The Week In Art Podcast (December 8, 2023): This week: the final big art market event of the year, Art Basel in Miami Beach. The Art Newspaper’s associate digital editor, Alexander Morrison, talks to our acting art market editor, Tim Schneider, in Miami about the fair, as tensions rise ahead of the pivotal 2024 US election.
In Athens, the National Museum of Contemporary Art, or EMST, is next week opening a months-long programme which will end up with the entire museum filled with women artists. We talk to EMST’s director, Katerina Gregos, about the programme, called What if Women Ruled the World? And this episode’s Work of the Week is two objects: the 15th-century Florentine artist Francesco Pesellino’s panels telling the story of David and Goliath, made for a luxurious cassone or chest for the Medici family.
The panels belong to the National Gallery in London and have just been restored for a new exhibition there, Pesellino: A Renaissance Master Revealed. We talk to Jill Dunkerton, who did the restoration, about these extraordinary paintings.
Art Basel in Miami Beach, Miami Beach Convention Center, until Sunday, 10 December.
What if Women Ruled the World? begins at EMST, Athens, on 14 December.Pesellino: A Renaissance Master Revealed, National Gallery, London, until 10 March 2024.
RFI English (December 7, 2023) – 2023 marks the death centenary of Gustave Eiffel. To mark the occasion, an exhibition titled ‘Eiffel Higher and Higher is being held at the foot of the Eiffel Tower. Savin Yeatman-Eiffel, who is exhibition’s curator and a descendant of Gustave Eiffel, spoke to RFI on this occasion.
Graphic design Patte&Besset, stamp “Fêtes du cinquantenaire de la tour Eiffel”, 1939, creation by Henri Cheffer (c) adagp Paris ; Stamp “Gustave Eiffel 1832 – 1923” creation by Marie-Noëlle Goffin.
VernissageTV (December 6, 2023) – The 18th edition of Design Miami/, curated by Curatorial Director, Maria Cristina Didero. This year’s program explores the theme of The Golden Age: Looking to the Future, celebrating a tomorrow of our own creation.
The Golden Age is a metaphorical concept shared across cultures through time and space, whether applied to utopian futures or idealized histories.
Often invoked as an imaginary, past time of prosperity, The Golden Age also epitomizes hope for the future, lighting the path towards our highest aspirations. As the curatorial theme for the 18th edition of Design Miami, The Golden Age: Looking to the Future will celebrate a tomorrow of our own creation.
In a time when human beings are challenged in unprecedented ways, The Golden Age could become a source of inspiration to imagine and shape a brighter future for human beings and our planet.
PBS NewsHour (November 29, 2023) – The great painter John Singer Sargent, an American expat, is the subject of a new show at Boston’s Museum of Fine Arts. It reveals much about his methods and why his work remains relevant more than a hundred years later.
Apollo Magazine– December 2023: The new issue features Best in show: art at the Kennel Club; The magnificent art of Marisol; The rise of the Renaissance woman, and more…
The Chess Game (detail; 1555), Sofonisba Anguissola. National Museum, Poznan
Among the art-gallery going public, is anyone still unaware that there have always been women artists, even before the 19th century? Perhaps a few still think that women first picked up their paintbrushes around the time they started campaigning for the vote. Certainly, the further back you go, the more surprising it may seem – given the limitations placed on women – that some were nonetheless able to build successful artistic careers. But beginning in earnest with the National Gallery’s blockbuster Artemisia Gentileschi exhibition of 2019, a flurry of shows has put the names of various Renaissance women in lights. Just this year, we have had ‘Lavinia Fontana: Trailblazer, Rule Breaker’ at the National Gallery of Ireland, ‘Mary Beale: Experimental Secrets’ at Dulwich Picture Gallery, ‘Artemisia Gentileschi: coraggio e passione’ at the Palazzo Ducale in Genoa, and ‘Sofonisba Anguissola: Portraitist of the Renaissance’ at the Rijksmuseum Twenthe in Enschede, to name only a few.
The Morgan Library & Museum (November 27, 2023) – The Morgan is home to one of the world’s largest and most important collections of drawings by Giambattista Tiepolo (1696–1770) and his eldest son Domenico (1727–1804), with more than 300 representative examples of their lively invention and masterful techniques.
Combining highlights from the Morgan’s collection with carefully selected loans, this exhibition will provide a comprehensive look at the Tiepolos’ work as draftsmen, focusing on the role of drawing in their creative process and the distinct physical and stylistic properties of their graphic work. At the core of the collection and exhibition are substantial groups of Giambattista’s drawings that relate to major ceiling fresco projects of the 1740s and 1750s.
A fresh look at the style, function, and material properties of these working drawings has yielded new insights into their purposes. Most significantly, the exhibition presents for the first time extremely rare pen studies for Tiepolo’s magnum opus, the ceiling fresco above the staircase of the Würzburg Residenz of 1752, and a group of bold sketches newly connected with his ceiling fresco of 1754 at the Venetian church of Santa Maria della Pietà.
Other sections of the exhibition highlight the introduction of Domenico to the family workshop, the exchanges between father and son, and the great series drawings by both: Giambattista’s fantastic heads and figures seen di sotto in su, and Domenico’s drawings of animals, biblical scenes, and contemporary life.
The exhibition will end with a wall including striking examples from Domenico’s late Punchinello series. October 27, 2023 through January 28, 2024
ART VISION TV / C&B JOURNAL (November 22, 2023) – Artcurial’s Old Master & 19th Century Art department will be holding its prestige sale on 22nd November, featuring The Sacrifice to the Minotaur, a masterpiece by the 18th century painter Jean-Honoré Fragonard.
