Tag Archives: Art

Art Lecture Videos: The History Of Hollywood “Horror Movie Posters” (Columbia Museum Of Art)

Recorded February 14, 2020 at the Columbia Museum of Art.

Daniel Finamore, curator of It’s Alive! Classic Horror and Sci-Fi Art from the Kirk Hammett Collection talks about the exhibition and where these posters fit into the canon It's Alive Columbia Museum of ART History of Horror Movie Posters video Feb 20 2020of art history. Finamore is the curator of Maritime Art and History at the Peabody Essex Museum. Best known as lead guitarist of the famed rock band Metallica, Kirk Hammett is also an obsessive collector of visually arresting horror and sci-fi film art and has dedicated the last three decades to creating one of the world’s most important collections.

It’s Alive! features more than 100 pieces of graphic art, many hailing back to the days of Boris Karloff and Bela Lugosi, that have seeped into the public imagination and reflected society’s deepest fears and anxieties for nearly a century. Not only do these objects explore the power of graphic art in its own right, they have inspired Hammett’s work throughout his own artistic career.

Organized by the Peabody Essex Museum, Salem, Massachusetts.

New Exhibitions: “Giorgio De Chirico – Metaphysical Painting” At The Musée de l’Orangerie, Paris (2020)

The exhibition Giorgio de Chirico. Metaphysical painting retraces the career and the artistic and philosophic influences of the artist Giorgio de Chirico from Munich to Turin, then to Paris where he discovered the artistic avant-garde of his era, and lastly Ferrare. The connections between the painter – discovered by Apollinaire and Giorgio de Chirico Il Ritornante 1917-1918subsequently backed by the art dealer Paul Guillaume – and the Parisian cultural and literary circles will be highlighted as never before.

Born in Greece and trained in the fount of classical culture and late German Romanticism, de Chirico developed the foundations of a new artistic exploration alongside his younger brother Alberto Savinio. A student at the Academy of Fine Arts in Munich as of 1908, he discovered the thinking of Nietzsche and Schopenhauer as well as the works of Böcklin and Klinger. After travelling to Milan then Florence, it was in France, and more specifically Paris, as of autumn 1911, that he established his unique visual vocabulary through contact with the modernist artistic revolutions. He was quickly noticed by numerous artistic celebrities of the time, among whom Guillaume Apollinaire, Maurice Raynal, André Salmon, André Breton, Paul Éluard and Jean Paulhan were the first to take an interest in and promote his work.

Musée de l'Orangerie logoThe exhibition thus comes into its own at the Musée de l’Orangerie alongside the figure of Paul Guillaume, the first art dealer to work with Giorgio de Chirico. On his return to Italy in 1915, he and his brother Savinio were sent to Ferrare for military reasons, where he continued his artistic research. This period (June 1915-December 1918) provided an opportunity for painters Carlo Carrà and Giorgio Morandi to get to know the two brothers, thus resulting in the creation of what was later to be known as the “metaphysical movement” which brings the exhibition to a close.

Exhibition organised by the Musée d’Orsay and the Musée de l’Orangerie, Paris and the Hamburger Kunsthalle, Hamburg

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Art Videos: “Georgia O’Keeffe’s Century Of American Art” (Sotheby’s)

Sotheby's AuctionsIn the final years of Georgia O’Keeffe’s nearly century-long life, she employed and befriended the young sculptor Juan Hamilton. The two would become inseparable, and upon her death in 1986, Hamilton inherited fine art and personal affects from the artist’s estate, including rarely seen pieces from the estate of O’Keeffe’s late husband, Joseph Stieglitz.

This March, Sotheby’s is honored to present these works in Alfred Stieglitz, Georgia O’Keeffe, Juan Hamilton: Passage, a dedicated auction in New York on 5 March 2020. In this episode of Expert Voices, Head of American Art Kayla Carlsen explores the stories behind this remarkable collection while highlighting exceptional works, including O’Keeffe’s Nature Forms – Gaspé, Stieglitz’s Hand and Wheel and Hamilton’s Untitled (Red Form).

(New York | 5 March 2020)

Art: “What Is A Japanese Living National Treasure?” (British Museum Video)

The British Museum has been collecting artworks made by Japanese Living National Treasures since 2007, but what is a Living National treasure and why are they so important to Japanese Cultural Heritage? In this film Nicole Rousmaniere, research director of SISJAC and Hayashida Hiyaki of the Japan Kōgei Association talk all about the Living National treasures programme and highlight some of the most beautiful pieces of Japanese craftsmanship collected by the Museum.

