Category Archives: Exhibitions

ART: FIVE ‘MUST-SEE MUSEUM SHOWS’ FOR NOVEMBER 2023

Sotheby’s (November 13, 2023) – This month, we’re taking a tour of the world’s most exciting and innovative museum exhibitions with Tim Marlow, CEO and Director of the Design Museum, London.

Africa & Byzantium
Metropolitan Museum of Art, New York

19 November 2023 – 3 March 2024
Bringing together the art and culture of Byzantium and Africa, this ambitious New York exhibition looks in a new way at their importance to the development of the premodern world.

Africa & Byzantium comprises over 200 objects, from frescoes and mosaics to jewelry and manuscripts borrowed from many of the great collections, spanning over ten centuries of complex cultural exchange and influence.

Modigliani: Modern Gazes
Staatsgalerie Stuttgart
24 November 2023 – 17 March 2024
Modigliani: Modern Gazes focuses on the 20th-century Italian artist’s portraits of modern women From bohemian Paris who stare unapologetically at the viewer, defiant and – as the director of the Staatsgalerie, Christiane Lange puts it – “emancipated”.

Works by German-speaking contemporaries Paula Modersohn-Becker, Jeanne Mammen, Egon Schiele, Gustav Klimt and Wilhelm Lehmbruck also feature, in a show that places Modigliani in the wider cultural context of the young European avant-garde.

Mark Rothko: Paintings on Paper.
National Gallery of Art, Washington DC

19 November 2023 – 31 March 2024
Rothko exhibitions have always focused on his canvases but the artist drew no distinction between them and his paintings on paper – some of which were up to seven feet tall.

Forming the basis of Mark Rothko: Paintings on Paper, a ground-breaking show at the National Gallery of Art in Washington, many of the watercolors, acrylics and oil paintings on paper have never been seen before.

Botticelli Drawings
19 November 2023 – 11 February 2024
Legion of Honor, San Francisco

Although his reputation dwindled until the Pre-Raphaelites rediscovered his work in the 19th century, Sandro Botticelli is now one of the most revered of the Renaissance masters.

There has, however, never been a significant exhibition of his drawings so Botticelli Drawings – an admirable and important project – will give us the chance to trace his artistic journey in a more intimate way than ever before.

An Atlas of Es Devlin
Cooper Hewitt, New York
18 November 2023 – 11 August 2024

Devlin is a polymath and then some, with a wide ranging practice that incorporates stage design from La Scala in Milan to the Super Bowl. She is utterly compelling but hard to classify, which is why it is appropriate that Devlin herself will install her 30 year archive.

An Atlas of Es Devlin – featuring over 300 sketches, paintings, cutouts, and maquettes – will also stage a replica of her London studio along with giant film installations, a library programme including collective readings and the chance to participate in a cumulative artwork.

Profiles: American Artist Ed Ruscha – “NOW THEN” Exhibition At MoMA NYC

CBS Sunday Morning (November 12, 2023) – The largest exhibition ever of works by Ed Ruscha, one of the most celebrated American artists of the postwar era, is now on display at the Museum of Modern Art in New York City.

ED RUSCHA / NOW THEN

Through Jan 13, 2024

Ruscha, now 85, talks with correspondent David Pogue about collecting much of his life’s work into one retrospective; the cryptic nature of many of his paintings; and his use of unusual materials (like chocolate and axle grease).

“I don’t have any Seine River like Monet,” Ed Ruscha once said. “I’ve just got US 66 between Oklahoma and Los Angeles.” ED RUSCHA / NOW THEN will feature over 200 works—in mediums including painting, drawing, prints, photography, artist’s books, film, and installation—that make use of everything from gunpowder to chocolate. Exploring Ruscha’s landmark contributions to postwar American art as well as lesser-known aspects of his more than six-decade career, the exhibition will offer new perspectives on a body of work that has influenced generations of artists, architects, designers, and writers.

