

Monocle 24’s “The Stack” speaks to Kristina O’Neill, editor in chief of ‘WSJ’, the lifestyle magazine of the ‘Wall Street Journal’, on the title’s expansion and plans for 2020.Kristina O’Neill is the editor in chief of WSJ. Magazine, The Wall Street Journal’s glossy luxury-lifestyle publication, appearing monthly with the weekend edition of the newspaper, as well as its website. Since being tapped in October 2012 by News Corporation to reinvigorate the magazine, she has been responsible for all editorial content in the publication, which was nominated for awards for best cover and best photography in 2016 and 2017 by the American Society of Magazine Editors (ASME) and consistently leads the industry in editorial and commercial excellence. Ms. O’Neill also oversees all of the magazine’s live journalism, in addition to its annual Innovator Awards, held each November at New York City’s Museum of Modern Art, which attracts luminaries across a range of disciplines including art, design, philanthropy, fashion and technology. Prior to joining the Journal, Ms. O’Neill served as executive editor of Harper’s Bazaar magazine.
As you will see from my portfolio, travel plays a huge part in my image-making. I visited nine countries in 2017 alone, and close to twenty since my journey into architectural photography began. I have always been fascinated by different cultures, foods, textures and colours. It is this love for travel, combined with my deep passion for photography, that keeps me motivated and dedicated to putting in the long lonely hours of research and logistical planning to then get out with the camera time and time again.
I hail from the fine city of Norwich in the United Kingdom, having spent the best part of thirty years growing up there it was a place I always returned to after travelling. Since January 2019 I have taken to the road full-time to undertake a nomadic lifestyle with my girlfriend Jade as we strive to grow a better photography and adventure tour business.

PRODUCED THREE TIMES A YEAR, “THE BACKGROUND” IS A DIGITAL AND PREMIUM PRINT MAGAZINE THAT IS WRITTEN AND PRODUCED BY MYSELF, JAMES KERWIN. THE FIRST EDITION CONTAINS 100 PAGES AND HAS TAKEN HOURS OF THOUGHT. THE UNIQUE MAGAZINE IS PACKED FULL OF IMAGERY, TRAVEL HACKS AND TIPS AS WELL AS ADVICE ON WHERE TO PHOTOGRAPH, THINGS TO SEE AND HISTORICAL INFORMATION RELATING TO MY INTERIOR AND ABANDONED ARCHITECTURE LOCATIONS. THINK OF THIS MAGAZINE AS A TYPE OF MEMOIRS OF MY LAST FOUR MONTHS OF NOMADIC TRAVEL PHOTOGRAPHY.
In February, 1925, Rea Irvin, The New Yorker’s first art editor, designed the cover of the magazine’s inaugural issue. That cover’s central character, a dandy peering at a butterfly through a monocle, would come to be known as Eustace Tilley, and he has graced the cover of the magazine nearly every February in the ninety-five years since. This is all a matter of historical record—but Barry Blitt, in this year’s Anniversary Issue, tells a different origin story. We recently talked to Blitt about drawing a familiar face.
You’ve drawn many a Eustace Tilley. Is there something pleasing about revisiting familiar forms?
Well, certain familiar forms are probably traumatic to revisit, but Tilley is a joy to draw repeatedly. All the hard work has been done for you—it’s a beautifully designed image. Hard to make a mess of those shapes and colors, though I give it the old college try.
With imagery from the likes of David Bailey, Duffy and Terence Donovan, designs from Peter Blake, David Hockney, Gerald Scarfe and fledgling artist Ian Dury plus words and opinions from those riding high on the city`s cutting-edge, London Life remains the coolest document from the capital’s most exciting period.
While many books, films and documentaries claim to have captured the phenomenon that was Swinging London, just one magazine was present in the capital during the 1960s to illustrate this extraordinary moment as it unravelled. London Life emerged in October 1965 and, over the next fifteen months, would document the capital s action at its absolute zenith.
Collected for the first time, including forewords from Peter Blake and David Puttnam and a scene-setting introduction from Simon Wells, London Life offers a remarkable and candid view on a period when London was the creative hub of the world.