Category Archives: Art

Art, Arts & Literature, Exhibitions, Previews, Reviews, Views

May 2023 Exhibition Views: ‘Stephan Hostettler Solo’ In Bern, Switzerland

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VernissageTV (May 8, 2023) – The opening reception of the Swiss artist Stephan Hostettler. Stephan Hostettler was born in 1988 in Unterseen, Switzerland.

After training as a metalworker, he attended the preliminary design course in Bern and graduated from the specialist class for graphics in Biel. He presented his works for the first time in 2019 at the Jungkunst exhibition in Winterthur. Hostettler lives and works in Bern.

“At its core, my work is about how we humans live or could live in this world. It offers a humorous but critical perspective on our actions as a society and aims to trigger discussions that contribute to a positive development. I wish for a world in which we treat each other with respect, we live with nature, take care of it and in which no one has to live in fear.”

Stephan Hostettler Solo Exhibition in Bern (Switzerland). Vernissage, May 6, 2023.

Art, Arts & Literature, History, Profiles, Videos

Artists: French-American Artist Louise Bourgeois’ Iconic “Spider” Sculpture

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Sotheby’s (May 6, 2023) – Fraught with chilling grandeur, Spider from 1996 is the ultimate embodiment of Louise Bourgeois’ singular contribution to the history of Modern Art.

Among the earliest monumental iterations of Bourgeois’ Spiders, the present work represents the absolute zenith of her artistic practice and the most ambitious embodiment of her signature motif; decades later, her towering Spiders stand among the most iconic sculptures of the twentieth century.

In its elegant yet otherworldly presence, Bourgeois’ spellbinding Spider speaks to the conceptual concerns at the very heart of her oeuvre: an unflinching confrontation of her own emotions and psyche, translated into sculptural form.

Architecture, Art, Home Design, Homes, Tours, Videos, Views

Design Tour: Daylesford Longhouse In Australia

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The Local Project – (May 5, 2023) – A bold interpretation of an architectural farm house, Daylesford Longhouse seeks to rediscover how to live with the land. Recentering on the fundamental nature of our existence and self-sustained living, Partners Hill expertly imagines a beautiful home that sets the tone for a revived way of living that may be crucial for a sustainable future.

Video timeline: 00:00 – Introduction to the Architectural Farmhouse 00:37 – The Architect and Design Custodian 01:25 – A Walkthrough of the Home 02:30 – Research of the Agricultural Model 03:12 – The Concept of the Space 03:44 – Living and Working in the Space 04:04 – Establishing a Greenhouse 04:30 – The Extraordinary Kitchen 05:02 – The Unfolding of the Multifaceted Home 05:44 – Leaving the Location A Changed Person 06:02 – A Collection of Small Ideas 06:41 – The Architects Proud Moments

Located in a charming country town near Melbourne, Daylesford Longhouse sits on an elevated ridge, accommodating the sweeping views of the Australian landscape that the house sits so well within. The challenge was to uncover how an architectural farm house could flourish in a place where the land is deeply exposed to vast populations of ravenous grazing wildlife, extreme temperature variations, strong winds and a lack of water.

The concept for the architectural farm house was about having a community hub to hone skills of self-sufficiency, exchange knowledge and run programs where other people can learn. The home’s façade blends into the landscape in a way that doesn’t dominate, echoing the ethos of the residence. The multi-functional estate includes a large shed that houses a domestic dwelling at the eastern end, a garden kitchen and an intimate Airbnb and sleeping quarters.

Art, Arts & Literature, Exhibitions, Museums, Podcasts, Reviews

Reviews: ‘The Week In Art’

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The Art Newspaper May 4, 2023: Featuring the coronation in the UK. As Charles III is crowned at Westminster Abbey this weekend, Anna Somers Cocks, founder of The Art Newspaper and a former assistant keeper of metalwork at the Victoria and Albert Museum in London, tells us about the objects involved in the coronation and the monarchical history they convey.

The Metropolitan Museum of Art in New York this week opens Karl Lagerfeld: A Line of Beauty, the latest in the hugely successful Costume Institute exhibitions. The German designer, who died in 2019, was also the inspiration for this year’s Met Gala, the museum’s star-studded fundraiser.

We talk to Stephanie Sporn, a fashion historian and arts and culture writer, about the exhibition, the gala and the controversy around Lagerfeld’s offensive comments about a range of issues. And this episode’s Work of the Week is Good Housekeeping III (1985/2023) by the British artist Marlene Smith. She was part of the Blk Art Group, a collective of young Black British artists active in the late 1970s and 1980s, which is the subject of The more things change…, an exhibition at the Wolverhampton Art Gallery in the UK.

