The Art Newspaper May 11, 2023: This week: the Sudan crisis. How are artists responding to another war in the East African country?
The photographer Ala Kheir joins us from Khartoum to tell us about the conflict in Sudan and how it is affecting him and other artists. We talk to Alyce Mahon, the co-curator of Sade: Freedom or Evil, a new exhibition at the Centre Cultura Contemporània de Barcelona (CCCB) in Barcelona about the 18th-century writer and libertine the Marquis de Sade and his artistic and literary influence, particularly in the 20th and 21st centuries.
And this episode’s Work of the Week is Gwen John’s La Chambre sur la Cour (1907-08), a painting of John herself in a Parisian interior. The picture is one of the highlights of an exhibition dedicated to John at the Pallant House Gallery in Chichester, UK.Ala Kheir on Instagram @ala.kheir.Sade: Freedom or Evil, Centre Cultura Contemporània de Barcelona, until 15 October.
Alyce Mahon, The Marquis de Sade and the Avant-Garde, Princeton University Press, $47/£40.Gwen John: Art and Life in London and Paris, Pallant House Gallery, Chichester, 13 May-8 October. Alicia Foster, Gwen John: Art and Life in London and Paris, Thames and Hudson, $39.95/£30. Out now in UK, published in the US on 18 July.
Van Gogh Museum Films (May 12, 2023) – Vincent van Gogh lived in Auvers-sur-Oise from 20 May 1890 until his death on 29 July of the same year. He was tremendously productive in these months and made several of his most renowned masterpieces, including Wheatfield with Crows and Tree Roots.
In the anniversary year of 2023, the Van Gogh Museum and Musée d’Orsay are organising a major exhibition about the final months of Vincent van Gogh’s life, which he spent in the French village of Auvers-sur-Oise. The exhibition Van Gogh in Auvers. His Final Months opens on 12 May 2023.
Christie’s (May 11, 2023) – From Zhang Daqian’s atmospheric masterpiece ‘Ancient Temple in Misty Mountain’ to Qiu Ying’s ‘Celestial Mountains and Pavilions’, a rare and exquisite painting that belonged to the personal collection of Zhang Daqian, enter the beautiful world of Zhang Daqian as an artist and a collector.
Works by Zhang Daqian at Sotheby’s
Chang Dai-chien or Zhang Daqian was one of the best-known and most prodigious Chinese artists of the twentieth century. Originally known as a guohua painter, by the 1960s he was also renowned as a modern impressionist and expressionist painter.
Richard Estes. M Train on Route to Manhattan Approaches the Williamsburg Bridge. 1995.
Museum of the City of New York (May 10, 2023) – In honor of the centennial of the founding of the Museum of the City of New York as the city’s storyteller, This Is New York: 100 Years of the City in Art and Pop Culture explores the many ways that the city has inspired storytelling.
It features both famous and lesser-known images of New York in film and television, song and poetry, literature, visual and performing arts, and fashion, painting a collective, moving and even funny version of a city that has captured the imagination of the world.
The exhibition is organized around the types of places where the human-scale stories of New York are told. It showcases the city’s bustling streets and subways, its iconic parks and waterfronts, its restaurants and nightspots, and its dense and vibrant neighborhoods. Covering the century since the Museum was founded, it illustrates both the massive changes and the enduring themes that have shaped the many stories we tell about New York.
Museo Picasso Málaga (May 9, 2023) – is the first major exhibition in Spain devoted to this facet of Picasso’s work. The selection of pieces is intended to underline the central role played by the representation of the human body, taken as both a whole and as a fragment, in the Málaga-born artist’s œuvre.
Picasso’s sculptures were seemingly overshadowed by his paintings and played a secondary role in his prolific artistic career. The first exhibition devoted chiefly to them did not take place until 1967, at the Tate Gallery in London, and until then his three-dimensional work had barely received any critical attention. However, sculpture was not a secondary concern for Picasso but a form of expression on a par with painting. According to Pierre Daix, ‘he was at least as great a sculptor as he was a painter, and for him these two aspects of his work were always complementary, for he had discovered very early on that the switching from one to the other enabled him to determine precisely what painting is and what sculpture is’.
London Review of Books (LRB) – May 18, 2023 issue: The War in Khartoum, Vermeer’s Waywardness, Palestinians in Paraguay and Claire Hall on Anaximander.
In London, I had taken A Young Woman Standing at a Virginal for a dependable rest point on strolls around the National Gallery. In Amsterdam, relocated to join 27 other Vermeers in the Rijksmuseum exhibition, its strangeness re-emerged. This canvas, executed towards the end of Vermeer’s relatively brief career (some four years, perhaps, before he died aged 43 in 1675), commits to a tactic he had earlier only toyed with: to set an internal picture as a wholly self-contained block within his own composition, uninterrupted by foreground forms.
For more than a decade, two “recovering” anthropologists have brought documentary closer to the human experience. Now they’ve made the camera part of our flesh and blood.
ArtReview (May 2023 Issue) – Featuring Frida Orupabo, Isaac Julien, Sarah Pierce, Kahlil Robert Irving and Christina Quarles; columns on faltering art markets and questions of what art should do for a society; and much more
Art has long looked to the recent past for inspiration, but might the return of post-Internet art just be too much, too soon?
Frida Orupabo, on the cover of ArtReview May 2023, mines images sourced from colonial archives, film, fashion and family albums to create collages that carve representation and empowerment from stereotype. Her visual references, ranging from clips of singers like Nina Simone and Billie Holiday, to the art of Carrie Mae Weems and Kara Walker, are incorporated into multilayered works, some pinned with metal tacks to look like the kind of vintage paper doll whose appendages are manipulable. The sense of ‘reclaiming the power to choose how a woman’s body, and more specifically Black female sexuality, is presented and received’, writes Fi Churchman, ‘is a central theme of Orupabo’s work’.
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