London Review of Books (LRB) – January 17, 2024: The latest issue features ‘Living With Keats’ – A Brief Life in Nine Poems and One Epitaph; Congress vs Harvard; The West’s Fight to Reverse the Russian Revolution, and more…
Looking back to September 1820, when things had gone badly wrong but not yet so grotesquely as to be visibly beyond repair, we can see how few and how poor Keats’s options were. Surely it was better that (in the absence of other volunteers) the young artist Joseph Severn agreed to travel with the dying poet to Rome that autumn than that he had refused.
Times Literary Supplement (January 17, 2024): The latest issue features ‘Power Failure’ – The retreat from net zero; Canon wars; The end of literary criticism; Empires imprint on the Middle East; Harvard and plagarism….
Country Life Magazine – January 17, 2024: The latest issue features ‘Floral Fireworks’ – The National Collection of Dahlias; The Bridges of Britain; and the Arts-and-Crafts masterpieces of Madresfield Court, Worcestershire…
Floral fireworks
Kirsty Fergusson visits the new home of the 1,700-strong National Collection of Dahlias and reveals which blooms to order now for late-summer colour
The Bridges of Britain
Our greatest bridges span the ages and have the power to inspire both awe and admiration, as Jack Watkins discovers
Cold cures
The beautiful and practical cast-iron Victorian cloche is making a comeback. Tiffany Daneff investigates the revival of the miniature glass house
Twist and shout
Tiffany Daneff visits Morton Hall Gardens in Worcestershire to discover the secret of its owner’s intriguing new clematis-training technique
Why, why, why weigela?
New forms of this easy-to-grow garden shrub have repeating flowers in wonderful colours — no wonder they are hot sellers, suggests Charles Quest-Ritson
Phillips (January 16, 2024) – Curators Tony Abeyta and James Trotta-Bono explore highlights from New Terrains: Contemporary Native American Art, which they curated alongside Bruce Hartman.
The exhibition provides context for the evolution of contemporary Native art, including the influence of modernism, post-war, and pop art.
The New Yorker – January 22, 2024 issue: The new issue‘s cover featuresPascal Campion’s “Winter Sun” – The artist depicts the beams of sunlight that flicker during the coldest months of the year.
Amid war with Hamas, a hostage crisis, the devastation of Gaza, and Israel’s splintering identity, the Prime Minister seems unable to distinguish between his own interests and his country’s.
To be vigilant—to live without illusions about the ever-present threat of annihilation—was a primary value at No. 4 Haportzim Street, once the Jerusalem address of the Netanyahu family. This wariness had ancient roots. In the Passover Haggadah, the passage beginning “Vehi Sheamda” reminds everyone at the Seder table that in each generation an enemy “rises up to destroy” the Jewish people. “But the Holy One, Blessed be He, delivers us from their hands,” the Haggadah continues. Benzion Netanyahu, the family patriarch and a historian of the Spanish Inquisition, was a secular man. For deliverance, he looked not to faith but to the renunciation of naïveté and the strength of arms. This creed became his middle son’s inheritance, the core of his self-conception as the uniquely unillusioned defender of the State of Israel.
In the early months of the pandemic, joggers on the Bear Creek Greenway, in southern Oregon, began to notice tents cropping up by the path. The Greenway, which connects towns and parks along a tributary of the Rogue River, was beloved for its wetlands and for stands of oaks that attracted migrating birds. Now, as jobs disappeared and services for the poor shut down, it was increasingly a last-ditch place to live. Tents accumulated in messy clusters, where people sometimes smoked fentanyl, and “the Greenway” became a byword for homelessness and drug use. On a popular local Facebook page, one typical comment read, “Though I feel sorry for some of the people in that situation, most of them are just pigs.” In Medford, the largest city along the trail, police demolished encampments and ticketed people for sleeping rough.
ART VISION TV / C&B Films (January 13, 2024) – The Musée d’Art Moderne in Paris is devoting a major retrospective to Nicolas de Staël (1914-1955), a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He was a key figure on the post-war French art scene.
Twenty years after the one organised by the Centre Pompidou in 2003, this exhibition offers a fresh look at the artist’s work, drawing on more recent thematic exhibitions that have highlighted certain little-known aspects of his career (Antibes in 2014, Le Havre in 2014, Aix-en-Provence in 2018).
FRAMES (January 13, 2024) – Wayne is a New York City-based photographer. His education includes a BA in physics from the University of Mississippi and a Ph.D. in political science from Columbia University.
He was a late-comer to photography, buying his first camera when he turned forty and studying black-and-white technique at the International Center of Photography. His interests expanded to color imagery when he adopted digital photography in 2001.
He also reviews photography exhibitions for the New York Photo Review. He is a long-time member and past president of Soho Photo Gallery.
THE NEW YORK TIMES BOOK REVIEW (January 12, 2024): The latest issue features ‘What Happens When Writers Embrace Artificial Intelligence as Their Muse? by A.O. Scott…
The robots of literature and movies usually present either an existential danger or an erotic frisson. Those who don’t follow in the melancholy footsteps of Frankenstein’s misunderstood monster march in line with the murderous HAL 9000 from “2001: A Space Odyssey,” unless they echo the siren songs of sexualized androids like the ones played by Sean Young in “Blade Runner” and Alicia Vikander in “Ex Machina.”
We fantasize that A.I. programs will seduce us or wipe us out, enslave us or make us feel unsure of our own humanity. Trained by such narratives, whether we find them in “Terminator” movies or in novels by Nobel laureates, we brace ourselves for a future populated by all kinds of smart, possibly sentient machines that will disrupt our most cherished notions of what it means to be human.
For Álvaro Enrigue, a novelist fascinated with historical detail, the first meeting of the Aztecs and Spanish conquistadors is the obsession of a lifetime. He brings it to life in “You Dreamed of Empires.”
By Benjamin P. Russell
The Aug. 13, 2021 edition of The New York Times failed to mention the 500th anniversary of the fall of Tenochtitlan, the erstwhile Aztec capital out of which Mexico City was born. Álvaro Enrigue noticed. Of course.
The 54-year-old Enrigue, who grew up in Mexico City, believes that early meeting between Europe and the Americas changed the trajectory of global commerce, urbanism, industry and much else besides. Modernity itself, he argues, was born in the moment the Aztec emperor Moctezuma and Hernan Cortés, the Spanish conquistador, first looked each other in the eye in 1519, a clash of empires that set in motion the city’s capture two years later.
Warner Classics (January 12, 2024) – An aria powerfully reminiscent of Maria Callas’s own story, Tosca’s tragic manifesto, “Vissi d’arte” (“I lived for art”), unfolds in this illustrated retelling by Matteo Cozzo.
The story is told through the designer’s unique style, using the collage technique to create unique textures, expressions, and effects.
Christie’s (January 11, 2024) – The Rocket Man singer and his husband, David Furnish, discuss the Peachtree Road residence where the pop legend became a ‘serious collector’ of exuberant art and objects.
In 1991 when Sir Elton John bought a duplex-apartment at Park Place on Peachtree Road in Atlanta’s coveted Buckhead neighbourhood, he couldn’t have imagined the extent to which the city would transform him personally and professionally.
FRAMES
Christie’s
Boomers Daily 