In 1956, Ruscha left his hometown of Oklahoma City and drove along interstate highway 66 to study commercial art in Los Angeles, where he drew inspiration from the city’s architecture, colloquial speech, and popular culture. Ruscha has recorded and transformed familiar subjects—whether roadside gasoline stations or the 20th Century Fox logo—often revisiting motifs, sites, or words years later. Tracing shifts in the artist’s means and methods over time, ED RUSCHA / NOW THEN  underscores the continuous reinvention that has defined his work.

Art Reviews: Gagosian Quarterly – Winter 2023

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Gagosian Quarterly (Winter 2023) – The new issue features Annie Cohen-Solal who writes about the exhibition A Foreigner Called Picasso, at Gagosian, New York, detailing the genesis of the project, her commitment to the figure of the outsider, and Picasso’s enduring relevance to matters geopolitical and sociological. Connecting the dots among the Surrealist milieu, including Picasso, a conversation on the underrecognized photographer Lee Miller sets the stage for a New York show about her work, friendships, and collaborations with fellow artists.

A FOREIGNER CALLED PICASSO

Dora Maar, Portrait de Picasso, Paris, studio du 29, rue d’Astorg, winter 1935–36

Cocurator of the exhibition A Foreigner Called Picasso, at Gagosian, New York, Annie Cohen-Solal writes about the genesis of the project, her commitment to the figure of the outsider, and Picasso’s enduring relevance to matters geopolitical and sociological.

By Annie Cohen-Solal

I have been interested in the issue of immigration ever since I entered the art world. I began my career as an intellectual historian: I was a scholar of Jean-Paul Sartre and wrote his first biography. It was quite unexpected that I would fall into the orbit of the art world, let alone so fast, but two days after I arrived in New York City, in 1989—I had just been nominated cultural counselor to the French Embassy in the United States—I met Leo Castelli at a dinner. Out of the blue, Leo told me, “You don’t look like your predecessors.” (I was the first woman in the position.) “You’ll take New York city by storm and I’ll teach you American art. Come to the gallery tomorrow, I have a show with Roy [Lichtenstein]. Come for the opening and stay for the dinner.”

LEE MILLER AND FRIENDS

Lee Miller, Fire Masks, 21 Downshire Hill, London, England 1941, 1941

The American Surrealist photographer Lee Miller is the subject of the exhibition Seeing Is Believing at Gagosian, New York. Here we present a conversation on the stewardship of Miller’s legacy, her photography and writing from the frontlines of war to the pages of Vogue, and the intertwined lives of her friends, lovers, and the many artists she knew.

Art Exhibitions: ‘Gerhard Richter – Engadin’, Hauser & Wirth St. Moritz Gallery

Hauser & Wirth – Art Gallery (November 11, 2023) = Gerhard Richter, born in 1932, is one of the most important and celebrated artists of our time. His works can be found in international collections and have been exhibited in numerous museums and galleries in Europe and the United States. Richter first vacationed in the Swiss Alpine village Sils, located in the Upper Engadin region, in 1989, a location he has regularly visited during both summer and winter holidays for over 25 years.

Silsersee (Lake Sils) – Gerhard Richter 1995

GERHARD RICHTER
ENGADIN

St. Moritz

16 December 2023 – 13 April 2024

25.3.15 – Gerhard Richter

Curated by Dieter Schwarz and presented across three venues in the Upper Engadin—Nietzsche-Haus, the Segantini Museum and Hauser & Wirth St. Moritz—this momentous exhibition is the first to explore Gerhard Richter’s deep connection with the Engadin’s alpine landscape. More than seventy works from museums and private collections—including paintings, overpainted photographs, drawings and objects—are testament to the artist’s fascination with the Upper Engadin. Opening 16 December 2023, ‘Engadin’ will be on view through 13 April 2024.