Fine Arts Museums of San Francisco (November 17, 2023) – Bringing a new perspective on the beloved Renaissance artist, “Botticelli: Rhythm of the Line” reveals the central role that drawing played in Sandro Botticelli’s art and practice. This short documentary takes viewers through the streets of Florence, where the artist lived and worked, to the Uffizi galleries, home of Botticelli’s most striking masterpieces.
The story is told by Furio Rinaldi, curator of drawings and prints at the Fine Arts Museums of San Francisco, Jonathan K. Nelson, art historian at Syracuse University in Florence, and Cecilia Frosinini, art historian at the Opificio delle Pietre Dure in Florence. These voices speak in chorus to give us an original narrative that illuminates Botticelli’s life, process, and legacy.
Botticelli Drawings is the first exhibition ever dedicated to the drawings of Renaissance artist Sandro Botticelli (ca. 1445 – 1510). Exploring the foundational role drawing played in Botticelli’s work, the exhibition traces his artistic journey, from studying under maestro Fra Filippo Lippi (c. 1406 – 1469) to leading his own workshop in Florence. Featuring rarely seen and newly attributed works, the exhibition provides insight into the design practice of an artist whose name is synonymous with the Italian Renaissance.
Botticelli’s drawings offer an intimate look into the making of some of his most memorable masterpieces, including Adoration of the Magi (c. 1500), which will be reunited with its preparatory drawing, surviving only in fragments. From Botticelli’s earliest recorded drawings through expressive designs for his final painting, the works on display reveal the artist’s experimental drawing techniques, quest for ideal beauty, and command of the line.
Botticelli Drawings is on view from November 19, 2023 – February 11, 2024.
Sotheby’s (November 13, 2023) – This month, we’re taking a tour of the world’s most exciting and innovative museum exhibitions with Tim Marlow, CEO and Director of the Design Museum, London.
Africa & Byzantium Metropolitan Museum of Art, New York 19 November 2023 – 3 March 2024 Bringing together the art and culture of Byzantium and Africa, this ambitious New York exhibition looks in a new way at their importance to the development of the premodern world.
Africa & Byzantium comprises over 200 objects, from frescoes and mosaics to jewelry and manuscripts borrowed from many of the great collections, spanning over ten centuries of complex cultural exchange and influence.
Modigliani: Modern Gazes Staatsgalerie Stuttgart 24 November 2023 – 17 March 2024 Modigliani: Modern Gazes focuses on the 20th-century Italian artist’s portraits of modern women From bohemian Paris who stare unapologetically at the viewer, defiant and – as the director of the Staatsgalerie, Christiane Lange puts it – “emancipated”.
Works by German-speaking contemporaries Paula Modersohn-Becker, Jeanne Mammen, Egon Schiele, Gustav Klimt and Wilhelm Lehmbruck also feature, in a show that places Modigliani in the wider cultural context of the young European avant-garde.
Mark Rothko: Paintings on Paper. National Gallery of Art, Washington DC 19 November 2023 – 31 March 2024 Rothko exhibitions have always focused on his canvases but the artist drew no distinction between them and his paintings on paper – some of which were up to seven feet tall.
Forming the basis of Mark Rothko: Paintings on Paper, a ground-breaking show at the National Gallery of Art in Washington, many of the watercolors, acrylics and oil paintings on paper have never been seen before.
Botticelli Drawings 19 November 2023 – 11 February 2024 Legion of Honor, San Francisco Although his reputation dwindled until the Pre-Raphaelites rediscovered his work in the 19th century, Sandro Botticelli is now one of the most revered of the Renaissance masters.
There has, however, never been a significant exhibition of his drawings so Botticelli Drawings – an admirable and important project – will give us the chance to trace his artistic journey in a more intimate way than ever before.
An Atlas of Es Devlin Cooper Hewitt, New York 18 November 2023 – 11 August 2024 Devlin is a polymath and then some, with a wide ranging practice that incorporates stage design from La Scala in Milan to the Super Bowl. She is utterly compelling but hard to classify, which is why it is appropriate that Devlin herself will install her 30 year archive.
An Atlas of Es Devlin – featuring over 300 sketches, paintings, cutouts, and maquettes – will also stage a replica of her London studio along with giant film installations, a library programme including collective readings and the chance to participate in a cumulative artwork.
CBS Sunday Morning (November 12, 2023) – The largest exhibition ever of works by Ed Ruscha, one of the most celebrated American artists of the postwar era, is now on display at the Museum of Modern Art in New York City.
Ruscha, now 85, talks with correspondent David Pogue about collecting much of his life’s work into one retrospective; the cryptic nature of many of his paintings; and his use of unusual materials (like chocolate and axle grease).
“I don’t have any Seine River like Monet,” Ed Ruscha once said. “I’ve just got US 66 between Oklahoma and Los Angeles.” ED RUSCHA / NOW THEN will feature over 200 works—in mediums including painting, drawing, prints, photography, artist’s books, film, and installation—that make use of everything from gunpowder to chocolate. Exploring Ruscha’s landmark contributions to postwar American art as well as lesser-known aspects of his more than six-decade career, the exhibition will offer new perspectives on a body of work that has influenced generations of artists, architects, designers, and writers.
In 1956, Ruscha left his hometown of Oklahoma City and drove along interstate highway 66 to study commercial art in Los Angeles, where he drew inspiration from the city’s architecture, colloquial speech, and popular culture. Ruscha has recorded and transformed familiar subjects—whether roadside gasoline stations or the 20th Century Fox logo—often revisiting motifs, sites, or words years later. Tracing shifts in the artist’s means and methods over time, ED RUSCHA / NOW THEN underscores the continuous reinvention that has defined his work.
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