Tag Archives: Photography

Top Photographers: Christian Vizl Shot The World’s Oceans In Black & White For Three Decades

From a MyModernMet.com online article and interview:

Silent Kingdom A World Beneath The Waves Christian VizlI have always loved the ocean and also photography. I started taking pictures as a teenager and was very inspired by black and white masters like Ansel Adams and Henri Cartier-Bresson, but didn’t combine these two passions until 2010 after a dive I did with an underwater videographer friend. During this trip, we made an immersion when he suddenly gave me his camera and left. After a while, I turned it on and loved the feeling of having a camera underwater. That’s when I decided to buy my first underwater camera…

Award-winning underwater photographer Christian Vizl has been inspired by the ocean since childhood. Born in Mexico City, his career spans more than thirty years and in that time he’s earned an international reputation for his artistic documentation of life underwater. In particular, he’s recognized for his powerful black and white underwater photographs, which harness light and shadow to reveal different aspects of marine life.

https://www.christianvizl.com/index

In his new book Silent Kingdom, published by Earth Aware Editions, Vizl shares his vision of the underwater world. Schools of fish, sea lions, jellyfish, and manatees all get equal treatment in the book. Vizl manages to capture the elegance of life below sea level by using his keen eye for symmetry and composition.

To read more click on the following link: https://mymodernmet.com/christian-vizl-silent-kingdom-underwater-photography/?utm_source=email&utm_medium=link&utm_campaign=newsletter&utm_term=2019-08-29

Top Museum Exhibits: “STRANGE LIGHT: THE PHOTOGRAPHY OF CLARENCE JOHN LAUGHLIN” At High Museum Of Art, Atlanta

From the High.org website:

The Bat 1940 by CLARENCE JOHN LAUGHLINDubbed “The Father of American Surrealism,” Clarence John Laughlin (American, 1905-1985) was the most important Southern photographer of his time and a singular figure within the burgeoning American school of photography. Known primarily for his atmospheric depictions of decaying antebellum architecture that proliferated his hometown of New Orleans, Laughlin approached photography with a romantic, experimental eye that diverged heavily from his peers who championed realism and social documentary.

High Museum Of Art Atlanta

On view through November 10, 2019

Water Witch 1939 Clarence John LaughlinThe exhibition surveys Laughlin’s signature bodies of work made between 1935 and 1965, emphasizing his inventiveness, artistic influences, and deep connection to the written word. The High began collecting Laughlin’s work in 1974 and Strange Light: The Photography of Clarence John Laughlin is the first major presentation of Laughlin’s photographs by the High Museum following a landmark acquisition of his work in 2015.

The more than one hundred works in this exhibition attest to Laughlin’s innovative approach and prescience for the future of the photographic medium. From allegorical social commentary, to expertly constructed narratives, to bizarre material experimentation, Laughlin’s effort to access a higher artistic potential for photography is evident throughout his career. His desire to push the limits of photographic possibility paved the way for generations of artists and the growth of the medium into a tool of magical potential.

https://high.org/exhibition/strange-light-the-photography-of-clarence-john-laughlin/

Creative Artists: Fabian Oefner Slices Vintage Cameras, “Reassembles Images Into New Compositions” (2019)

From website FabianOefner.com:

Studio Oefner - CutUp 2019 SculptureCutUp is closely linked to Oefner`s  process of destruction and reassembly, that he previously used to create two-dimensional works like the Disintegrating or the Explosion Collage photographs. Rather than seeing destruction as something negative, the artist uses this process to break objects and images down into smaller pieces and reassembles them into new compositions, enhanced in both form, meaning and function from the original pieces.

Oefner deliberately selected still and video cameras to slice apart. This is an allusion to his earlier photographic work, where the image made with the camera is the “art” and the camera itself is merely a tool. For this series, the tool is transformed into a piece of art. It is at the same time a deconstruction of the technology of image capturing, revealing the beauty underneath the surface of these objects.

The series currently consists of 6 sculptures and will be expanded into many more in the future.

To read more click on following link: https://fabianoefner.com/cutup/#ms-365

Cinematic Nostalgia: “Jay Myself” Documents Life Of NYC Artist/Photographer Jay Maisel, End Of An Era

DSC1245_A-1JAY MYSELF documents the monumental move of renowned photographer and artist, Jay Maisel, who, in February 2015 after forty-eight years, begrudgingly sold his home—the 36,000 square-foot, 100-year-old landmark building in Manhattan known simply as “The Bank.” Through the intimate lens of filmmaker and Jay’s protégé, noted artist and photographer Stephen Wilkes, the viewer is taken on a remarkable journey through Jay’s life as an artist, mentor, and man; a man grappling with time, life, change, and the end of an era in New York City.