Mino Caggiula architects – The inspiration for the project came after experiencing the works of Richard Serra, an American artist known for using metal blades to create his works of art that can be defined as Landmark.
The architectural intervention is daring and aims at a harmonious connection with the surrounding space and landscape, without spoiling it; throughout plays of tension with shapes and insertion into the vegetation. In order to reach this goal, curved weathering steel blades are positioned so that, in perspective, they go beyond the woods in the south and direct the units and the view towards the lake. The radius of curvature is measured so that the sagitta of the chord of the circle doesn’t exceed 1 mm per linear metre, making thus the interiors furnishable and going back to a human scale, just like the dualism produced by Richard Serra’s sculptures.
Because of the steepness, we created two different blocks in order to further guarantee the view of the lake to the properties, divided by a system of main and secondary blades to create an internal and subordinate subdivision of the units. The insertion of the vegetation was inspired by New York’s High Line which scratches the pavement just like the blades do. This logic was transposed into our project both horizontally and vertically, thus the blades represent at the same time both a boundary and a bridge.
Video timeline:00:00 – Inspiration: “It’s imperfect perfection” 02:00 – Living Room: “It’s where the real Christmas moment happens!” 05:20 – Kitchen: “I love the way that food brings people together” 07:50 – Breakfast Room: “It feels like a chocolate box…” 08:53 – Dining Room: “It feels very ramshackle”
Skye McAlpine’s Venetian sanctuary maintains plenty of the palazzo’s original details, such as the 18th-century fresco in the living room and the decorative flowering of rocaille in the breakfast room. As we’re guided into the light and airy kitchen that is set apart by its high-beamed ceilings, Skye McAlpine reveals a staple festive treat… a snowy panettone cake from her cookbook ‘A Table For Friends’. In the grand dining room, Skye’s dinner table is layered with a mixture of small plates over larger plates from her ‘Tavola’ tableware collection, which is inspired by ‘la dolce vita’ or ‘the sweet life’. The snowy panettone takes centre stage as it is served on a cake stand which towers above the rest of the festive treats, to complete her “over-the-top” Christmas table.
“Life is slower here. It’s unchanged, it’s like a time capsule,” McAlpine explains as she contrasts between her life in London and the Venetian way of living. “I think that’s part of the charm, it really is like stepping back into a different era”. Watch the full episode of Design Notes with Skye McAlpine, as we tour her slice of an Italian palace that is expertly decorated for the Christmas holidays.
Monocle Films (December 14, 2022) – The world is urbanising fast. But how do you accommodate people in cities in a way that offers dignity, affordability and a sense of community? Vienna may have a solution. Explore the enduring legacy of the city’s ‘Gemeindebau’ apartment blocks in the latest episode of our Design Tours series.
The Local Project (December 13, 2022) – Designed to feel like one is living in a garden, Cascade House by John Ellway seamlessly blends outdoor and indoor living. Located in Queensland, the family home of interior designer, stylist and client Jacqueline Kaytar is a traditional cottage home that was in dire need of repair.
Video timeline: 00:00 – Introduction to the Garden Home 00:26 – The Inner-City Location 01:14 – An Overview of the Home 01:49 – A Walkthrough of the Home 02:28 – The Key Brief of Garden Connection 02:50 – Original Timber Cottages 03:18 – Separation of Old and New 03:53 – The Kitchen 04:11 – A Seamless Integration of Fisher & Paykel 04:44 – The Fisher & Paykel Fit 05:16 – Key Materials 05:59 – A Connection of Texture and Detail 06:22 – The Connection Between Owner and Architect 06:59 – Proud Moments
Working closely with Jacqueline, the architect avoided building underneath the home to keep the streetscape intact. Instead, John Ellway used the vacant land to the side of the original cottage to provide a much-needed extension that leans into the cascading landscape of the site. Found by the client, the cottage home was in a dilapidated state, though internally and structurally the house was in good condition with a much-needed update to accommodate the contemporary needs of the family.
After bringing John Ellway on board, Jacqueline expressed an aspiration to instil a feeling like that of living in a garden. Beginning the house tour from the parking area, the entry to the home opens to the kitchen, dining and living spaces. Immediately connecting to the gardens through large glass doors and windows, the house opens up onto a grass patch for the family to enjoy. Providing the space to embrace living in a garden, the grass patch also offers a private outdoor reprieve. Connecting the new extensions with the older parts of the cottage, a breezeway also adds another layer of connection to the garden.
The private rooms sit in the old section of the cottage, with the entertainment spaces confined to the new extensions. The home’s extended veranda instils the experience of living in a garden as occupants step into the new volume. Incorporating seamless connections throughout the architecture, John Ellway has made additional interior design choices in the kitchen, adding nooks and crannies to conceal appliances and ensuring the interior architecture is kept sleek and simple.
In the kitchen, Fisher & Paykel’s integrated appliances seamlessly blend into the joinery, providing a cohesive effect. Aside from aligning with budget and aesthetic desires, John Ellway used Fisher & Paykel to coincide with the broader context of the kitchen. Focused on using key materials to further assist with the idea of living in a garden, the client and architect chose plywood, brass countertops and polished concrete to foster a warm and natural connection. Together, John Ellway and Jacqueline work to combine finishes and textures to create an uplifted and refreshing home.
designboom (December 11, 2022) – Visual storyteller Marcus Byrne envisions regular household appliances in Antoni Gaudí’s architectural aesthetic using artificial intelligence image generator software. The graphic designer re-imagines everyday objects drawing from the famous architect’s vibrant intricate designs.