New Art Books: “The Art Of Still Life” By Todd M. Casey

The Art of Still Life A Contemporary Guide to Classical Techniques Composition and Painting in Oil Todd M CaseyEvery artist needs to learn and master the still life. Written by a well-known artist and expert instructor, The Art of Still Life offers a comprehensive, contemporary approach to the subject that instructs artists on the foundation basics and advanced techniques they need for successful drawing and painting.

In addition to Casey’s stunning paintings, the work of over fifty past and present masters is included, so that the book will do double duty as a hardworking how-to The Art of Still Life Todd M Casey Feb 2020manual and a visual treasure trove of some of the finest still life art throughout history and being created today.

A Massachusetts native, TODD M. CASEY studied at art schools in Boston and San Francisco before embarking on the classical artistic education offered by Jacob Collins’s famed Water Street Atelier in New York City. A modern master of the still life genre, Casey teaches at several institutions, including the Art Students League of New York. He is represented by Rehs Contemporary Galleries, Inc., New York, and his paintings are held in numerous private collections worldwide. He lives with his wife and daughter in New York’s Hudson Valley. Visit his website at toddmcasey.com.

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New Art Books: “Cherry Blossoms – Sakura Collections From The Library Of Congress”

Cherry Blossoms Sakura Collections from the Library of Congress book February 11 2020“Cherry Blossoms” reflects on the long tradition of flower viewing in Japanese culture with vivid color woodblock prints by ukiyo-e master artists, photographs, color lithographic posters and Kōkichi Tsunoi’s exquisite watercolor drawings from 1921. The book highlights the rich connections between Japan’s centuries-old traditions and contemporary counterparts. The American public’s affection for the blossoms is revealed in vintage and contemporary photographs of the Tidal Basin, collections related to the National Cherry Blossom Festival and the Cherry Blossom Princess Program, as well as decades’ worth of creatively designed festival posters.

Vibrant springtime traditions of cherry blossom viewing in Japan and Washington, D.C., are explored in the new book “Cherry Blossoms: Sakura Collections from the Library of Congress,” published today by Smithsonian Books, in association with the Library of Congress.

Visual art, including prints, drawings and photographs from the Library’s collections, provide a fresh look at the tradition of cherry blossom celebrations that originated more than 1,200 years ago. Japan shared the tradition with the United States when they presented the nation’s capital with 3,020 cherry trees in 1912. Ever since, D.C. residents and visitors have been mesmerized by the trees and have joined in the festivities of the National Cherry Blossom Festival, which draws more than 1.5 million visitors each year.

Fascinating Facts about Cherry Blossom Traditions:

  • It started over 1,200 years ago…with plum blossoms! The Japanese custom of flower viewing, or hanami, is thousands of years old. Beginning in the 9th century, saplings and trees were brought down from the mountains to grace the gardens of the aristocracy. The practice was first associated with plum (ume) blossoms before it became linked almost exclusively with cherry blossoms during the Heian period (794-1185).
  • A feudal warlord threw some of the most lavish parties. Before it became popular with people at all levels of society, cherry blossom viewing in Japan was reserved for the elite. Legendary feudal warlord and samurai Toyotomi Hideyoshi (1537-98) sponsored some of history’s most lavish cherry blossom-viewing events. His 1594 celebration at Mount Yoshino included a poetry party, a nō play, and a hanami party with 5,000 guests. In 1598, he built hillside teahouses to accommodate guests for his party at Kyoto’s Daigoji temple and transplanted 700 cherry trees to the site.
  • Blossoms Symbolize Fleeting Delights in Life. Cherry blossoms are heralds of spring, but their short blooming period also evokes the ephemeral beauty of life. Edo period (1603-1868) hanami celebrations featured the pleasure of food and drink, poetry and music – tinged with wistful appreciation of the fleeting beauty of both blossoms and earthly delights. This tradition continues. The transitory beauty of life becomes vivid when gusty spring winds end the blooming season with showers of drifting petals, an effect the Japanese call hanafubuki (cherry blossom blizzard).
  • A “Field of Cherries” in Potomac Park? It took the U.S. Army Corps of Engineers three decades to transform the low-lying area known as Potomac Flats into Potomac Park. A 1914 sightseer map of Washington features the new park and labels the road around the west end of the Tidal Basin as the “Speedway.” U.S. Department of Agriculture botanist David Fairchild and cherry tree advocate Eliza Scidmore promoted the site as an ideal place for a “field of cherries.”
  • Not all cherry blossoms are pink. Cherry blossoms varieties include multiple colors: white, pink, yellow – even green. Twelve different varieties of cherry blossom trees were sent from the city of Tokyo to Washington D.C. in 1912. While most were the white-pink Somei Yoshino, there were also 10 different varieties of double-flowered (or manifold) trees, one variety with green blossoms, called Gyoikō, and some varieties with fragrance. The trees around today’s Tidal Basin are limited primarily to Somei Yoshino and Kwan-Zan.

