Category Archives: Art

Reviews: ‘The Week In Art’

The Art Newspaper May 4, 2023: Featuring the coronation in the UK. As Charles III is crowned at Westminster Abbey this weekend, Anna Somers Cocks, founder of The Art Newspaper and a former assistant keeper of metalwork at the Victoria and Albert Museum in London, tells us about the objects involved in the coronation and the monarchical history they convey.

The Metropolitan Museum of Art in New York this week opens Karl Lagerfeld: A Line of Beauty, the latest in the hugely successful Costume Institute exhibitions. The German designer, who died in 2019, was also the inspiration for this year’s Met Gala, the museum’s star-studded fundraiser.

We talk to Stephanie Sporn, a fashion historian and arts and culture writer, about the exhibition, the gala and the controversy around Lagerfeld’s offensive comments about a range of issues. And this episode’s Work of the Week is Good Housekeeping III (1985/2023) by the British artist Marlene Smith. She was part of the Blk Art Group, a collective of young Black British artists active in the late 1970s and 1980s, which is the subject of The more things change…, an exhibition at the Wolverhampton Art Gallery in the UK.

Smith has re-created the work, first made in 1985, for the show, and tells us more about its making, its context, and the history of the Blk Art Group. Karl Lagerfeld: A Line of Beauty, Metropolitan Museum of Art, New York, until 16 July.The more things change…, Wolverhampton Art Gallery, UK, until 9 July.

Art: Vincent Became “Van Gogh” With ‘Jardin Devant le Mas Debray’ In 1887

Sotheby’s (May 3, 2023) – ‘Jardin devant le Mas Debray’ captures this pivotal moment in summer of 1887 where color, subject and paint handling crystallized into Van Gogh’s mature style, one that would flourish in the three years remaining of his life in Paris, Arles, Saint-Rémy-de-Provence and Auvers-sur-Oise.

Jardin devant le Mas Debray | Modern Evening Auction | 2023 | Sotheby's
Jardin devant le Mas Debray by Vincent Van Gogh

It was during this period of time, from 1887 to 1890, that Van Gogh’s greatest masterpieces were created, forever changing in the history of modern art. Surrounded by artists, dancers, musicians, actors and writers in Montmartre, Van Gogh abandoned the dark palette that dominated many of his early paintings in Holland and replaced it with a newfound love of color.

Fine Art: The Burlington Magazine – May 2023 Issue

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The Burlington Magazine – May 2023: Anxiety about the future of the two great photographic libraries housed in the Courtauld Institute of Art, London, can be traced back at least thirty years. In October 1992 we published an Editorial, ‘The Witt and Conway libraries under threat’, which was prompted by a demand from the University of London that the Courtauld – not yet a self-governing and self-financing entity – produce a business plan that would show how the libraries could develop commercial opportunities to offset a threatened reduction in university funding. 

Mey Rahola (1897–1959): The new photographer

Mey Rahola: Desire for Horizons

Although Mey Rahola (1897–1959) was one of the first women to become renowned for art photography in Spain, she remains a little-known figure today. Two linked exhibitions with a single catalogue dedicated to the Catalan photographer set out to rectify this and liberate an overlooked artist from the shadow of anonymity. Working with Rahola’s family, the curators, Lluís Bertran Xirau and Roser Martínez Garcia, have assembled 550 items from her collection, including 250 negatives and a number of photograph albums. That this material had been handed down and divided between the artist’s friends and family is testimony to her interest in her posterity. The fact that, nonetheless, Rahola has remained largely unknown, one is reminded in the exhibition catalogue, is a result partly of her status as a female photographer operating in the early twentieth century and partly of the events of the Spanish Civil War, which ruptured her burgeoning career.

Glass-plate negative of a detail from the Bayeux Tapestry

The Bayeux Tapestry photographed

Design Tour: Forest House In Truckee, California

The Local Project – (May 2, 2023) – Tucked into an alpine environment, Forest House by Faulkner Architects is a cabin in the woods surrounded by thick pine trees, Fir trees and basalt rock.

Video timeline: 00:00 – Introduction to the Cabin in the Woods 00:22 – The Site and Surrounding Landscape 00:38 – Saving the Landscape Around the Home 00:55 – The Clients and the Initial Brief 01:44 – A Concealed Entry 02:00 – A Walkthrough of the Home 02:38 – An Experience Space 02:58 – Working with the Sun 03:25 – A Focus on Sustainability 03:49 – The Materials Used 04:09 – A Reflection of the Surrounding Landscape 04:35 – The Most Exciting Space and its Successes

Desiring to save and protect the landscape, the architects saved 95 per cent of the trees on the property by leaving the front land largely untouched. As the clients delivered a simple brief with an open mindset, the architects were able to create a cabin in the woods that respected its surrounds and did not fall to the arbitrary aesthetics of larger homes in the area. Due to its nature-rich location, the home remains neutral and respective by allowing the landscape to breathe and embrace its structure.

