From a MyModernMet.com online article and interview:
I have always loved the ocean and also photography. I started taking pictures as a teenager and was very inspired by black and white masters like Ansel Adams and Henri Cartier-Bresson, but didn’t combine these two passions until 2010 after a dive I did with an underwater videographer friend. During this trip, we made an immersion when he suddenly gave me his camera and left. After a while, I turned it on and loved the feeling of having a camera underwater. That’s when I decided to buy my first underwater camera…
Award-winning underwater photographer Christian Vizl has been inspired by the ocean since childhood. Born in Mexico City, his career spans more than thirty years and in that time he’s earned an international reputation for his artistic documentation of life underwater. In particular, he’s recognized for his powerful black and white underwater photographs, which harness light and shadow to reveal different aspects of marine life.
https://www.christianvizl.com/index
In his new book Silent Kingdom, published by Earth Aware Editions, Vizl shares his vision of the underwater world. Schools of fish, sea lions, jellyfish, and manatees all get equal treatment in the book. Vizl manages to capture the elegance of life below sea level by using his keen eye for symmetry and composition.
To read more click on the following link: https://mymodernmet.com/christian-vizl-silent-kingdom-underwater-photography/?utm_source=email&utm_medium=link&utm_campaign=newsletter&utm_term=2019-08-29
Dubbed “The Father of American Surrealism,” Clarence John Laughlin (American, 1905-1985) was the most important Southern photographer of his time and a singular figure within the burgeoning American school of photography. Known primarily for his atmospheric depictions of decaying antebellum architecture that proliferated his hometown of New Orleans, Laughlin approached photography with a romantic, experimental eye that diverged heavily from his peers who championed realism and social documentary.
The exhibition surveys Laughlin’s signature bodies of work made between 1935 and 1965, emphasizing his inventiveness, artistic influences, and deep connection to the written word. The High began collecting Laughlin’s work in 1974 and Strange Light: The Photography of Clarence John Laughlin is the first major presentation of Laughlin’s photographs by the High Museum following a landmark acquisition of his work in 2015.
CutUp is closely linked to Oefner`s
JAY MYSELF documents the monumental move of renowned photographer and artist, Jay Maisel, who, in February 2015 after forty-eight years, begrudgingly sold his home—the 36,000 square-foot, 100-year-old landmark building in Manhattan known simply as “The Bank.” Through the intimate lens of filmmaker and Jay’s protégé, noted artist and photographer Stephen Wilkes, the viewer is taken on a remarkable journey through Jay’s life as an artist, mentor, and man; a man grappling with time, life, change, and the end of an era in New York City.