David Gentleman is an iconic British illustrator and designer who has lived a lifetime in London. Drawing from over sixty years of engagement with this most 
well-known capital city, his most recent book,
My Town presents London as it was and as it is today. His beautiful and intricate work – of the Thames, Hampstead Heath, Camden Town (where David Gentleman has lived in the same house for fifty years), London’s parks and sights – offers us the pleasure of looking again at the everyday.
Accompanied by reflections on the work of an artist, commentary on the possibilities of ink, pen and paint and personal thoughts on the ever-changing city, this is a delight for all those who flock to London.
David William Gentleman is an English artist. He studied illustration at the Royal College of Art under Edward Bawden and John Nash. He has worked in watercolour, lithography and wood engraving, at scales ranging from platform-length murals for Charing Cross Underground Station in London to postage stamps and logos. (Wikipedia)
Mark has developed an international reputation and has won numerous awards, both in his native Canada and in the United States. A dedicated painter, Mark Lague was born in Lachine Quebec in 1964 and he has had a fascination with drawing since childhood, a skill he practices constantly, even to this day.
In James Wrayge’s quiet studio on an early winter afternoon, there is a tangible sense of purpose. Wrayge’s paintings line the walls along the portion of the space he shares with another artist at the Northrup King Building in Minneapolis. There are also some paintings on the floor propped up against the same walls. And there is one — in progress — set on an easel in the corner.
Carel Willink was a pioneer of Magic Realism, an avant-garde movement of Dutch modernism closely associated with Surrealism. In this episode of Anatomy of an Artwork, discover how a visit to Italy’s Bomarzo Gardens following the death of his wife inspired a series of paintings featuring monsters, see how Willink drew further inspiration from dream-like images and illusions, and learn how his near-photographic style exudes a sense of mystery and enchantment.
In dialogue with Van Eyck’s contemporaries
Boomers Daily 