As the house tour moves inside, the front of the home opens into the living, dining and kitchen areas. Tucked behind the kitchen is a small family room, while an addition of a hidden office allows for further separation of spaces where the clients can find a place to work, study and rest. Additionally, the master suite has been left on the main level, while the three ensuite guest rooms are positioned upstairs for increased separation of private and public spaces. Described as a cabin in the woods that is an atmospheric exercise in form and light, the architects began the process of designing Forest House by looking to the sun.

Art Insider: A Review Of ‘Cobbs Barn, South Truro’ By Edward Hopper (1931)

Sotheby’s (May 1, 2023) – Returning each season to live and paint in Truro elevated Hopper’s art, allowing him to concentrate on the simplification of forms and the depth of both light and color woven into the surrounding landscape.

Expert Voices: Edward Hopper's Cobbs Barn, South Truro and Three Water  Colors | The New York Sales | Sotheby's

Both his technical approach to painting and his perception of the world from 1930 onwards are greatly informed by the Cape. Cobb’s Barns, South Truro derives its bright palette and topographical features from Hopper’s immediate environment, and is emblematic of the profound influence that life in South Truro had on his manner of painting.

Group of Houses, dated 1923-24, stems from a pivotal stage in the development of Edward Hopper’s career. Residential homes occupy much of Hopper’s subject matter in these early watercolors, and Group of Houses is no exception. These charming saltbox houses are typical for the Cape Ann region, whose architectural style reflects its coastal New England atmosphere.

The Battery, Charleston, S.C., dated 1929, is the result of Hopper’s three-week stay in the charming southern city, which is renowned for its Georgian-style architecture and cobblestone streets lined with lush palm trees. His Charlestown pictures possess an inherently tropical feeling, which sets them apart from his otherwise New England-focused oeuvre.

Red Barn in Autumn Landscape is among the limited number of watercolors that Hopper completed during the fall of 1927 in Vermont, and embodies the rustic quality of the New England scenery that drew Hopper to this region in the first place. Hopper routinely sketched his surroundings in coastal towns on the Cape or along the Maine shore, but Red Barn in Autumn Landscape is quite unique in that it captures a specific fall moment as the leaves gradually fade from green to burnt orange and red. The present work is emblematic of the simplicity and charm that characterize Hopper’s New England watercolors.

Exhibitions: ‘Jaune Quick-to-See Smith -Memory Map’

Art Trip (April 30, 2023) – A tour of the new exhibition – ‘Jaune Quick-to-See Smith: Memory Map’, at the Whitney Museum of American Art. The first New York retrospective brings together nearly five decades of Smith’s drawings, prints, paintings, and sculptures in the largest and most comprehensive showing of her career to date.

Jaune Quick-to-See Smith: Memory Map

Apr 19–Aug 13, 2023

Light yellow background with red shapes in the foreground.

This exhibition is the first New York retrospective of Jaune Quick-to-See Smith (b. 1940, citizen of the Confederated Salish and Kootenai Nation), an overdue but timely look at the work of a groundbreaking artist. Jaune Quick-to-See Smith: Memory Map brings together nearly five decades of Smith’s drawings, prints, paintings, and sculptures in the largest and most comprehensive showing of her career to date. 

Smith’s work engages with contemporary modes of making, from her idiosyncratic adoption of abstraction to her reflections on American Pop art and neo-expressionism. These artistic traditions are incorporated and reimagined with concepts rooted in Smith’s own cultural practice, reflecting her belief that her “life’s work involves examining contemporary life in America and interpreting it through Native ideology.” Employing satire and humor, Smith’s art tells stories that flip commonly held conceptions of historical narratives and illuminate absurdities in the formation of dominant culture. Smith’s approach importantly blurs categories and questions why certain visual languages attain recognition, historical privilege, and value.  

Museum Exhibition Tour: ‘Man Saves Comics’ In Ohio

CBS Sunday Morning (April 30, 2023) – Bill Blackbeard was something of a superhero. During his lifetime, he collected and preserved 2.5 million ephemeral artifacts of comic strip art, including newspapers and Sunday color sections dating as far back as 1893.

MAN SAVES COMICS! BILL BLACKBEARD’S TREASURE OF 20TH CENTURY NEWSPAPERS

Treasures from his collection are now featured in a new exhibit, “Man Saves Comics,” at the Billy Ireland Cartoon Library & Museum at Ohio State University. Correspondent Luke Burbank reports.

