Category Archives: Arts & Literature

The New York Times Book Review – February 11, 2024

Image

THE NEW YORK TIMES BOOK REVIEW (February 9, 2024): The latest issue features ‘Armed And Dangerous’ – Two new books – “One Nation Under Guns”, by Dominic Erdozain, and “What We’ve Become”, by Jonathan M. Metzl – examine America’s gun culture and its costs…

An America Where Guns Do the Talking

This illustration depicts a handgun in medium blue, drawn so that its middle section forms the outlines of the United States, beneath a jagged diagonal swath of red against a pale blue background.

Two new books consider how the country’s obsession with firearms has become an existential threat.

By Rachel Louise Snyder

ONE NATION UNDER GUNS: How Gun Culture Distorts Our History and Threatens Our Democracy, by Dominic Erdozain

WHAT WE’VE BECOME: Living and Dying in a Country of Arms, by Jonathan M. Metzl


Last year, a friend from Brunei visited me in the United States. She is American but was raised in Sudan and has lived in Cambodia and Scotland, among other places. We were talking about the rise in anxiety among teenagers in America when another friend texted me; her daughter had just arrived home from school, where she’d spent the afternoon in lockdown. “Of course your kids have anxiety,” my Brunei friend said. “They’re being raised in a war zone.”

A Scottish Coming-of-Age Story, With a Supernatural Twist

In this illustration, a young woman stands in the middle of vast farmland filled with rolling hills, cows and a little farmhouse. In the distance, a black train billowing smoke rolls by.

In Margot Livesey’s new novel, “The Road From Belhaven,” a 19th-century farm girl’s life and maturity are complicated by her uncontrollable visions of accident and disaster.

By Daisy Lafarge

Lizzie Craig has a gift: She sees “pictures” of events before they take place. It happens first when she’s 10, with a vision in which her grandfather’s scythe slips from a whetstone and injures his leg. It’s the tail end of the 19th century in Fife, rural Scotland, where Lizzie is brought up by her grandparents on Belhaven Farm. Her pictures, more often than not, are premonitions of accidents and disasters: a hurt leg, a wheel coming off a cart, a tree hit by lightning. They tend to arrive “a few weeks before the accident,” giving Lizzie time to prepare, and sometimes, intervene accordingly.

Arts/Books: Times Literary Supplement – Feb 9, 2024

Image

Times Literary Supplement (February 7, 2024): The latest issue features ‘Cancel Culture’ – The limits of academic free speech; An Auschwitz memoir; Wittgenstein’s bombshell; Horrible legions and Dutch artobiography…

Previews: Country Life Magazine- February 7, 2024

Country Life Magazine – February 6, 2024: The latest features The Travel Issue – View the world from the very best hotels; The map-makers who broadened our horizons; Out of the ashes – Chillingham Castle rescued and Waxwing explosions and snowdrop heaven….

Travel

  • Richard MacKichan rides with the eagle hunters of Mongolia
  • Jo Rodgers asks what makes a good hotel great as we introduce Country Life’s inaugural list of the world’s top establishments
  • All the latest travel news and new openings with Rosie Paterson
  • Nigel Tisdall tails the elusive jaguar in Belize
  • Catherine Fairweather is on the strait and narrow in Istanbul
  • Richard MacKichan puts the fun back into flying
  • Pamela Goodman swims with pigs in the Caribbean

A castle of curiosities

The history of Chillingham Castle in Northumberland is a turbulent and memorable one, peppered with family disputes, imprisonments and a live toad. John Goodall explores

Windows on the world

The urge to chart our surroundings is centuries old. With map in hand, Matthew Dennison ventures forth in search of mammoth tusks and globes

Irruption of the waxwings

Mark Cocker marvels at the exquisite plumage of this European songbird as it flocks to our shores to feed on a glut of its favoured winter berries

Get down on your knees

James Alexander-Sinclair joins the wandering throng as snow-drop lovers descend on Thenford in Northamptonshire to luxuriate in 900 varieties of Galanthus

Joanna Jensen’s favourite painting

The founder of Childs Farm chooses a rural scene to sum up ‘a picture of my England’

Groundhog day

The shortest month can also feel like the longest, delaying the arrival of spring, but what can February tell us about the year ahead? Lia Leendertz reveals all

Thunderous waterfalls and torrents hoarse

From the most dramatic plumes to the calmest cascades, we seek out the corners of the kingdom where water and gravity collide to magical effect

The good stuff

Hetty Lintell says green for go with a selection of stylish and useful khaki travel accessories

Interiors

Sally Stephenson on the secrets of illuminating period houses and Amelia Thorpe’s lighting picks

London Life

  • Russell Higham on piazza plans for the Docklands
  • Carla Passino meets the man who shaped Mayfair
  • Martin Fone reveals the saga of ‘London’s Eiffel Tower’

Kitchen garden cook

Melanie Johnson harnesses the delicious flavours of rosemary

Previews: The New Yorker Magazine – Feb 12 & 19, 2024

Pixelated Eustace Tilley magazine cover that appears and disappears.

