Times Literary Supplement (April 3, 2024): The ‘The Art Issue’ features ‘Miss Lonelyhearts’ – Tom Seymour Evans: Carson McCullers’s unruly life; Violence and Climate Change; Posing for John Singer Sargent and Huckleberry Jim – Mark Twain’s escaped slave wrests control of his story…
The Guardian Weekly (April 5, 2024) – The new issue features ‘Lone Star’ – Have the UN vote and questions about its conduct in Gaza left Israel isolated?; Liz Truss bids for political resurrection; Will IS strike again?; Nick Cave’s devilish change of direction…
Spotlight | IS affiliates could launch new wave of terror on the west
Islamic State has stalled in Iraq and Syria but officials believe it has been planning new attacks on the west for years, reports Jason Burke; while Angelique Chrisafis writes that France’s interior minister has met intelligence services to assess the terrorist threat to the country ahead of this summer’s Olympic Games
Environment | True cost of a city built from scratch
Nusantara is billed as a state-of-the-art capital city that will coexist with nature – but not all residents of Borneo’s Balikpapan Bay are happy, find. By Rebecca Ratcliffe and Richaldo Hariandja
Feature | 49 days later
Liz Truss trashed the economy as Britain’s shortest-serving prime minister. But she is back, launching a new conservative movement and spreading her ideology across the world. You just can’t keep a bad politician down, argues David Runciman
Culture | The devil in the details
In the past nine years, Nick Cave has lost two sons – an experience he explores in a deeply personal new ceramics project. He discusses mercy, forgiveness, making and meaning with Simon Hattenstone
Architecture | A Māori-built environment
A new wave of Indigenous architects are behind a series of stunning buildings embracing tribal identity in Aotearoa New Zealand, Oliver Wainwright discovers
The reawakening of Nature has inspired artists from Botticelli to David Hockney and beyond. Michael Prodger revels in the artistic beauty of the season
Prepare to be a-maze-d
Few can match the twists and turns of Adrian Fisher’s stellar career. Deborah Nicholls-Lee meets the maze designer behind the chilling climax of Saltburn
London Life
Tianna Williams visits a Scottish corner of the capital
Need to Know has all the latest happenings
William Sitwell welcomes back the big business lunch
Richard MacKichan joins the Noisenights crowd
The icing on Nature’s cake
Poet Laureate Simon Armitage celebrates an annual explosion of pink and white blossom with excerpts from his new book
The legacy
Kate Green on how Sir Joseph Banks sowed the seeds of Kew
Leading by example
In the second of two articles, John Goodall puts the spotlight on the superb school buildings of Lancing College, West Sussex
Little April showers
Discover why a thunderous start to the month suggests a good harvest as Lia Leendertz delves into the weather lore of spring
Interiors
Green is the natural choice for a kitchen, as Amelia Thorpe and Arabella Youens discover
A garden from scratch
Caroline Donald marvels at the rapid transformation of the charming seven-acre garden at Charlton Farm in Wiltshire
Kitchen garden cook
Melanie Johnson puts British asparagus — a verdant harbinger of spring — back on the menu
Travel
Camilla Hewitt raises a glass to Cognac
Richard MacKichan explores the Alps in summer
Hetty Lintell falls in love with Mallorca
Pamela Goodman is in awe of the Alhambra
Gen Sir James Everard’s favourite painting
The president of the Army Bene-volent Fund chooses a wonderful depiction of the Battle of Waterloo
Déjà vu all over again
Carla Carlisle attempts to sort the tragedy from the farce in the baffling world of modern politics
Get the London look
Matthew Dennison charts the rise and fall of fashion label Biba
The good stuff
Mesmerising opals are having a moment — Hetty Lintell dives in
The New Yorker (April 1, 2024): The new issue‘s cover features Pascal Campion’s “Into the Light” – The artist depicts stepping out of the subway into the overwhelming glow of the city.
