The Historic Photographer of the Year awards showcase the world’s very best historic places and cultural sites from across the globe, capturing everything from the most famous national treasures to the obscure and forgotten hidden gems.
The 2019 Awards attracted a swathe of astonishing entries from amateurs and professionals who have climbed, hiked and trekked their way to snap stunning historic places from every corner of the globe.
The Overall Winner was an outstanding image of the ruins of the Arromanches Mulberry Harbour in Normandy and was shot by Stéphane Hurel.
The Historic England category was won by JP Appleton with his haunting shot of the Victorian era Roker Pier, while HISTORY’s Short Filmmaker of the Year was awarded to Dibs McCallum for a fascinating short documentary exploring the remains of the RAF Barnham nuclear weapons storage facility.
To read more: https://www.historicphotographeroftheyear.com/2019-winners/
But while there is more great TV than ever before, the number of top-tier programs actually declined in 2018, making the task of assembling 
Rock ’n’ roll, or even popular music, [was] often highly gendered and sexist. It certainly was paternalistic in the ’60s and prior, in terms of songs being directed at women as objects, women as needing to be “counseled” about love, [or] it was about coming on to them, even if it was just something innocent and romantic, “I Want to Hold Your Hand.” And the Beatles very consciously in 1965 began to change their tone. They created a very specific type of female character who would think for herself and did not need a man. 
Looking back at your favorite classic rock songs through the lens of today’s attitudes about women’s empowerment, male privilege, and even sexual violence can be cringeworthy at best. But just as they were trailblazers in music, film, fashion, and popular culture, the Beatles were ahead of their time in embracing feminism, argues Kenneth Womack, a well-known authority on the band and dean at Monmouth University, evolving from early patronizing “hey, girl” entreaties to songs filled with independent women who don’t need a man, not even a Beatle. Ideological Diversity, a Harvard Kennedy School student organization, hosts a free talk with Womack on Thursday about how the group explored issues of feminism, gender, and inclusion in ways few rock bands dared in the 1960s.
When Pliny the Elder perished at Stabiae during the eruption of Vesuvius in 79 AD, he left behind an enormous compendium of knowledge, his thirty-seven-volume Natural History, and a teenaged nephew who revered him as a father. Grieving his loss, Pliny the Younger inherited the Elder’s notebooks—filled with pearls of wisdom—and his legacy. At its heart, The Shadow of Vesuvius is a literary biography of the younger man, who would grow up to become a lawyer, senator, poet, collector of villas, and chronicler of the Roman Empire from the dire days of terror under Emperor Domitian to the gentler times of Emperor Trajan. A biography that will appeal to lovers of Mary Beard books, it is also a moving narrative about the profound influence of a father figure on his adopted son. Interweaving the younger Pliny’s Letters with extracts from the Elder’s Natural History, Daisy Dunn paints a vivid, compellingly readable portrait of two of antiquity’s greatest minds.
Though Peter de Sève is a regular contributor to the magazine, his most recognizable work comes from his career as a character designer. De Sève has helped create some of the most cherished animation characters of the past few decades, including those in “A Bug’s Life,” “Finding Nemo,” “Robots,” “The Little Prince,” and the “Ice Age” films. We recently talked to the artist about his work and about some of his favorite Christmas traditions.
In this episode of “The Way I See It,” actor and comedian Steve Martin looks at paintings by two early pioneers of American abstraction and takes us on a journey of seeing—shape and color transform into mountains, sky, and water. Find “The Way I See It” on BBC Sounds or wherever you get your podcasts. 
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