SURVIVING WINTER: Joe Gibbs summons the fortitude of our forebears in a bid to survive the cold season in an old house with rattling windows, draughty chimneys and a leaky roof.
NEWS: What impact will inflation and the cost-of-living crisis have on our historic houses and churches?
MASTERPIECE: The Forstye Saga‘s enduring appeal.
ARCHITECTURE: Drapers’ Hall: An enduring force for good.
FURNITURE: The joys of gilded furniture.
INTERIORS: Fat, often glistening metallic tassels, fringes, cords and braids—known as passementerie—have been beautifying interiors for centuries, reveals an admiring Matthew Dennison.
Geechee basketmakers, Gee’s Bend quilters, and Native American artisans are developing ways of navigating markets that have not always had their best interests at heart.
The two-level ADU is decked out with a light-filled recording studio for him, and for her, a luminous design space with soaring ceilings and sliding glass doors.
“Santo by the Sea”was developed based on the idea of the owner’s desire to have a Mediterranean Revival – Santorini architecture.
However, the difficulty when developing this style is that the doorways are very small and narrow as well as how to bring new modernity to the house. From that concept,
Santo by the Sea is designed with large arched doorways to make the most of the beauty of the surrounding nature and bring natural light to the interior spaces.
Auckland-based studio Herbst Architects takes to an expansive dunescape along the eastern coast of New Zealand to construct its Dune House.
The dwelling is designed in celebration of its undulating site, which is covered with a native flowering plant known as Muehlenbeckia to create a lush, green landscape rolling downward to the beach.
The project comprises a main house with two bedrooms and two smaller ‘sleepout’ structures, following the needs of the client, while it is perched two hundred meters from the high-water mark — following local regulations. Thus, the home is safe from flooding and enjoys sweeping views of the sparkling horizon.
The Local Project – Through warm and inviting additions, Northside House becomes a dream house for the clients of Wellard Architects. In partnership with Artedomus, Wellard Architects have carefully considered the owners’ personalities with the selection of colours, tones and materials.
Video timeline:00:00 – Introduction to Dream House 00:39 – An Alterations and Additions Project 00:51 – The History Behind Northside House 01:10 – Layout of the Dream House 02:01 – The Overarching Theme of Compression and Release 02:50 – Joining Forces with Artedomus 03:17 – The Main Materials Utilised Throughout The Home 05:02 – Artedomus’ Involvement 05:37 – The Architect’s and Artedomus’ Favourite Aspects 06:13 – Proud Moments from the Architect’s
Located on a corner site of Clifton Hill, Northside House is an existing heritage home that once housed an Italian plasterer and showrooms. However, with carefully considered alterations and additions, the dream house becomes a space for private family dwelling that also opens to the surrounding community. From the front of the Federation-era home, the house tour leads guests past the principal bedrooms and bathrooms of the original home.
Wellard Architect’s alterations and additions become evident with the double-height hallway that marks the transition between the old and new. Located upstairs is a lounge and study, which offer a warm and light-filled retreat where one can find some privacy in a busy household. On the ground floor, the living and dining spaces have been subtly zoned so no space feels too cavernous. From the blonde timber walls and ceiling to the terrazzo flooring, the dream house encompasses a natural form of living.
Desiring a cosy interior, the clients and Wellard Architects worked closely in the selection of decor, furniture, finishes and fixtures for the interior space. During these project development stages, Artedomus was approached for its robust materials that would fit the brief of a busy family’s dream house. In the ensuite bathroom, porcelain tiles from Portugal infuse warm tones, while the vanity and basins use Travertine Zena and INAX tiles to establish calmness throughout.
Additionally, the main bathroom uses Verde Bardini granite and Fiandre Maximum porcelain tiles which meld with the selected Agape Vieques steel bath that sits sculpturally in the centre of the bathroom. Flowing throughout the rest of the dream house, Artedomus products can also be appreciated in the generously-sized kitchen, where Nerofino Brushed Quartz has been employed for the splashback.