The New Yorker (February 5, 2024): The new issue‘s cover features Nicholas Konrad’s “Online Profile” – The magazine celebrates its ninety-ninth anniversary..

How Nikola Jokić Became the World’s Best Basketball Player

Nikola Jokić holding a basketball during a game.

He doesn’t run very fast or jump very high, and seems to prefer the company of horses. But he has mastered the game’s new geometry like nobody else.

By Louisa Thomas

The Art World Before and After Thelma Golden

Thelma Golden photographed by Lyle Ashton Harris.

When Golden was a young curator in the nineties, her shows, centering Black artists, were unprecedented. Today, those artists are the stars of the art market.

By Calvin Tomkins

Baruch Spinoza and the Art of Thinking in Dangerous Times

A portrait of Baruch Spinoza by Franz Wulfhagen, 1664.

The philosopher was a champion of political and intellectual freedom, but he had no interest in being a martyr. Instead, he shows us how prudence and boldness can go hand in hand.

By Adam Kirsch

Classical Music: Tiffany Poon Plays Schumann

DW Classical Music (February 4, 2024): Robert Schumann’s “Kinderszenen” (“Scenes from Childhood”) is one of the most popular piano works of the Romantic period. The highlight of the 13-part piano cycle is the “Träumerei” (Dreaming). The work is considered the epitome of romantic piano compositions.

New York pianist, Tiffany Poon, played Robert Schumann’s “Kinderszenen”, Op. 15 at the Dresden Music Festival 2023. The concert took place on June 17, 2023, at the Palais im Großen Garten.

Video timeline: (00:00) Coming on stage (00:21) 1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples) (02:02) 2. Kuriose Geschichte (A Curious Story) (03:07) 3. Hasche-Mann (Blind Man’s Buff) (03:39) 4. Bittendes Kind (Pleading Child) (04:39) 5. Glückes genug (Happy Enough) (05:17) 6. Wichtige Begebenheit (An Important Event) (06:09) 7. Träumerei (Dreaming) (08:51) 8. Am Kamin (At the Fireside) (09:47) 9. Schumann Ritter vom Steckenpferd (Knight of the Hobbyhorse) (10:32) 10. Fast zu ernst (Almost Too Serious) (12:40) 11. Fürchtenmachen (Frightening) (14:13) 12. Kind im Einschlummern (Child Falling Asleep) (16:16) 13. Der Dichter spricht (The Poet Speaks)

Robert Schumann’s “Kinderszenen” was composed in 1838 and published the following year without a dedication and with the misleading subtitle “Easy Pieces for the Pianoforte.” Unlike the “Album for the Young,” which Schumann had composed for “younger children” in his own words, he did not write the “Kinderszenen” for children, but for adults reflecting on their own childhood.

At first, the cycle was to be titled “Children’s Stories” and preceded or appended to the “Novelettes,” Op. 21. However, Schumann later refrained from doing so. He wanted to have the “Kinderszenen” published as a separate opus. Although the work was not very successful during the composer’s lifetime, it eventually evolved independently and was highly regarded. It had a significant influence on the Romantic program miniature for piano.

Books: Literary Review Magazine – February 2024

Image

Literary Review – February 2, 2024: The latest issue features ‘We Are Free to Change the World: Hannah Arendt’s Lessons in Love and Disobedience’;

Anatomist of Evil

By STUART JEFFRIES

We Are Free to Change the World: Hannah Arendt’s Lessons in Love and Disobedience By Lyndsey Stonebridge

When Hannah Arendt looked at the man wearing an ill-fitting suit in the bulletproof dock inside a Jerusalem courtroom in 1961, she saw something different from everybody else. The prosecution, writes Lyndsey Stonebridge, ‘saw an ancient crime in modern garb, and portrayed Eichmann as the latest monster in the long history of anti-Semitism who had simply used novel methods to take hatred for Jews to a new level’. Arendt thought otherwise.

Sue Bridehead Revisited

By Norma Clarke

Hardy Women: Mother, Sisters, Wives, Muses By Paula Byrne

The title of Paula Byrne’s Hardy Women is a pun on Thomas Hardy’s name and a gesture to the enthusiasm that greeted Hardy’s fictional women. Bathsheba Everdene in Far from the Madding Crowd, Tess Durbeyfield in Tess of the d’Urbervilles and Sue Bridehead in Jude the Obscure were new kinds of women, and Hardy’s fame, which was immense and began with the publication of Far from the Madding Crowd, rested to a large extent on the heroines he created. One young reader wrote to him of Tess, ‘I wonder at your complete understanding of a woman’s soul.’ Hardy’s discontented wife Emma wondered at it too. She observed, ‘He understands only the women he invents – the others not at all.’

