Video-game engines were designed to closely mimic the mechanics of the real world. They’re now used for movies, TV shows, architecture, military trainings, virtual reality, and the metaverse.
They have long been a symbol of a future that never came. Now a variety of companies are building them—or something close.
THE NEW YORK TIMES BOOK REVIEW (April 12, 2024): The latest issue features the cold-sweat-inducing premise of the two books on our cover this week, Annie Jacobsen’s “Nuclear War” and Sarah Scoles’s “Countdown.”
In “Nuclear War” and “Countdown,” Annie Jacobsen and Sarah Scoles talk to the people whose job it is to prepare for atomic conflict.
In Lionel Shriver’s new novel, judging intelligence and competence is a form of bigotry.
Richard Goodwin, an adviser to presidents, “was more interested in shaping history,” she says, “and I in figuring out how history was shaped.” Their bond is at the heart of her new book, “An Unfinished Love Story: A Personal History of the 1960s.”
Times Literary Supplement (April 10, 2024): The latest issue features ‘Man Into Marble’ – Corin Throsby and Kathryn Sutherland on the real Byron; Anthony Burgess on music; Left in charge at the palazzo; Revolutionary Russia; A shorter Long Day’s Journey and What is lyric verse?…
THE NEW YORK TIMES BOOK REVIEW (April 5, 2024): The latest issue features Stephen King’s first novel, “Carrie,” published 50 years ago. The Book Review editors weren’t sure what to do with it, so they handed it to their mystery columnist, Newgate Callendar. He called it “brilliant” but conceded, “Maybe, strictly speaking, it is not a mystery.” Still, he added, “That this is a first novel is amazing. King writes with the kind of surety normally associated only with veteran writers.”
“Carrie” was published in 1974. Margaret Atwood explains its enduring appeal.
By Margaret Atwood
Stephen King’s “Carrie” burst upon an astonished world in 1974. It made King’s career. It has sold millions, made millions, inspired four films and passed from generation to generation. It was, and continues to be, a phenomenon.
“Carrie” was King’s first published novel. He started it as a men’s magazine piece, which was peculiar in itself: What made him think that a bunch of guys intent (as King puts it) on looking at pictures of cheerleaders who had somehow forgotten to put their underpants on would be riveted by an opening scene featuring gobs of menstrual blood? This is, to put it mildly, not the world’s sexiest topic, and especially not for young men. Failing to convince himself, King scrunched up the few pages he’d written and tossed them into the garbage.
As “Carrie” turns 50, George R.R. Martin, Sissy Spacek, Tom Hanks, the Archbishop of Canterbury and others recall the powerful impact the writer’s work has had on their lives.
In the late ’70s the image of Carrie covered in blood at the high school dance was already part of the national narrative — in a fun way. Struggling to afford the rent and the diapers while navigating those first years of a creative journey in the big city, I had not seen the movie nor read the book. Then a copy of “The Stand” was being gobbled up by our gang — read in a fever pitch on every subway ride and first thing in the morning. Once done, the copy was passed along to the next pair of eyes and promptly devoured.
Times Literary Supplement (April 3, 2024): The ‘The Art Issue’ features ‘Miss Lonelyhearts’ – Tom Seymour Evans: Carson McCullers’s unruly life; Violence and Climate Change; Posing for John Singer Sargent and Huckleberry Jim – Mark Twain’s escaped slave wrests control of his story…
Carson McCullers: a novelist of the marginalized and ‘those struggling to understand who they are’
Mark Twain’s escaped slave wrests control of his story
Percival Everett’s wry, provocative novel on the publishing world brought to the screen
By Colin Grant
Country Life Magazine – April 3, 2024: The latest issue features:
The reawakening of Nature has inspired artists from Botticelli to David Hockney and beyond. Michael Prodger revels in the artistic beauty of the season
Few can match the twists and turns of Adrian Fisher’s stellar career. Deborah Nicholls-Lee meets the maze designer behind the chilling climax of Saltburn
Poet Laureate Simon Armitage celebrates an annual explosion of pink and white blossom with excerpts from his new book
Kate Green on how Sir Joseph Banks sowed the seeds of Kew
In the second of two articles, John Goodall puts the spotlight on the superb school buildings of Lancing College, West Sussex
Discover why a thunderous start to the month suggests a good harvest as Lia Leendertz delves into the weather lore of spring
Green is the natural choice for a kitchen, as Amelia Thorpe and Arabella Youens discover
Caroline Donald marvels at the rapid transformation of the charming seven-acre garden at Charlton Farm in Wiltshire
Melanie Johnson puts British asparagus — a verdant harbinger of spring — back on the menu
The president of the Army Bene-volent Fund chooses a wonderful depiction of the Battle of Waterloo
Carla Carlisle attempts to sort the tragedy from the farce in the baffling world of modern politics
Matthew Dennison charts the rise and fall of fashion label Biba
Mesmerising opals are having a moment — Hetty Lintell dives in
150 years of the Impressionists
Literary Review – April 2, 2024: The latest issue features ‘From Bebop to Britpop’; Legends of Orkney; A Garden of One’s Own and Writing Doomsday…
By JOHN KEAY
Meena Danishmal asks if Seneca’s account of the good life is really practical.
