Wall Street Journal (July 29, 2023) – Storm Shadow missiles equip Ukraine’s military counteroffensive with the ability to hit Russian targets more than 150 miles away with pinpoint accuracy.
Video timeline:0:00 A weapon to help with counteroffensive 0:30 How Storm Shadow missiles work 4:31 Weaknesses 6:07 What’s next?
The weapon has three times the range of that on the HIMARS rockets in Ukraine, forcing Moscow to rethink its logistics. WSJ takes a look at how these long-range, deep-strike missiles work and why the Storm Shadow is equipped to take out key Russian command and control centers.
On this week’s cover, we feature biographies of composers Arnold Schoenberg and Wolfgang Amadeus Mozart that emphasize the extent to which each was a singular genius attuned to his culture and times; our reviews are by Anthony Tommasini (formerly The Times’s chief classical music critic) and the composer John Adams.
In Patrick Mackie’s “Mozart in Motion,” the socially observant composer embraces modernity.
Musicians tend to be wary of ascribing specific meanings to music or making too much of a piece’s extra-musical associations. In one of his Norton Lectures at Harvard in 1973, turning to Beethoven’s “Pastoral” Symphony, Leonard Bernstein asked the audience to forget all about “birds and brooks and rustic pleasures” and instead concentrate on “pure” music. He then demonstrated how every phrase of the entire first movement is derived from little motifs of notes and rhythms in the first four bars of the score.
John Adams reviews “Schoenberg: Why He Matters,” in which Harvey Sachs explores the artistic, academic and spiritual life of a 20th-century cultural giant.
In 1955 Henry Pleasants, a critic of both popular and classical music, issued a cranky screed of a book, “The Agony of Modern Music,” which opened with the implacable verdict that “serious music is a dead art.” Pleasants’s thesis was that the traditional forms of classical music — opera, oratorio, orchestral and chamber music, all constructions of a bygone era — no longer related to the experience of our modern lives. Composers had lost touch with the currents of popular taste, and popular music,
THE NEW YORK TIMES MAGAZINE (July 30, 2023) – In this week’s cover story, David Quammen reports on the ongoing mystery of Covid’s origin, what we do know — and why it matters. Plus, a profile of a poet who was kidnapped from his Black father by his white grandparents and a look at a group of English activists’ fight for the right to access public lands.
We still don’t know how the pandemic started. Here’s what we do know — and why it matters.
By David Quammen
Where did it come from? More than three years into the pandemic and untold millions of people dead, that question about the Covid-19 coronavirus remains controversial and fraught, with facts sparkling amid a tangle of analyses and hypotheticals like Christmas lights strung on a dark, thorny tree. One school of thought holds that the virus, known to science as SARS-CoV-2, spilled into humans from a nonhuman animal, probably in the Huanan Seafood Wholesale Market, a messy emporium in Wuhan, China, brimming with fish, meats and wildlife on sale as food. Another school argues that the virus was laboratory-engineered to infect humans and cause them harm — a bioweapon — and was possibly devised in a “shadow project” sponsored by the People’s Liberation Army of China.
A group of English activists want to legally enshrine the “right to roam” — and spread the idea that nature is a common good.
By Brooke Jarvis
The signs on the gateat the entrance to the path and along the edge of the reservoir were clear. “No swimming,” they warned, white letters on a red background.
On a chill mid-April day in northwest England, with low, gray clouds and rain in the forecast, the signs hardly seemed necessary. But then people began arriving, by the dozens and then the hundreds. Some walked only from nearby Hayfield, while others came by train or bus or foot from many hours away. In a long, trailing line, they tramped up the hill beside the dam and around the shore of the reservoir, slipping in mud and jumping over puddles. Above them rose a long, curving hill of open moorland, its heather still winter brown. When they came to a gap between a stone wall and a metal fence, they squeezed through it, one by one, slipping under strings of barbed wire toward the water below.
Science Magazine – July 28, 2023 issue: This artwork depicts social media users that are engaged (and often enraged) from the “left” (liberals, blue) and the “right” (conservatives, red) perched on Meta’s logo. Social media algorithms personalize users’ online experiences, recommending engaging content that will interest them and possibly spark outrage.
The advent of social media forever changed how we consume news. At least half of Americans rely on it for news, and Facebook (owned by parent company Meta) is the most popular. Meta’s Facebook and Instagram platforms are funded through advertisements and generate more revenue when users spend more time on their platforms. To make platforms alluring and increase screen time, tech companies operate on business models that incentivize algorithms that are designed to elevate eye-catching content to the top of users’ feeds—content that captures attention and may go “viral” by stimulating “engagement” through comments, likes, and resharing.
Wall Street Journal (July 27, 2023) – Since the Ukrainian counteroffensive against Russian forces began, there’s been a dramatic increase in Ukraine’s use of FPV, or first person view drones to execute kamikaze-style attacks on Russian tanks, troop positions and other large-scale weapons.
Video timeline:0:00 Increase in use of FPV drones 1:01 The kamikaze drone process 2:15 Destroying targets
The aim is to operate cheaply and to make the military less dependent on Western weapons. WSJ gathered dozens of videos from Ukrainian units on the frontlines, to break down how their drone teams execute these attacks on Russia’s military.
Wall Street Journal Books & Art (July 26, 2023) – A wild rowboat race across the Atlantic, the overlooked triumphs of the 20th president, notes on life behind home plate and more. A selection of July’s most noteworthy books, as discussed by The Wall Street Journal’s reviewers.
Even after the loss of two of their founding members, the Georgia-based band created a country-blues sound that captivated audiences. Review by Gavin Edwards.
Tom McClean faced frostbite, nonstop gales and waves that looked like skyscrapers. A 15-foot shark followed him for days. He named it Bluey. Review by Bill Heavey.
The pugnacious editor and publisher looks back on his career putting the New Republic at the center of a generation’s political conversation. Review by Tunku Varadarajan.
Should a doctor run a hospital? An engineer a tech company? Workers seem to value a boss with skill and knowledge in the core business. Review by David A. Price.
The widening wealth gap in the U.S. has been fueled by elite overproduction—a combination that, to some, can only signal an imminent state breakdown. Review by Dominic Green.
The Swedish naturalist Linnaeus bestowed an orderly taxonomy on the natural world, but his love of animals and plants was quirky and personal. Review by Christoph Irmscher.
A federal judge argues that when we follow the arguments of Supreme Court Justice Thomas in applying the Constitution, the weak and the powerless stand to benefit the most. Review by David J. Garrow.
James Garfield’s ambitious career—from janitor to Union general, then from Congress to the presidency—was cut short by an assassin. Review by Richard Norton Smith.
nature Magazine -July 27, 2023 issue: HADAR (heat-assisted detection and ranging) combines thermal physics and infrared imaging with machine learning to discern an object in pitch darkness as though it is illuminated by broad daylight.