Arts & Culture: Aesthetica Magazine-Feb/March 2024

Image

Aesthetica Magazine (February 2, 2024) The February/March 2024 issue features ‘Perception is Everything’. This issue recognises agents of change. Throughout history, art has influenced societies, challenged norms, questioned the status quo, raised awareness and prompted new perspectives.

The artists in this issue embody this notion. We speak with Tania Franco Klein about her distinct style, which is realised through cinematic photographs. She surveys present-day anxieties and effects of media overstimulation. Meanwhile, Cristóbal Ascencio’s work and research focuses on the relationship between images and memory. He looks at how experience can be appropriated between generations. Kaya & Blank is a photographic duo that explores the way that humans inhabit the world, pushing the boundaries of how reality is presented. Tara Donovan, featured in When Forms Come Alive, opening at the Hayward Gallery, London, this winter, is one of 21 artists in an exhibition that reclaims space in an increasingly digitised world. It spans 60 years of contemporary sculpture and shows works that trigger a physical response.

In photography we traverse continents with an extraordinary range of practitioners, including Derrick O. Boateng, Ibai Acevedo, Jonathan Knowles, Tom Hegen and Neil Burnell. Our cover duo, Tropico Photo, offers pop colours and urban cool. Finally, the Last Words go to Yannis Davy Guibinga.

London Review Of Books – February 8, 2024 Preview

Image

London Review of Books (LRB) – February 1, 2024: The latest issue features Origins of the Gay Novel; Protest, what is it good for?; Poems of Enheduana; Caspar David Friedrich, Israel’s War and more….

A Circular Motion

By James Butler

If We Burn: The Mass Protest Decade and the Missing Revolution 
by Vincent Bevins.

The Populist Moment: The Left after the Great Recession 
by Anton Jäger and Arthur Borriello.

Wreckage of Ellipses

By Anna Della Subin

Enheduana: The Complete Poems of the World’s First Author 
by Sophus Helle.

Arts/Books: Times Literary Supplement – Feb 2, 2024

Times Literary Supplement (January 31 2024): The latest issue features ‘Back to Nature’ – The counterculture begins with Thoreau; Enlightenment dimmed; The secret state and the IRA; Homosexuality in early modern Europe and A family haunting….

Previews: Country Life Magazine-January 31, 2024

Image

Country Life Magazine – January 30, 2024: The latest issue features How British Rivers Got Their Name; Where to find a really wild man; Miniature collecting and more…

‘Still glides the Stream, and shall for ever glide’

From the Piddle and the Polly to the Yox and the Yeo, the meanings behind the namesof Britain’s rivers run deep, as Vicky Liddell discovers

Call of the wild

The protective, stick-wielding Wild Man that strides through much medieval art has taken on fresh meaning in recent times, reveals Susan Owens

Chainsaw gardening

Taking a blade to our gardens may seem drastic, but a severe pruning sometimes leaves plants and trees in better health, suggests Charles Quest-Ritson

There is wonder in the little things

Huon Mallalieu puts miniatures under the microscope and finds a world of small marvels celebrating power, loyalty and love

Allan Mallinson’s favourite painting

The military historian chooses a moving First World War scene

Murder most pitiful

John Goodall investigates the dramatic events that shaped the history of 18th-century Gilmerton House in Lothian

The devil makes work for idle hands

As dedicated craftspeople fashion a revival in the art of needlepoint, Matthew Dennison can see a pattern emerging

‘Full of a watchful intentness’

John Lewis-Stempel embraces the ‘faerie enchantment’ of the heath as he visits the inspiration for a classic Thomas Hardy novel

Interiors

Matthew Dennison celebrates the Soane chimneypiece that is still hot property after 200 years and Amelia Thorpe’s selections keep the home fires burning

Lord of the rings

Ben Lerwill meets Simon Turner, an arboreal artist who creates wonderful ceramics using the contours and curves of trees

Luxury

Hetty Lintell on high fashion in the Highlands, switching off the stress and astonishing rubies, plus some of McFly drummer Harry Judd’s favourite things

Kitchen garden cook

Melanie Johnson knows her onions, giving an understated kitchen staple a starring role

Ireland’s call

The well-oiled Ireland winning machine can repel France’s strength in depth to retain rugby’s Six Nations Championship, argues Owain Jones

And much more