Art a special section Memories of Clement Greenberg by Pat Lipsky A library by the book by James Panero Tudors at the Met by Marco Grassi Collecting misery by Anthony Daniels David Smith: a sculptor in full by Eric Gibson The Spanish Sargent by Karen Wilkin Pergolesi: a very sharp & mechanical man by Benjamin Riley
This biography of Britain’s shortest-serving prime minister was overtaken by events, but its lively style and air of authority illuminates her failings
This week: as the UN’s climate emergency summit, Cop27, continues in Egypt, Ben Luke talks to Louisa Buck, The Art Newspaper’s contemporary art correspondent—and the author of our online column about art and climate change—about international art initiatives responding to the crisis.
Kaywin Feldman, the director of the National Gallery of Art (NGA) in Washington, DC, tells us about the museum’s new $10m endowment fund for purchases of works by women artists. The historic gift, from the family of the gallery’s first female president, Victoria P. Sant, will help the NGA fill gaps in its collection.
And this episode’s Work of the Week is Mother with Child on her Arm, Nude II (1906) by the German painter Paula Modersohn-Becker. The work is a highlight of Making Modernism, a show of German women artists that opens this weekend at the Royal Academy in London.
The exhibition’s curator, Dorothy Price, discusses this late painting in Modersohn-Becker’s short but productive life.Making Modernism: Paula Modersohn-Becker, Käthe Kollwitz, Gabriele Münter and Marianne Werefkin, Royal Academy of Arts, London, 12 November-12 February 2023. Hosted on Acast. See acast.com/privacy for more information.
This week’s @TheTLS , featuring Anna Reid on Zelensky; @pwilcken on a divided Brazil; @james_waddell on manuscript collectors; @LamornaAsh on Tammy Faye; @LinahAlsaafin on Qatar; and Peter Thonemann on how Herodotus would fare in today’s academic job market … – and more.
Sotheby’s – Head of contemporary Art, David Galperin reflects upon how Willem De Kooning makes the impossible possible in Collage (1950) one of De Kooning’s most pivotal abstract paintings, which has been in the private hands for more than seven decades. Undoubtedly, Collage is a key painting within De Kooning’s color abstraction series, marking the beginning of a style that would define his work for decades to come.
Willem de Kooning was a Dutch-American abstract expressionist artist. He was born in Rotterdam and moved to the United States in 1926, becoming an American citizen in 1962. In 1943, he married painter Elaine Fried.
“He distorts human figures by breaking them up into geometric shapes and planes.“
“These abstract compositions are united by the Cubist style and vibrant color palette.“
Georgy Kurasov was born in 1958 in the USSR, in what was then Leningrad. He still lives and works in the same place, but now the country is Russia and the city is called St Petersburg. Without any effort on his part whatsoever, Georgy seems to have emigrated from one surreal country to another.
While there are many different sorts of Anthozoa, their basic unit is a polyp: an individual soft flower-animal similar to an anemone. While anemones are solitary, in corals these polyps band together to form colonies. As they grow, they build a skeleton of limestone around themselves, drawing calcium and carbon molecules from the seawater. They also draw in carbon dioxide to feed their resident algae. Over time these skeletons accumulate upwards and outwards. Corals build on their predecessors, leaving their own legacy behind them for the next generation. Reefs are, in part, the frozen exuberant bouquets of the past.
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