Alongside the creation of a cosy atmosphere, the kitchen further instils the clients desire to have a home that can be used for entertaining – with space for intimate family cooking or a gathering of friends and neighbours. Opening up to the back garden courtyard, the orange-bricked façade of the garage seamlessly balances the terracotta shingles of the dream home and merges the heritage home with the modern additions.
House 101 by Atelier tho.A. Photograph: Anh Chuong
The Architectural Review – The 15 shortlisted projects include houses from all over the world, from the UK, Ireland and Spain, to Mexico, Vietnam, New Zealand and The Bahamas.
Casa Ter by Mesura. Photograph: Salva-López
The private house occupies a unique position in both the history of architecture and human imagination. Beyond its core function of shelter, it is an object of fantasy, a source of delight, a talisman and a testing ground.
Bass Coast Farmhouse by John Wardle Architects. Photograph: Trevor Mein
Blockmakers Arms by Erbar Mattes. Photograph: Ståle Eriksen
Brillhut by Brillhart Architecture. Photograph: Bill Abranowicz
Casa Eva by Fernanda Canales Arquitectura. Photograph: Rafael Gamo
Situated within the Surrey Green Belt in Hampshire, the sustainable three-bedroom house responds to its surrounding natural environment and creates minimal visual impact. Aggregate foundations, locally sourced flint, and a CLT timber structure shape the contemporary design, blending it harmoniously into its picturesque setting, and also proving that it’s possible to recycle, re-source, and reduce impact in construction.
Japanese designer Yuma Kano has creatively worked with forest debris to create ForestBank, a new type of wood that looks to minimise waste.
This pioneering material design makes use of debris from the forest floor that would normally be considered worthless for furniture construction. Formed out of small trees, foliage, bark, seeds, and soil, ForestBank seeks to determine the full value of our local woodlands and in turn it creates an artistic and aesthetically pleasing material out of unutilised debris.
The Local Project – An interior designer’s own holiday home, Pavilion House reflects a studious approach to the relationship between architecture, landscaping and the internal environment. Crafted by Nina Maya Interiors and Maya Sternberg Architects, the home captures an escapist experience using an array of sculptural forms.
Video timeline: 00:00 – Introduction to the Interior Designer’s Family Holiday Home 00:35 – Introduction to Nina Maya Interiors 00:55 – The Location of the Home 01:11 – A Brief Based Around That Holiday Feeling 01:47 – Pavillion Style Architecture 02:06 – A Walkthrough of the Home 02:23 – Evoking a Ubiquitous Feeling 02:43 – The Connection Between Indoor and Outdoor 03:15 – The Landscape Architecture 04:05 – A Light-filled Home 04:27 – The Hand Carved Coffee Table 05:14 – Organic, Round Soft Forms 05:34 – Nina’s Favourite Features
Situated in Avalon, a coastal suburb of Sydney, Pavilion House stands as an interior designer’s own holiday home, settled in close proximity to the beach. As the beach house sits far back on a 1000 square-metre block, a house tour of the residence begins with a sense of land, space and privacy reminiscent of a luxury hotel. Architecturally, the building champions a pavilion style with an orderly spatial layout and front façade comprised of glass.
Entering Pavilion House, occupants find the kitchen and dining room, followed by the living quarters and, further back, all bedrooms and bathrooms. As an interior designer’s own holiday home, the residence effortlessly proposes a luxury living experience influenced by hotel designs from around the world. A seamless connection between indoor and outdoor space is maintained using doors which stack to their sides – opening the home to the external environment – and a sophisticated treatment of landscape.
Balancing aesthetics and functionality, Pavilion House is a prime example of an interior designer’s own holiday home. Having excavated a large portion of the front of the property, Nina Maya Interiors builds a refined outdoor dining area surrounded by palm trees, white pebbles and a custom marble table. In addition, the landscape features a firepit area and outdoor spa space, complete with a bar, vanity, free-standing bathtub and rain shower. The lighting of Pavilion House also nods towards its status as an interior designer’s own holiday home. In the lounge, a continuous skylight runs seven metres across the length of the room, inviting natural light to play across the plaster wall.
