Category Archives: Art

Exhibits: Peter Alexander ‘Echoes Of Perception’ At Museum Of California Art

Langson IMCA in Irvine, CA – September 24, 2022 – January 14, 2023

In 2019, artist Peter Alexander was invited by Langson IMCA Museum Director Kim Kanatani to curate an exhibition of California Impressionism from the Museum’s collections.

Prior to his untimely death in 2020, Alexander had begun identifying works that he felt exemplified the California Impressionists’ profound connection to the light, space, and natural phenomena of California and the similar influence they had on his own work.

In honor of Alexander’s commitment to the project, a team of curators consisting of Kevin Appel, Julianne Gavino, Kim Kanatani, Curt Klebaum, Claudia Parducci, and Bruce Richards expanded the exhibition into a dialogue between the early modernist painters and Alexander’s own work, forming a fluid exchange between generations equally influenced by the atmospheric light of the Golden State.

The passages in this exhibition follow phenomena experienced over the course of a day from dawn, to dusk, to the depths of night. From mountain peaks to the ocean floor, Alexander and these California Impressionist painters echo one another in their pursuit of capturing the ineffable sensibility of place and space.

With works spanning from 1896 to 2020, Echoes of Perception: Peter Alexander and California Impressionism includes 14 Impressionist works from Langson IMCA’s collection along with 11 of Alexander’s resin sculptures, canvases, works on paper, and a painting on velvet that offer an alternative way to engage with California Impressionism through the eyes of this pioneering contemporary artist.

Architecture Books: Dana Krystle – ‘Sketchbook №13 – A Series Of Illustrations’

Sketchbook №13 is part of a large sketchbook series in architecture illustrations created between 2013 and 2022, in this sketchbook the illustrations were created between 2019 and 2022. Materials used in this sketchbook are mixed medias of oil paint, acrylics, charcoal, watercolor, gouache, pen, ink, and colored pencils.

The aim of architecture illustrations is directed at creating inspiration and conceptual ideas that are used for creative concept decisions in projects and mood boards.

I hope this sketchbook gives you inspiration for creating your own version of architectural illustration sketchbooks and come up with beautiful architecture designs and concepts in your upcoming projects. A thorough documentation is set to collect and archive all the sketches that were created during this series and body of work.

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International Art: Apollo Magazine – October 2022

Apollo Magazine – October 2022 Issue:

  • Bernice Bing’s West Coast cool

• Antwerp’s greatest museum reopens at last

• Who is UNESCO really for?

• Introducing the Apollo 40 Under 40 Asia Pacific

Plus: the remarkable career of Marianne Werefkin; the making of John Singer Sargent’s notorious Madame X; the occult modernism of Rudolf Steiner; and reviews of the artists who saw in stereo, a history of tomb raiding in Egypt and the memoir of Ibrahim El-Salahi

Art Exhibitions: Pat Steir At Hauser & Wirth In NYC

 Among the great innovators of contemporary painting, with a lifelong commitment to drawing and printmaking, Pat Steir first came to prominence in the late 1970s and early 1980s for her iconographic canvases and immersive wall drawings.

Pat Steir, Dragon Tooth Waterfall, 1990 © Pat Steir

Pat Steir, Middle Lhamo Waterfall, 1992 © Pat Steir

By the late 1980s, her inventive approach to painting—the rigorous pouring technique seen in her Waterfall works, in which she harnessed the forces of gravity and gesture to achieve works of astonishing lyricism—attracted substantial critical acclaim. Informed by a deep engagement with art history and Eastern philosophy, and a passion for artistic advocacy in the both the visual and literary realms, Steir’s storied five-decade career ­­continues to reach new heights through an intrepid commitment to material exploration and experimentation.