Smith has re-created the work, first made in 1985, for the show, and tells us more about its making, its context, and the history of the Blk Art Group. Karl Lagerfeld: A Line of Beauty, Metropolitan Museum of Art, New York, until 16 July.The more things change…, Wolverhampton Art Gallery, UK, until 9 July.

Art, Arts & Literature, History, Profiles, Reviews, Videos

Art: Vincent Became “Van Gogh” With ‘Jardin Devant le Mas Debray’ In 1887

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Sotheby’s (May 3, 2023) – ‘Jardin devant le Mas Debray’ captures this pivotal moment in summer of 1887 where color, subject and paint handling crystallized into Van Gogh’s mature style, one that would flourish in the three years remaining of his life in Paris, Arles, Saint-Rémy-de-Provence and Auvers-sur-Oise.

Jardin devant le Mas Debray | Modern Evening Auction | 2023 | Sotheby's
Jardin devant le Mas Debray by Vincent Van Gogh

It was during this period of time, from 1887 to 1890, that Van Gogh’s greatest masterpieces were created, forever changing in the history of modern art. Surrounded by artists, dancers, musicians, actors and writers in Montmartre, Van Gogh abandoned the dark palette that dominated many of his early paintings in Holland and replaced it with a newfound love of color.

Art, Arts & Literature, History, Magazines, Previews, Reviews

Fine Art: The Burlington Magazine – May 2023 Issue

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The Burlington Magazine – May 2023: Anxiety about the future of the two great photographic libraries housed in the Courtauld Institute of Art, London, can be traced back at least thirty years. In October 1992 we published an Editorial, ‘The Witt and Conway libraries under threat’, which was prompted by a demand from the University of London that the Courtauld – not yet a self-governing and self-financing entity – produce a business plan that would show how the libraries could develop commercial opportunities to offset a threatened reduction in university funding. 

Mey Rahola (1897–1959): The new photographer

Mey Rahola: Desire for Horizons

Although Mey Rahola (1897–1959) was one of the first women to become renowned for art photography in Spain, she remains a little-known figure today. Two linked exhibitions with a single catalogue dedicated to the Catalan photographer set out to rectify this and liberate an overlooked artist from the shadow of anonymity. Working with Rahola’s family, the curators, Lluís Bertran Xirau and Roser Martínez Garcia, have assembled 550 items from her collection, including 250 negatives and a number of photograph albums. That this material had been handed down and divided between the artist’s friends and family is testimony to her interest in her posterity. The fact that, nonetheless, Rahola has remained largely unknown, one is reminded in the exhibition catalogue, is a result partly of her status as a female photographer operating in the early twentieth century and partly of the events of the Spanish Civil War, which ruptured her burgeoning career.

Glass-plate negative of a detail from the Bayeux Tapestry

The Bayeux Tapestry photographed

Architecture, Art, Home Design, Homes, Tours, Videos, Views

Design Tour: Forest House In Truckee, California

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The Local Project – (May 2, 2023) – Tucked into an alpine environment, Forest House by Faulkner Architects is a cabin in the woods surrounded by thick pine trees, Fir trees and basalt rock.

Video timeline: 00:00 – Introduction to the Cabin in the Woods 00:22 – The Site and Surrounding Landscape 00:38 – Saving the Landscape Around the Home 00:55 – The Clients and the Initial Brief 01:44 – A Concealed Entry 02:00 – A Walkthrough of the Home 02:38 – An Experience Space 02:58 – Working with the Sun 03:25 – A Focus on Sustainability 03:49 – The Materials Used 04:09 – A Reflection of the Surrounding Landscape 04:35 – The Most Exciting Space and its Successes

Desiring to save and protect the landscape, the architects saved 95 per cent of the trees on the property by leaving the front land largely untouched. As the clients delivered a simple brief with an open mindset, the architects were able to create a cabin in the woods that respected its surrounds and did not fall to the arbitrary aesthetics of larger homes in the area. Due to its nature-rich location, the home remains neutral and respective by allowing the landscape to breathe and embrace its structure.