The work connecting the three exhibition venues is a steel sphere that Richter had produced as an edition, on view at each site. He first presented it at Nietzsche-Haus in 1992, in an exhibition curated by Hans Ulrich Obrist. Each unique sphere bears the name of a mountain in the Upper Engadin. The matte, subtly reflective, almost surreal sphere delicately reflects all that surrounds it. It symbolizes the sublime yet inhospitable manifestations of nature, which are especially conspicuous in the mountains.

St. Moritz – Gerhard Richter – 1992

Kugel III (Piz Fora) [Sphere III (Piz Fora)] – Gerhard Richter – 1992

On view at the Segantini Museum and Hauser & Wirth are paintings that Richter created from photographs taken during his hikes in the Upper Engadin. These works mark a new chapter in his landscape painting—a genre that had always appealed to him for its supposed untimeliness. Richter’s Engadin landscapes are exemplary of the ambiguity in his painting, oscillating between a seductive transfiguration of nature and a reflection of its alienness. Particularly noteworthy is the painting ‘Wasserfall (Waterfall)’ (1997) from Kunst Museum Winterthur, a work that clearly traces Richter’s engagement with 19th-century painting, from romanticism to realism. The artist later overpainted some of the Engadin motifs, including depictions of Piz Materdell and Lake Sils, transforming them into abstract paintings with a melancholic atmosphere that responds to impressions of the landscape.

Art Exhibits: ‘A Foreigner Called Picasso’ (Gagosian)

A Foreigner Called Picasso: Curated by Annie Cohen-Solal and Vérane Tasseau,  West 21st Street, New York, November 10, 2023–February 10, 2024 | Gagosian

A FOREIGNER CALLED PICASSO

November 10, 2023–February 10, 2024

Gagosian is pleased to present A Foreigner Called Picasso at its West 21st Street gallery in New York. The exhibition is curated by the eminent writer, biographer, and historian Annie Cohen-Solal together with art historian Vérane Tasseau. It is organized in association with the Musée national Picasso–Paris and the Palais de la Porte Dorée–Musée national de l’histoire de l’immigration, Paris.

Spanning the entirety of Pablo Picasso’s career in France from 1900 through 1973, the exhibition will feature loans of important works from private and public collections in the United States and Europe. It includes early self-portraits lent by the Museum of Modern Art and the Metropolitan Museum of Art in New York, as well as Cubist and Surrealist masterpieces from the Philadelphia Museum of Art and Fondation Beyeler, Riehen/Basel. The iconic sculpture Head of Fernande (1909) will be displayed, as will Man with a Lamb (1943)—Picasso’s forceful response to the aesthetics of Arno Breker (Adolf Hitler’s favorite artist), who exhibited in occupied Paris.

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Exhibitions: Hans Holbein At The Court Of Henry VIII

Royal Collection Trust (October 30, 2023) – Explore the art of the image-maker of the Tudor court in the Royal Collection. Watch the film to discover the importance of the drawings, paintings and miniatures in the Royal Collection.

Discover how Holbein rose to become Henry VIII’s court painter and find out more about the techniques he used. See a rare moment where Holbein’s preparatory drawing and finished painting were reunited. Hans Holbein was one of the most talented artists of the 16th century. 

From his arrival in England in search of work he rose to royal favor, chosen to paint the portraits of Henry VIII, his family and leading figures, among them Anne Boleyn and Sir Thomas More. By his death, Holbein’s work was as admired by his contemporaries as it is today. His portraits inspired the next generation of artists in their depictions of Edward VI, Mary I and Elizabeth I.

Previews: Holbein And The Renaissance In The North

Salome with the Head of John the Baptist (detail; c. 1520–24), Andrea Solario. Kunsthistoriches Museum, Vienna

Apollo Magazine (October 27, 2023) This exhibition at the Städel Museum in Frankfurt places work by Hans Holbein the Younger and the Elder, Albrecht Dürer and Hans Burgkmair in dialogue with that of their contemporaries working in the city of Augsburg and elsewhere in Germany, and in Italy and the Netherlands (2 November–18 February 2024).