When Leah started dating her first serious boyfriend, as a nineteen-year-old sophomore at Ohio State, she had very little sense that sex was supposed to feel good. (Leah is not her real name.) In the small town in central Ohio where she grew up, sex ed was basically like the version she remembered from the movie “Mean Girls”: “Don’t have sex, because you will get pregnant and die.”
It’s now thought that they could illuminate fundamental questions in physics, settle questions about Einstein’s theories, and even help explain the universe.
Black holes are, of course, awesome. But, for scientists, they are more awesome. If a rainbow is marvellous, then understanding how all the colors of the rainbow are present, unified, in ordinary white light—that’s more marvellous. (Though, famously, in his poem “Lamia,” John Keats disagreed, blaming “cold philosophy” for unweaving the rainbow.) In recent years, the amount of data that scientists have discovered about black holes has grown exponentially. In January, astronomers announced that the James Webb Space Telescope had observed the oldest black hole yet—one present when the universe was a mere four hundred million years old. (It’s estimated that it’s now 13.8 billion years old.) Recently, two supermassive black holes, with a combined mass of twenty-eight billion suns, were measured and shown to have been rotating tightly around each other, but not colliding, for the past three billion years. And those are just the examples that are easiest for the public to make some sense of. To me, a supermassive black hole sounds sublime; to a scientist, it can also be a test of wild hypotheses. “Astrophysics is an exercise in incredible experiments not runnable on Earth,” Avery Broderick, a theoretical physicist at the University of Waterloo and at the Perimeter Institute, told me. “And black holes are an ideal laboratory.”
Artificial intelligence holds huge promise in health care. But it also faces massive barriers
Better diagnoses. Personalised support for patients. Faster drug discovery. Greater efficiency. Artificial intelligence (ai) is generating excitement and hyperbole everywhere, but in the field of health care it has the potential to be transformational. In Europe analysts predict that deploying ai could save hundreds of thousands of lives each year; in America, they say, it could also save money, shaving $200bn-360bn from overall annual medical spending, now $4.5trn a year (or 17% of gdp). From smart stethoscopes and robot surgeons to the analysis of large data sets or the ability to chat to a medical ai with a human face, opportunities abound.
Times Literary Supplement (March 27, 2024): The latest issue features ‘Illustrating Ray Bradbury’ – Michael Caines on a writer who transcended genre; Fifteen French Kings; Spy stories; Neel Mukherjee’s art and artifice; Space colonization and Andrew O’Hagan on the Cally Road….
The New Yorker (March 25, 2024): The new issue‘s cover featuresMark Ulriksen’s “Standing Guard” – The artist depicts the tail-wagging occasion of the first signs of spring.
“The Caring Hand,” by Eva Oertli and Beat Huber, is one of more than fifty sculptures at the new Freedom Monument Sculpture Park.Photographs by Kris Graves for The New Yorker
The civil-rights attorney has created a museum, a memorial, and, now, a sculpture park, indicting the city of Montgomery—a former capital of the domestic slave trade and the cradle of the Confederacy.
The National Monument to Freedom, in Montgomery, Alabama, is a giant book, standing forty-three feet high and a hundred and fifty feet wide. The book is propped wide open, and engraved on its surface are the names of more than a hundred and twenty thousand Black people, documented in the 1870 census, who were emancipated after the Civil War. On the spine of the book is a credo written for the dead:
Your children love you. The country you built must honor you. We acknowledge the tragedy of your enslavement. We commit to advancing freedom in your name.
What if building on the water could be safer and sturdier than building on flood-prone land?
In a corner of the Rijksmuseum hangs a seventeenth-century cityscape by the Dutch Golden Age painter Gerrit Berckheyde, “View of the Golden Bend in the Herengracht,” which depicts the construction of Baroque mansions along one of Amsterdam’s main canals. Handsome double-wide brick buildings line the Herengracht’s banks, their corniced façades reflected on the water’s surface. Interspersed among the new homes are spaces, like gaps in a young child’s smile, where vacant lots have yet to be developed.
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