As the house tour moves inside, the front of the home opens into the living, dining and kitchen areas. Tucked behind the kitchen is a small family room, while an addition of a hidden office allows for further separation of spaces where the clients can find a place to work, study and rest. Additionally, the master suite has been left on the main level, while the three ensuite guest rooms are positioned upstairs for increased separation of private and public spaces. Described as a cabin in the woods that is an atmospheric exercise in form and light, the architects began the process of designing Forest House by looking to the sun.

Art, Arts & Literature, Exhibitions, Previews, Reviews

Art Insider: A Review Of ‘Cobbs Barn, South Truro’ By Edward Hopper (1931)

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Sotheby’s (May 1, 2023) – Returning each season to live and paint in Truro elevated Hopper’s art, allowing him to concentrate on the simplification of forms and the depth of both light and color woven into the surrounding landscape.

Expert Voices: Edward Hopper's Cobbs Barn, South Truro and Three Water Colors | The New York Sales | Sotheby's

Both his technical approach to painting and his perception of the world from 1930 onwards are greatly informed by the Cape. Cobb’s Barns, South Truro derives its bright palette and topographical features from Hopper’s immediate environment, and is emblematic of the profound influence that life in South Truro had on his manner of painting.

Group of Houses, dated 1923-24, stems from a pivotal stage in the development of Edward Hopper’s career. Residential homes occupy much of Hopper’s subject matter in these early watercolors, and Group of Houses is no exception. These charming saltbox houses are typical for the Cape Ann region, whose architectural style reflects its coastal New England atmosphere.

The Battery, Charleston, S.C., dated 1929, is the result of Hopper’s three-week stay in the charming southern city, which is renowned for its Georgian-style architecture and cobblestone streets lined with lush palm trees. His Charlestown pictures possess an inherently tropical feeling, which sets them apart from his otherwise New England-focused oeuvre.

Red Barn in Autumn Landscape is among the limited number of watercolors that Hopper completed during the fall of 1927 in Vermont, and embodies the rustic quality of the New England scenery that drew Hopper to this region in the first place. Hopper routinely sketched his surroundings in coastal towns on the Cape or along the Maine shore, but Red Barn in Autumn Landscape is quite unique in that it captures a specific fall moment as the leaves gradually fade from green to burnt orange and red. The present work is emblematic of the simplicity and charm that characterize Hopper’s New England watercolors.

Art, Arts & Literature, Exhibitions, Museums, Reviews, Tours, Videos

Exhibitions: ‘Jaune Quick-to-See Smith -Memory Map’

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Art Trip (April 30, 2023) – A tour of the new exhibition – ‘Jaune Quick-to-See Smith: Memory Map’, at the Whitney Museum of American Art. The first New York retrospective brings together nearly five decades of Smith’s drawings, prints, paintings, and sculptures in the largest and most comprehensive showing of her career to date.

Jaune Quick-to-See Smith: Memory Map

Apr 19–Aug 13, 2023

Light yellow background with red shapes in the foreground.

This exhibition is the first New York retrospective of Jaune Quick-to-See Smith (b. 1940, citizen of the Confederated Salish and Kootenai Nation), an overdue but timely look at the work of a groundbreaking artist. Jaune Quick-to-See Smith: Memory Map brings together nearly five decades of Smith’s drawings, prints, paintings, and sculptures in the largest and most comprehensive showing of her career to date. 

Smith’s work engages with contemporary modes of making, from her idiosyncratic adoption of abstraction to her reflections on American Pop art and neo-expressionism. These artistic traditions are incorporated and reimagined with concepts rooted in Smith’s own cultural practice, reflecting her belief that her “life’s work involves examining contemporary life in America and interpreting it through Native ideology.” Employing satire and humor, Smith’s art tells stories that flip commonly held conceptions of historical narratives and illuminate absurdities in the formation of dominant culture. Smith’s approach importantly blurs categories and questions why certain visual languages attain recognition, historical privilege, and value.  

Art, Cartoons, Exhibitions, Museums, Reviews, Videos

Museum Exhibition Tour: ‘Man Saves Comics’ In Ohio

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CBS Sunday Morning (April 30, 2023) – Bill Blackbeard was something of a superhero. During his lifetime, he collected and preserved 2.5 million ephemeral artifacts of comic strip art, including newspapers and Sunday color sections dating as far back as 1893.

MAN SAVES COMICS! BILL BLACKBEARD’S TREASURE OF 20TH CENTURY NEWSPAPERS

Treasures from his collection are now featured in a new exhibit, “Man Saves Comics,” at the Billy Ireland Cartoon Library & Museum at Ohio State University. Correspondent Luke Burbank reports.