Raw finishes combine with a restrained colour palette to enhance the calming quality of the sunlight and sculptural furniture within the interior design. Exuding a sense of relaxation, Pavilion House is an uplifting iteration of an interior designer’s own holiday home. Nina Maya Interiors forges a strong connection between both the internal and external aspects of the home, establishing a coherent place of retreat.
The Local Project = Located in Sydney’s east, Grove House is a garden home that possesses a sense of community through its connection to the shared grove between the surrounding heritage houses. Supplying architecture and interior design, Clayton Orszaczky delivers a family home that wraps around its occupants like a cocoon.
Video timeline:00:00 – Introduction to the Inner-City Garden Home 00:27 – The Architects 00:47 – Preservation of the Heritage Aspects of the Home 01:02 – A Walkthrough of Grove House 01:44 – The Clients 02:09 – Connecting to the Garden 02:27 – The Grove, A Community Garden 02:54 – The Landscape Designers 03:06 – A Contrast Between Old and New 03:34 – The Use of Concrete 04:06 – The Key Relationship Between Form and Lighting 04:30 – The Architects Favourite Moments
As the house tour begins, the desire to keep the original fabric of the house – while sensitively connecting to the new additions – can be seen through each design choice of the garden home. Inside, a careful consideration of materials and space has been infused from the original formal rooms to the dining and family living room and into the extensions.
However, it is the original timber staircase greeting guests from the entrance that establishes a graceful connection between the original home and new additions. Directly responding to the clients’ desire to connect to the gardens and grove beyond, Clayton Orszaczky encourages the new additions of the garden home to directly respond with the original fabric. A core aspect of the home, the kitchen and dining space connects to the gardens through large glass doors and windows which directly draw in both northern and eastern light.
A further dialogue between the existing home and the new was addressed by specifically choosing to emphasise the contrast of eras through the use of off-form concrete, steel windows, timber veneer, black porcelain and modern furniture. Collaborating with Tanya Wood Landscape Architect on the ground level and roof garden design, Grove House establishes a renewed connection between home and garden. Looking at the garden home from the grove, it can be seen that the soft form of the exterior contributes to the grove and the shared community space.
Continuing the house tour from the back fence to the shared grove, an immediate connection with the landscape, surrounding greenery and neighbours can be experienced. Throughout the house tour, the transition between the existing and new areas of the garden home are seen through the proportional ratios. Specifically choosing to speak to this dialogue between old and new additions, Clayton Orszaczky has used concrete for mass – similarly to how masonry was used in the original home.
Additionally, continued references to the terrace house form is seen within the new additions and the renewed relationship between light and form further contributes to the connection within the home and to the garden and grove.
A gem of late-nineteenth-century architecture, designed by architect Guido Sartirana, is currently for sale in Moltrasio, by the wonderful waters of Lake Como. This is a place that certainly needs no introduction, the undisputed pearl of the most beloved lake in Italy, one that has always been an elegant and exclusive destination thanks to its breathtaking views and its ancient noble homes surrounded by centuries-old gardens. In this dream setting, this villa for sale is in a unique position, directly overlooking the lake and surrounded by a private park measuring over 5,000 sqm. Directly by the lake, the property’s dockyard offers the exclusivity of reaching it by water in total privacy, aboard private boats. Built at the end of the 19th century on a project by a well-known Milanese architect, this villa is characterized by its richly decorated facade with Renaissance-style motifs, enriched by sloping wings and an extraordinarily panoramic corner tower. A huge terrace right in front of the lake, ideal for enjoying romantic drinks at sunset, leads us to the entrance on the ground floor, which is home to a spacious living area, made extraordinarily bright by big French windows. The terrace also leads to the lower level and to the beautiful pool area, to an outdoor kitchen and to the caretaker’s apartment. The main villa is flanked by two other buildings, a small castle and another independent house, located in the property’s grounds, which are an authentic haven of rest in which to enjoy the magical atmosphere of this place in the privacy of your own home.
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