Holbein and the Renaissance in the North

2 Nov 2023 – 18 Feb 2024

The Städel Museum is prized far and wide for its major Old Masters exhibitions. After Rubens, Rembrandt and Reni, it now holds yet another exceptional show in store for the public. The Städel Museum is presenting the Renaissance in the North—a new and entirely unique style of painting that originated more than 500 years ago in the North of Europe at the threshold from the Middle Ages to the Early Modern period.

Philipp Demandt, Director, Städel Museum
Renaissance in the North

It brings together some 130 painting, drawings and prints by leading artists of the Northern Renaissance dating from the period of the 1480s through to the 1530s. These include two masterpieces by Holbein the Younger – the Solothurn Madonna (1522), on loan from the Kunstmuseum Solothurn, and The Madonna of Jacob Meyer zum Hasen (1526–28) from the Würth Collection.

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 Find out more on the Städel’s website.

Reviews: ‘The Week In Art’

The Week In Art Podcast (October 27, 2023): This week: the first Kyiv Biennial since Russia’s invasion of Ukraine last year is taking place in various locations across the wartorn country as well as a host of neighbouring European states.

We talk to the co-curator, Georg Schöllhammer, about this year’s event. As refugees and displaced people continue to dominate the news, a global sound art project, Migration Sounds, aims to explore and reimagine the sounds of human migration and settlement.

We speak to Stuart Fowkes, the founder of Cities and Memory, who has conceived the project with the University of Oxford’s Centre on Migration, Policy and Society (Compas). And this episode’s Work of the Week is Rebirth of a Nation, a mural made for Brixton Underground Station in London by the Ethiopian-Italian artist Jem Perucchini, which is unveiled next week. Jessica Vaughan, the senior curator of Art on the Underground, tells us about the commission.

The Kyiv Biennial continues to unfold into 2024, visit 2023.kyivbiennial.org

Cities and Memory’s Migration Sounds project, citiesandmemory.com/migration; compas.ox.ac.uk

Jem Perucchini: Rebirth of a Nation, Brixton Underground Station, London, from 2 November.

International Art: Apollo Magazine – November 2023

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Apollo Magazine November 2023: The new issue features Modern art at the Imperial War Museum; Around the world in thousands of textiles; Tashkent bets big on cultural tourism, and more…

Inside this issue:

Reviews: ‘The Week In Art’

The Week In Art Podcast (October 20, 2023): This week: it’s the second year of Paris +, the event that has taken over from Fiac as the leading French art fair. How is Art Basel’s French flagship faring amid geopolitical turmoil and economic uncertainty, and is Paris still on the rise as a cultural hub?

We speak to Georgina Adam, an editor-at-large at The Art Newspaper, and Kabir Jhala, our deputy art market editor, who are in Paris, to find out. The largest ever exhibition of the work of the Japanese photographer Hiroshi Sugimoto opened last week at the Hayward Gallery in London, before travelling to Beijing and Sydney next year. We talk to its co-curator Thomas Sutton.

And this episode’s Work of the Week is La femme-cheval or the Horse-Woman, a painting made in 1918 by the French artist Marie Laurencin. She is the subject of a major survey, called Sapphic Paris, opening this week at the Barnes Foundation in Philadelphia in the US. Cindy Kang, who co-curated the exhibition, tells us more about this landmark work in Laurencin’s life.

Paris +, 20-22 October.

Hiroshi Sugimoto: Time Machine, Hayward Gallery, London, until 7 January 2023; UCCA Center for Contemporary Art, Beijing, 23 March-23 June 2024; The Museum of Contemporary Art, Sydney, Australia, 2 August-27 October 2024.

Marie Laurencin: Sapphic Paris, Barnes Foundation, Philadelphia, US, 22 October-21 January.