Tissot consistently defied convention in both his professional and personal life. His contributions to the academy and the avant-garde are documented by participation at diverse venues such as the Paris Salon as well as London’s Royal Academy and the Grosvenor and Dudley Galleries. This exhibition explores his multifaceted career with a fresh perspective and original scholarship and will also question where and how Tissot should be situated in narratives of the nineteenth-century canon.
Tissot was arguably a painter of modern life although he did not formally belong to the Impressionist circle and never exhibited in their group shows, despite an invitation from Edgar Degas.

The Fine Arts Museums of San Francisco and the Musée d’Orsay, Paris are co-organizing James Tissot: Fashion & Faith, the first major reassessment of the artist’s career in over 20 years. In San Francisco, this international retrospective will examine approximately 60 paintings, additional works on paper, and cloisonné enamels by Tissot. Exhibition highlights are drawn from the permanent collections of the Fine Arts Museums of San Francisco, including Tissot’s Self Portrait (ca. 1865) as well as prints and photographs from the Achenbach Foundation for Graphic Arts. New scholarship on the artist presented in this collaboration demonstrates that even Tissot’s most ebullient society paintings reveal rich and complex commentary on topics such as nineteenth-century society, religion, fashion, and politics, rendering him an artist worthy of reexamination in the twenty-first century.
https://legionofhonor.famsf.org/exhibitions/james-tissot-fashion-faith
A nanotube microprocessor: Scientists are looking beyond silicon, by constructing a computer chip using carbon nanotubes.
“Fans of intelligent historical fiction will be enthralled by a story so original and so fully imagined. Meek shows the era as alien, which it is, and doesn’t falsify it by assimilating it to ours. But his characters are recognisably warm and human”
…the Getty Villa, despite some anomalies and insertions, is considered a strong likeness, which makes it a powerful locale for “Buried by Vesuvius: Treasures From the Villa dei Papiri,” the first major exhibition of works discovered in the Roman residence. The show includes Weber’s 1758 architectural map—used to build the Getty Villa—along with some of the approximately 90 sculptures pulled from the site, showing athletes, philosophers, rulers, poets and mythological figures. The exhibition also displays findings from the recent excavations.


It’s a familiar tune to engineer Ken Smith, director of the mobility division of the Stanford Center on Longevity. He says one of the biggest mistakes designers make is to assume that around the age of 60 people lose interest in aesthetics and design. This can have dire consequences for products meant to help people with their health. No one wants to stick a golf-ball-size hearing aid the color of chewed gum in their ear, any more than they want to wear a T-shirt that reads “SENIOR CITIZEN.”
“Asking even seasoned chefs and truffle-industry insiders to describe what the fungus tastes or smells like,” Jacobs writes, “is a bit like asking a priest why he believes in God.” Readers not familiar with the pungent, one-of-a-kind flavor will come away even more intrigued. Those of us whose most frequent encounter with the fabled fungus is through truffle oil will also be disappointed. As Jacobs discovers, nearly all truffle butter and truffle oil sold in America is manufactured using chemicals rather than the real thing.
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CutUp is closely linked to Oefner`s
The SC-1 is designed to transform what was a mere means of mobility into an all-new opportunity for entertainment. Sony and Yamaha Motor will deploy it to provide fun new diversions at venues such as golf courses, amusement parks, and commercial facilities.