According to the Oxford English Dictionary, the adjective ‘stoical’ means “resembling a Stoic in austerity, indifference, fortitude, repression of feeling and the like”. This gives us some idea of what it is like to be a Stoic. Indeed, the key teaching, arguably the fundamental point, of Stoicism, is that we should focus on controlling the things that are under our control, such as our thoughts, emotions, and actions, whilst accepting those things we cannot control, such as most things that are happening in the world. How did they get there?
To consider this question let’s look at the ideas of the Roman philosopher and statesman Lucius Annaeus Seneca the Younger (4 BCE-65 CE). As a top advisor to the paranoid and murderous Emperor Nero, he probably found Stoicism a particularly practical guide to life.
As a Stoic, Seneca believed the soul (Latin: anima or animus) to be a finer form of matter than the body; but matter it is. It was also described as a spark of the fire which had consumed the original matter. With such an understanding of the soul, where does the soul reside within the body? Stoics provided a rather simple answer: everywhere. The soul was considered to be a vital force that animates the whole body. The soul was also the source of reason, virtue, and moral character, which is what Stoic philosophy is built upon, as the rational soul guides individuals towards living in accordance with nature.
For us to understand this concept further, it’s vital to grasp the Stoic conception of reality. Stoics see the universe as interconnected and interwoven, and this unified cosmos as governed by rational principles. Within this holistic perspective, the soul is seen as part of the divine rational order of the universe. This understanding forms the basis of Stoic ethics, which emphasises the importance of cultivating reason and virtue in all aspects of life. This encouragement to align thoughts, actions, and desires with principles of reason, is a way for the soul to flourish.
What happens when a niche clinical concept becomes a ubiquitous cultural diagnosis.
When Leah started dating her first serious boyfriend, as a nineteen-year-old sophomore at Ohio State, she had very little sense that sex was supposed to feel good. (Leah is not her real name.) In the small town in central Ohio where she grew up, sex ed was basically like the version she remembered from the movie “Mean Girls”: “Don’t have sex, because you will get pregnant and die.”
It’s now thought that they could illuminate fundamental questions in physics, settle questions about Einstein’s theories, and even help explain the universe.
Black holes are, of course, awesome. But, for scientists, they are more awesome. If a rainbow is marvellous, then understanding how all the colors of the rainbow are present, unified, in ordinary white light—that’s more marvellous. (Though, famously, in his poem “Lamia,” John Keats disagreed, blaming “cold philosophy” for unweaving the rainbow.) In recent years, the amount of data that scientists have discovered about black holes has grown exponentially. In January, astronomers announced that the James Webb Space Telescope had observed the oldest black hole yet—one present when the universe was a mere four hundred million years old. (It’s estimated that it’s now 13.8 billion years old.) Recently, two supermassive black holes, with a combined mass of twenty-eight billion suns, were measured and shown to have been rotating tightly around each other, but not colliding, for the past three billion years. And those are just the examples that are easiest for the public to make some sense of. To me, a supermassive black hole sounds sublime; to a scientist, it can also be a test of wild hypotheses. “Astrophysics is an exercise in incredible experiments not runnable on Earth,” Avery Broderick, a theoretical physicist at the University of Waterloo and at the Perimeter Institute, told me. “And black holes are an ideal laboratory.”
Behold the Leshantang collection, a testament to the eye of Tsai I-Ming, spanning the sweep of history from earliest dynasties to the modern era, this principle has guided the evolution of artistic expression.
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