Art: ‘Ethel Schwabacher – Woman In Nature’ (NYC)

BERRY CAMPBELL GALLERY (April 30, 2023): An exhibition of Abstract Expressionist Ethel Schwabacher (1903-1984). Schwabacher joins the gallery’s stable of women artists whose ambitious, independent, and insightful art is essential to a complete historical understanding of the ‘downtown’ art scene in the 1950s.

Many of the thirteen works have not been on view since they were shown at one of her five solo exhibitions at Betty Parsons Gallery, including the large-scale center piece to the show entitled,  Prometheus  (1959).  Ethel Schwabacher: Woman in Nature(Paintings from the 1950s)  focuses on Schwabacher’s unique brand of abstraction, which is characterized by both automatic drawing and sweeping brushstrokes that swirl across the surface of the canvas and which explores themes of motherhood, landscape, and creativity.

As part of the resurgence of women artists, Ethel Schwabacher was one of the twelve women artists included in the landmark traveling exhibition Women of Abstract Expressionism organized by the Denver Art Museum in 2016.  Concurrently with the Berry Campbell exhibition, Action! Gesture! Paint! is on view at the Whitechapel Gallery in London featuring 91 international women artists, including a major Ethel Schwabacher painting from the 1950s.

Art: ‘Must-See Museum Exhibitions’ – May 2023

Sotheby’s (April 28, 2023) – Looking for some inspiration for your next museum visit? This month, we’re taking a tour of six of the world’s most exciting and innovative museum exhibitions with Tim Marlow, Director of the Design Museum, London.

Doris Salcedo – Fondation Beyeler, Riehen, 21 May–17 September 2023 – Salcedo is a Colombian-born artist, whose central subject is human trauma and tragedy. Though much of her work emanates from the violent conflict over the last three decades in her native land, its resonance is universal. Doris Salcedo presents eight major series of works from across her career – from untitled pieces of wooden furniture filled with concrete to the remarkable Palimpsest in which the names of over 300 refugees and migrants who died at sea quite literally weep before our eyes.

Vincent van Gogh 2023 marks the 170th anniversary of Vincent van Gogh. Three exhibitions opening this month look set to enhance our understanding of the great Dutch painter:

Van Gogh and the Avant Garde The Art Institute of Chicago 14 May–4 September 2023 – Van Gogh and the Avant Garde takes the modern landscape as its central subject and looks at how the artist – along with Seurat, Signac and others – turned his attention from urban Parisian life to wrestling with the surrounding countryside with a formal inventiveness that set the tone for the development of Modernism.

Van Gogh’s Cypresses The Metropolitan Museum of Art, New York 22 May–27 August 2023 – From the religious connotation of trees in graveyards to their role as the backdrop of his incarceration at the asylum in Saint-Remy, the artist’s flame-like evergreens will be presented with all their evocative resonance in Van Gogh’s Cypresses,

Van Gogh in Auvers. His Final Months Van Gogh Museum, Amsterdam 12 May–3 September 2023 – The unsurpassable Van Gogh Museum will celebrate its own 50th anniversary with Van Gogh in Auvers. His Final Months – an exhibition delving into the tremendously productive final period of his life, in which he made several of his most renowned masterpieces.

Architecture: Wainscott Residence In New York

The Local Project – (April 28, 2023) – Inside an heirloom home, unification lies at the centre. In designing Wainscott Residence, Bates Masi + Architects considers the fabric of the area and the immediate and future needs of the house.

Video timeline: 00:00 – Introduction to the Heirloom Home 00:22 – The Salt Box 00:47 – Acknowledging the Culture of Place 00:57 – The Brief 01:40 – A Walkthrough of the Heirloom Home 02:06 – The Art Cube 02:39 – Intertwining Domestic and Vacation Living 02:58 – The Future Needs of the Materials 03:41 – The Interiors Palette 04:07 – Unifying the Home and Immersing in its Surrounds 04:55 – Coming Together to Form One Voice

Its structure and materiality connect the residing family to the landscape, art and heritage of the area, whilst also bringing them together through considered multigenerational living. Bates Masi + Architects thoughtfully responds to the needs of the future home’s inhabitants, who came with a desire to display a significant art collection inside an heirloom home, to maintain views of the landscape and to house their two adult children as the family grows.

This forms the basis of the residence’s distinct structure, which is made of three individual volumes that operate just as seamlessly separately as they do together. Wainscott Residence reveals what lies inside an heirloom home. It is inherently linked to the surrounding landscape, dominated by picturesque green lawns, trees and a distant skyline that give a fresh, vibrant feel that is echoed in the coveted art collection. The southern aspect connects to the surroundings; every south-facing room opens up to the outside, with the doors pocketed into the walls so that the house can be completely unified with the landscape.