passion in the Netherlands; @CamilleRalphs_ on poetry anthologies – and more

Preview: London Review Of Books — May 4, 2023

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London Review of Books (LRB) – May 4, 2023 issue: French President Emmanuel Macron and the Pension Crisis, India Prime Minister Narendra Modi’s ‘Big Con’ and more.

Macron v. Millions – The pensions crisis in France

Jeremy Harding · Macron v. Millions · LRB 4 May 2023

Pensions​ – and ‘the fiscal impact of ageing’ – have long troubled the EU. A European Commission paper published in 2016 noted with relief that ‘most EU member states’ were reforming their pension systems. France is one of them. During his first term in office Emmanuel Macron envisaged an ambitious reform plan, but Covid-19 put paid to it. Re-elected in 2022, he put a different plan on the table; at its core is an increase in the retirement age from 62 to 64. It has been predictably unpopular. Pensions rank high on the list of French state expenditures. They are one of the cornerstones in France’s edifice of public provision, which is why the sound of drilling and hammering sets most citizens’ teeth on edge.

Top Art Auctions: Myers Fine Art Gallery In Florida

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ST. PETERSBURG, FLA.- After a hiatus of more than three years, Myers Fine Art will return to the auction spotlight on April 30 with a 459-lot gallery auction that bears all the hallmarks of their signature style. Bidders can look forward to seeing a high-quality, estate-fresh selection of scrupulously researched artworks with impeccable provenance.

Each and every item has been personally curated by Myers’ owners Mike Myers and Mary Dowd, whose combined decades of experience in the fine art sector serve as the basis for auction catalogs whose scholarly descriptions are both lauded and trusted throughout the art world.

READ MORE AT ‘ART DAILY’

International Art: Apollo Magazine — May 2023

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Apollo Magazine – May 2023 issue:

FEATURES | Jaune Quick-to-See Smith talks to Samuel Reilly about breaking the ‘buckskin ceiling’Grant Lewis on Handel’s art-buying habitElisa Germán talks to Apollo about the watercolours of Richard Foster YardeLouisa McKenzie on wax figures through the agesJonathan Griffin on the creative curating of Walter Hopps
 
REVIEWS | Imogen Tedbury on the experimental side of Giovanni BelliniNicola Shulman on tartan at the V&A DundeeMatthew Sperling looks at Alice Neel’s paintings at the BarbicanWilliam Carruthers digs deeper into the life of a formidable French archaeologistAlice Minter is dazzled by a catalogue of the Louvre’s gold and silver
 
MARKET | Jane Morris on New York’s domination of the art market; plus the latest columns from Emma Crichton-Miller and Samuel Reilly
 
PLUS | Hettie Judah asks if artists are getting screwed over by galleries and museumsRosamund Bartlett on how Sydney Modern is rethinking Australian artDiane Smyth focuses on photography collections in the UKWilliam Aslet on the chequered history of St Mary-le-StrandThomas Marks watches La Grande BouffeChristina Makris drinks rosé at a sculpture park in PiedmontSophie Barling on the potter who turned back timeHelen Stoilas on what not to miss at TEFAF New York; plus our pick of the best exhibitions to see this month

What’s the point of studying fine art?

Enrolment in the humanities is tumbling across the United States, but the numbers for fine art are still holding up

Will Edward Bawden’s lost masterpiece ever be tracked down?

The hunt is on for an epic mural depicting ‘Country Life in Britain’ – but chances are it’s a wild goose chase

Finnish lines – a new look for the Ateneum in Helsinki

Ateneum Art Museum

Finland’s most important art museum has been completely rehung just as questions of culture and national identity are on everyone’s mind

The New York Times Book Review – April 23, 2023

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The New York Times Book Review – April 23, 2023:

With His Tale of Shipwreck, David Grann Is Steady as He Goes

This illustration shows a sailing ship being tossed in heaving seas. The art is stylized, with mostly black, white and subtle blue lines, and the image is mirrored, so the same picture appears twice, once right-side up and the other upside down.
Credit…Naï Zakharia

The author’s latest book, “The Wager,” investigates the mysteries surrounding an 18th-century maritime disaster off Cape Horn.

There were multiple moments while reading David Grann’s new book, “The Wager,” about an 18th-century shipwreck, when it occurred to me that the kind of nonfiction narratives The New Yorker writer has become known for share something essential with a sturdy ship.

‘Biography of X’ Rewrites a Life Story and an American Century

The book jacket of “Biography of X,” by Catherine Lacey, is a deep red with a small, scrambled photograph of a woman’s face in the center.

