Vice Chairman Lucian Simmons sits down to describe one of his favorite works – Fernand Léger’s Nature Morte. After surviving World War I, Léger joined an influx of artists searching for “purity” or a so-called “return to order.” Executed in 1925, Léger’s still life is an outstanding example of the artist’s classical period, where the artist found a new stride. Nature Morte will be offered as a highlight of the Sotheby’s Impressionist and Modern Evening auction in New York.
By any name, Yusuf Islam is a legend. The man who came to fame as Cat Stevens will soon release a new album, a collection of songs he made famous half a century ago and has now re-recorded with the perspective that 50 years of living can bring. Correspondent Tracy Smith talks with Yusuf about recording “Tea for the Tillerman 2,” including his duet with his younger self for the song “Father and Son.”
Vanessa Foley is a professional bird artist based in the North of England. She regularly shows her work in notable galleries in the UK and America, has work in private collections worldwide and is a member of The VACVVM, an international cult of illustration co-founded by Aaron Horkey & Mitch Putnam.
An artist from Newcastle, England she is known for her intensely detailed graphite drawings and emotionally rich oil paintings. She has become a long-standing member of the Antler Gallery roster since we first exhibited her work four years ago.
Vanessa has embraced the stylistic beauty that oil painting offers an artist representing subjects accurately. The density and delicacy of the feathers in her paintings of birds of prey is stunning. In this series she has chosen to focus on the nocturnal, incorporating owls and moths. (Antler Gallery).
Making its auction debut, ‘Les éléments confédérés’ is the only five-panel work by pioneering Chinese artist Chu Teh-Chun and the largest oil painting by the artist remaining in private hands. In this video, view the monumental work set to the piece of music it was inspired by – Beethoven’s Symphony No. 9, and discover how the choice of five panels relates to Chinese philosophy.
Compelled to chronicle the life and world around her, Abigail Faye McBride paints with the heart of a poet. Her oil paintings and charcoal drawings bear witness to a time, person or passing glimmer of light. Abigail paints landscape, figure and still life working interchangeably with brush and palette knife. Collectors, nationally and internationally, appreciate the color, mood and elegance of her work.
A consummate Cape School colorist, the draftsmanship in her work is born of an academic interest in the portrait and figure. Her work blends traditional subject matter with modern design sensibilities. She is part of a new breed of perceptual painters working from direct observation be it plein air or in the studio. Though often free of narrative, her work is grounded in the present day as a contemporary interpretation of genre painting.
“I have a good relation with black,” says Wolf Kahn. This is not obvious. The painter stands in front of an unfinished oil—a pattern of trees, a slice of sky—and nothing of it argues “black”; we are in the realm of Gerard Manley Hopkins’s “skies of couple-colour” and “rose moles all in stipple.” The world here evoked is luminous, bright, and the act of witness is an act of celebration. Colors laid down on the canvas are some of Kahn’s signature colors: purple, alizarin crimson, lemon yellow, phthalo green.
The painter’s shock of hair is white, his eyes are a bright blue. Trim yet sturdy, eighty-five, he wears faded blue jeans and an old plaid shirt “I like the bottom left of this painting,” he says, “the bottom right needs work. But nature in general is quite generous in providing material for one’s imagination; I will return to it later, when you go.”
Seven years later and after his death, a black-rimmed condolence card seems no more appropriate now than then. An exuberant artist, this master of shape and color always had “a good relation with black.” So I, along with legions, mourn him—but I also want to celebrate his life-long act of witness and (to borrow a phrase applied to a predecessor) flat-out “Lust for Life.”
(From BrooklynRail June 2020)
Wolf Kahn was a German-born American painter. Kahn, known for his combination of Realism and Color Field, worked in pastel, oil paint, and printmaking. He studied under Hans Hofmann, and also graduated from the University of Chicago.
Air, Water, Fire, and Earth were formally believed to compose the physical universe. These elements are now the paintbrushes for adventure athletes whose canvas encompasses the great outdoors. These are the Elements Oliver White.
It’s the most natural outcome for someone who fell in love with fishing early. And by love, I mean: willing to follow wherever fishing wanted to take me.
Travel to a new country to investigate a fishery? I’ll be packed in an hour. Explore an uncharted river? I’m in. Stalk a fish that’s never seen a fisherman? I want to solve the puzzle, crack into that animal’s head and figure out how to catch it. After years of living in fishing’s gravity, I’ve witnessed how it can alter orbits beyond my own.
Award winning artist, Jennifer McChristian, was born and raised in Montreal, Canada. From an early age, she knew she wanted to be an artist. Upon completing high school, McChristian began her art education at Dawson’s College in Montreal, Canada. In 1986, she and her family took permanent residency in California, where she earned a Bachelor of Fine Art Degree with Honors from Otis Art Institute in 1990.
Her inspirations consist of notable artists such as John Singer Sargent, Anders Zorn, Nicolai Fechin and Cecilia Beaux. McChristian primarily paints in oils and occasionally watercolors and gouache. She has an affinity for painting ‘en plein air’ and also enjoys creating studio works using her outdoor sketches as inspiration. “Painting is somewhat of a spiritual experience for me. Although challenging at times, the end result evokes within me a sense of elation, nostalgia and harmony”.
Directed, Filmed and Edited by: Edmund Beck
Music composed by: Simon Whiteside
Interview and Graphics by: Laurence Beck
Sound mix by: David Mead
Short documentary film about Author, illustrator Ian Beck. A brief look at his life and where he works. Included are, his inspirations from childhood reading, the making of the artwork for Elton John’s 1973 album ‘Goodbye Yellow Brick Road’ and his current project in collaboration with Philip Pullman (His Dark Materials) creating a Myriorama.
Ian Archibald Beck is an English children’s illustrator and author. In addition to his numerous children’s books, he is also known for his cover illustration on Elton John’s Goodbye Yellow Brick Road album. More than a million copies of his books have been sold worldwide.
Since lockdown started in the UK, British artist Jonathan Yeo began a ‘FaceTime Portraits’ series where sittings have been filmed by his household, offering viewers a live glimpse into his portrait painting process.
Here he tells us about the pros and cons of painting faces by digital means and how he sees the future of portraiture as technologies continue to evolve.
Jonathan Yeo is a British artist who rose to international prominence in his early 20s as a contemporary portraitist, having painted Kevin Spacey, Dennis Hopper, Cara Delevingne, Damien Hirst, Prince Philip, Erin O’Connor, Tony Blair, and David Cameron among others.
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