Authors Mari Nakahara and Katherine Blood, both curators in the Library’s Prints and Photographs Division, present a comprehensive view of the history of this annual celebration, illustrated by prints, posters, photographs and artifacts from the Library’s rich collections.

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New Exhibitions: 84-Year Old Artist Paul Kolker – “Dialogical Perception…Art As Experiment” (Video)

Paul Kolker is pleased to present his seventy-third solo exhibition, Dialogical Perception… Art as Experiment at his studio, the PAUL KOLKER collection, 511 West 25th Street from February 6 through March 27, 2020.

Paul Kolker (b. 1935) is a New York-based artist with doctorate degrees in medicine and law. He began his career of painting and sculpture in the 1960s, illustrating his peer review medical journal articles and life-casting anatomical models. In the 1970s he treated his art production as a post-minimalist experiment questioning experience and using the viewer as the measuring instrument as well as the interpreter of the experiment’s results. Many of his early works are sculptures, each painted in an elemental color, black or white.

In 1975 Kolker developed a keen and hands on understanding of light optics when he purchased a first generation three tube front end television projector with an alignment grid. That grid became the infrastructure for his works, which involved fractionation of a photographic image and the use of modular panels and canvases to create large scale works. In the 1980s Kolker began making light sculptures using one-way mirror and LED message screens, reflecting ad infinitum. In 2001, when he moved into his studio in Chelsea, he created an algorithm for a process of painting minimal shapes, such as a dot or square, in elemental colors (never mixed with each other, but sometimes mixed with black and/or white to form tints and shades). This process is called ‘fracolor’ in attribution to Benoit Mandelbrot’s fractal geometry, wherein minimal shapes and forms are serially replicated, like branches on a tree, rectangles on a grid, or pixels and dots on a television display screen.

As a result, Kolker’s works have become reminiscent of our pixelated world of digital information transfer, as we see it up close as grids of colored dots on our television, computer and cell phone screens; and how more highly defined that screen becomes when viewed from afar. His works are observational experiments which cry out to us, “Because of biases of color, shapes, parallax and perspective relative to where we stand as the observer, a dot may be a universe; and a universe may be a dot.”

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Artists: Inside Story Of Andy Warhol’s “Athletes” Paintings (Christie’s)

From a Christie’s Magazine online article (February 2020):

Christie's Magazine logo‘The sports stars of today are the movie stars of yesterday,’ proclaimed the artist. It was true; thanks to rapid advances in TV broadcasting, sporting champions in the 1970s were starting to achieve the same level of popularity as other entertainers.

Andy Warhol Athletes paintngs Muhammad Ali & Pele Christie's Magazine February 2020

In 1977, Richard L. Weisman approached his friend Andy Warhol with the idea for a new series: a set of silkscreen portraits of the day’s leading sports stars. Called ‘Athletes’, these pictures have come to be regarded as some of the standout works of Warhol’s later years.

Andy Warhol Athletes paintngs Kareem Abdul-Jabbar & Tom Seaver Christie's Magazine February 2020

Weisman (1940-2018) was a dedicated collector, and the two men bonded mostly over art, although they also crossed paths regularly at social gatherings across New York. On some occasions, these gatherings were held at Warhol’s Factory studio; on others, at Weisman’s apartment on United Nations Plaza.

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Profiles: How The 1960’s Inspired Painter David Hockney, Now 82 (Video)

David Hockney A Bigger Splash Tate BritainDavid Hockney, (born 9 July 1937) is a British painter, draftsman, printmaker, stage designer, and photographer. As an important contributor to the pop art movement of the 1960s, he is considered one of the most influential British artists of the 20th century.

Hockney has owned a home and studio in Bridlington and London, and two residences in California, where he has lived on and off since 1964: one in the Hollywood Hills, one in Malibu, and an office and archives on Santa Monica Boulevard in West Hollywood, California. (From Tate Museum Biography)

Painted in Los Angeles in 1966, David Hockney’s ‘The Splash’ is as recognizableThe  as Monet’s ‘Waterlilies’, Van Gogh’s ‘Sunflowers’ and Munch’s ‘The Scream’. In this episode of Expert Voices, discover how the liberal lifestyle in Los Angeles inspired one of the most iconic images of the 20th century and hear Hockney himself explain how he immortalised his split-second swimming pool moment on canvas.

Auctions: “Sotheby’s Impressionist, Modern & Surrealist Art Sale” (Video)

We are LIVE from our Impressionist, Modern & Surrealist Art Evening Sale in London. Watch as works by Van Gogh, Duchamp, Pissarro, Signac, Kirchner, Miro, Giacometti, Léger, Chagall and Picabia go under the hammer!

Website:  https://www.sothebys.com/en/auctions/…