Catherine Lacey’s new novel follows a polarizing artist through a fractured country.

The narrator of “Biography of X,” the new Catherine Lacey novel, is a journalist named C.M. Lucca who worked for a Village Voice-like newspaper in New York City during the 1980s. C.M. has a cool tone and a lonely intelligence; she’s a solitary spirit. 

These Police Chiefs Are Working to Change Perceptions

A sea of uniformed police officers throng Fifth Avenue; an American flag waves in the background.
Police officers from across the country line Fifth Avenue for the funeral of the N.Y.P.D. officer Wilbert D. Mora, 2022.Credit…Karsten Moran for The New York Times

In “Walk the Walk,” Neil Gross profiles three departments around the country experimenting with genuine reform.

WALK THE WALK: How Three Police Chiefs Defied the Odds and Changed Cop Culture, by Neil Gross

Reviews: ‘The Week In Art’

The Art Newspaper April 20, 2023: This week features a tour of Tate Modern’s exhibition that brings together the Swedish painter Hilma af Klint and the Dutch artist Piet Mondrian.

Hilma af Klint & Piet Mondrian | Artists | Tate Shop | Tate

We hear about the two artists’ distinctive contributions to abstraction, their shared interest in esoteric belief systems and their deep engagement with the natural world, from one of the show’s curators, Bryony Fer. Our editor, Americas, Ben Sutton visited the Whitney Museum of American Art in New York to talk to the Native American artist Jaune Quick-to-See Smith, as her retrospective opens at the museum.

And this episode’s Work of the Week is a reconstruction of a Roman gateway that has just opened at Richborough Roman Fort in Kent, southern England. Andrew J. Roberts, a properties historian with English Heritage, the charity that looks after the historic site, explains what the gateway tells us about the Romans’ arrival in Britain in 43 CE.Hilma af Klint and Piet Mondrian: Forms of Life, Tate Modern, London, until 3 September.

Additionally: Kunstmuseum den Haag, The Hague, 7 October-25 February 2024Jaune Quick-to-See Smith: Memory Map, Whitney Museum of American Art, New York, until 13 August; Modern Art Museum of Fort Worth, 15 October -7 January 2024; Seattle Art Museum, 15 February–12 May next year. The Land Carries Our Ancestors: Contemporary Art by Native Americans, National Gallery of Art, Washington D.C., 24 September-15 January 2024; New Britain Museum of American Art, Connecticut, 18 April 2024-15 September 2024.The Roman gateway and rampart, Richborough Roman Fort and Amphitheatre, Kent, now open.

The New York Review Of Books – May 11, 2023

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The New York Review of Books – May 11, 2023 issue: The Art Issue features Fintan O’Toole on the return of the Trump circus, Susan Tallman on why Piranesi still speaks to us, Joshua Leifer on democracy deferred in Israel, Ingrid D. Rowland on recycling antiquity, and Julian Bell on Adam Elsheimer’s oceanic immensity.

Seeing Baya Anew

The Yellow Curtains; painting by Baya
Bachir Mahieddine/Institut du Monde Arabe, ParisBaya: The Yellow Curtains, 1947

An exhibition of the Algerian painter’s work liberates it from the political symbolism of late colonialism.

In November 1947 a fifteen-year-old prodigy from colonial Algeria named Baya, described variously as Kabyle, Berber, Muslim, and Arab, exhibited her gouaches and clay sculptures at the Parisian gallery of the art dealer Aimé Maeght. Yves Chataigneau, the French governor of Algeria, and Si Kaddour Benghabrit, the rector of the Paris Mosque, were the sponsors of the exhibition, and the opening attracted some of the most influential cultural figures of postwar Paris: the writers Albert Camus, François Mauriac, and André Breton; the painters Henri Matisse and Georges Braque; the designer Christian “Bebè” Bérard.

The Perpetual Provocateur

Architectural Fantasy with a Colossal Façade; drawing by Giovanni Battista Piranesi
Giovanni Battista Piranesi: Architectural Fantasy with a Colossal Façade, circa 1743–1745; Morgan Library and Museum, New York

For generations, Giovanni Battista Piranesi’s prints of Roman views defined the popular image of the Eternal City. A profusion of new exhibitions and publications shows why he still speaks to us.

Also in the issue: Jacqueline Rose on C. P. Taylor’s final play, Colin B. Bailey on the Impressionists’ decorations, Wendy Doniger on Bengali tales from the mangrove forests, Christopher Benfey on the Black American potters of the nineteenth century, Jed Perl on high-tech high art, poems by Sasha Debevec-McKenney, Mosab Abu Toha, and Cyrus Console, and much more.