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Arts Preview: Sculpture Magazine – Sep/Oct 2022

Cover Courtesy of Sculpture Magazine 2022; Image: Spin, 2004. Electroluminescent wire, control system, and electronics, 14 x 14 x 6 meters. Photo: Courtesy the artist

September/October 2022 Issue

FeaturesReal Light and Real Angles:
A Conversation with Larry Bell

Between Two Knowns:
A Conversation with Nathaniel Rackowe

Cracks in the System:
A Conversation with Agustina Woodgate

Gregor Schneider:
A Sense of Distance

Thinking Through Place:
A Conversation with Anina Major

BETWEEN TWO KNOWNS: A CONVERSATION WITH NATHANIEL RACKOWE

Nathaniel Rackowe’s large-scale, futuristic works are fundamentally influenced by modern urban architecture. Spanning sculpture, installation, and public art, his practice is concerned with abstracting the metropolis into units of form. Scaffolding poles, cement blocks, corrugated sheets, Perspex, glass, and fluorescent tubing are the building blocks of his sculptural vocabulary. The British artist has created cuboids of light that seem to hover eerily in the air (“Spin” series, 2006–ongoing), upturned sheds that appear frozen in mid-explosion (“Black Shed Expanded” series, 2008–ongoing), and flanks of moving mechanical doors edged with fluorescent lights that close in claustrophobically on visitors (Sixty Eight Doors, 2005). It’s no surprise that he is an admirer of science fiction writers such as Philip K. Dick and Iain M. Banks and films like Brazil (1985) and Blade Runner (1982).

Art Fairs: The 2022 Armory Show In New York City

A cornerstone of New York’s cultural landscape since its founding in 1994, The Armory Show brings the world’s leading international contemporary and modern art galleries to New York each year.

The fair plays a leading role in the city’s position as an important cultural capital through elevated presentations, thoughtful programming, curatorial leadership, meaningful institutional partnerships, and engaging public art activations.

Reviews: ‘The Week In Art’

This week: is art censorship on the rise? The Art Newspaper’s chief contributing editor, Gareth Harris, joins Ben Luke to discuss his new book, Censored Art Today.

We look at the different ways in which freedom of expression is being curbed across the globe and at the debates around contested history and cancel culture. This episode’s Work of the Week is Diane Arbus’s Puerto Rican woman with a beauty mark, N.Y.C., 1965, one of the 90 images that feature in Diane Arbus: Photographs, 1956-1971, which opens at the Montreal Museum of Fine Arts, Canada, on 15 September. Sophie Hackett, the exhibition’s curator, discusses Arbus’s remarkable eye and technical brilliance.

As the Guggenheim Bilbao celebrates its 25th anniversary, Thomas Krens, the director and chief artistic officer of the Solomon R. Guggenheim Foundation from 1988 to 2008, reflects on the genesis and development of a museum that had a dramatic impact on contemporary art and museums’ role in the cultural regeneration of cities across the world. 

Art: ‘Cy Twombly – Making Past Present’ At The Getty

Cy Twombly

Making Past Present

August 2–October 30, 2022, GETTY CENTER

American artist Cy Twombly’s engagement with the art and poetry of ancient Greece and Rome played a central role in his creative process. This exhibition explores Twombly’s lifelong fascination with the ancient Mediterranean world through evocative groupings of his paintings, drawings, prints, and sculpture made from the mid-20th to the early 21st century, tracing an imaginative journey of encounters with and responses to ancient texts and artifacts. The presentation includes Greek and Roman antiquities from the artist’s personal collection, on public display for the first time.

Organized by the J. Paul Getty Museum, Los Angeles, and the Museum of Fine Arts, Boston
Supported by an indemnity from the Federal Council on the Arts and the Humanities
Major support from Jo Carole and Ronald S. Lauder
Generously sponsored by

International Art: Apollo Magazine – September 2022

• Jil Sander refashions the English garden in Hamburg

• Annette Messager on the art of making the strange familiar

• A dazzling Medici table-top in focus

• On Jeju Island, the Hawaii of South Korea

Plus: the restored Galleria Nazionale dell’Umbria, Inigo Jones’s Banqueting House, Joseph Wright of Derby’s brush with the divine, and reviews of Cézanne in Chicago, Milton Avery in London and a history of fancy dress

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Art Journals: The 2022 Courtauld News (Digital)