The twentieth-century styles such as neo-gothic, art nouveau, and modernism that characterize Gaudí’s designs are reflected in the AI-generated images through vivid colors and free-flowing coral-like shapes. The digital art series are illustrated through the process of combining popular text-to-image software, Midjourney, and Photoshop for additional editing.
Exploring Alternatives (December 2022) – Tour this stunning and modern 1000-square-foot cabin where every detail has been meticulously designed and executed to provide a comfortable space that merges with nature.
Built all on one level, the cabin has a carport and firewood storage at one end, and then the cabin itself has an open-concept living, dining, and kitchen area, as well as two beautiful bedrooms and a spacious bathroom. The most impressive part of this cabin is that 60% of the house is windows, which takes the concept of indoor/outdoor living to a whole new level.
Architectural Digest – We gave interior designers Lula Galeano, Laura Hodges, and Alvin Wayne a photo of the spacious bedroom – then asked each of them to create a design for it in their particular style, however they pleased. Three artists, one canvas, each bringing something different to space. See which designer comes closest to creating the bedroom you see in your dreams.
The Architectural Review December 2022 issue: Whether it’s a house, a room or a collection of objects, homes are the imprint of the people who inhabit them. Described as the ‘detritus of life’ by Sam Johnson-Schlee in this issue’s keynote, the remnants of our daily lives can say much about who we are, while the possessions we choose to display around us say more about how we want to be seen.
Charles Jencks and Maggie Keswick | Anupama Kundoo | Margarete Schütte-Lihotzky | João Batista Vilanova Artigas | Laurie Simmons | Kochi Architects Studio | Ekar Architects | Atelier Tho.A | Chat Architects | Fernanda Canales Arquitectura | Brillhart Architecture
Very few people have the resources to realise the house of their dreams, yet the results can be extraordinary. From the London home of Charles Jencks and Maggie Keswick, which is a manifestation of their postmodern fantasies, to the local materials and construction techniques of Anupama Kundoo’s Wall House in Auroville, this issue revisits houses designed by architects for themselves, and sometimes their families. Also celebrated are the winning projects of the 2022 AR House Awards, featuring innovative and intriguing dwellings from Mexico, Japan, Thailand, Vietnam and the Bahamas.
“This cover feels simultaneously classic and entirely new. It’s slightly reminiscent of 1970s science fiction covers (albeit much more restrained), and yet I’ve never seen anything quite like it. That custom type! That illustration! Is it a world? An eye? Something else? All of the above? As a reader, I don’t typically gravitate toward sci-fi, but this cover is so compelling that it made me immediately want to buy the book.”
“There were so many eye-catching covers this year, but the one that constantly stood out for me because of its stunning simplicity, beauty and mystery was designed by John Gall: No Land in Sight. In a sea of gorgeous covers exploding with kaleidoscopic colorful backgrounds, with elements twisting and intertwining, with the title and author type set in sans-serif condensed fonts, Gall’s cover was refreshing for its clean layout, tasteful typography, elements that are balanced and non-overlapping, in an austere monochromatic palette. Timeless.”
[Cover Images: Picador]
MRS. DALLOWAY & THE HOURS, DESIGNED BY PABLO DELCAN
“The whole package is stunning and smart—words I use a lot to describe Pablo Delcan’s works. The covers evoke introspectiveness and intimacy in such a beautiful way. Everything from the type to the flower placement feels considered and intentional. I love how both sides mirror and work with each other visually and conceptually.”
“This cover is a feast of dualities: both a figurative scene and an abstract texture; a figure seen far off in the distance and a marbled paper viewed at almost 1:1 in scale; a formal, rigid, block colored layout, and a big, expressive interruption in the middle. The slightly muted colors are so refreshing, especially in a year when we’re reaching peak ‘pop,’ and David shows us here that you don’t need neon Pantones or massive type to create a big, bold, absorbing cover. I love that the type is almost pushed to the peripheries by the sprawl of the illustration, as if it’s something that’s happened over centuries; it makes everything feel massive in scale. Also, the silhouette of the figure is from a photo of the author, which is a perfect Pearson point of detail! There are worlds existing in this book cover, and I find it very easy to get lost in them.”
Dezeen (December 2022) – Continuing our 2022 review, we have collected 10 residential extensions featured on Dezeen this year, from a weathering steel structure perched on top of a bungalow to a pair of concrete volumes added to a remote farmhouse.
This weathering steel-clad asymmetrical house extension is perched two centimetres above a family bungalow in Austin, hence its name. Architect Nicole Blair was tasked with expanding the occupants’ living space without sacrificing any of the home’s existing back garden.
The unusually shaped extension rests on four steel columns and was assembled off-site to avoid disrupting the lot’s vegetation. Inside, living spaces are dressed in pinky hues and framed by tongue-and-groove wooden planks on the ceilings and walls.
A rectilinear metallic frame in a dark shade of green forms Cascada House, an airy apartment nestled within a lush surrounding that tops an existing 1950s concrete building in Mexico City.
Architects Ana Nuño de Buen and Luis Young designed the structure with two roof slopes that drain towards a central gutter which manages rainfall, while inside, the steel structure is left exposed to create a distinctive interior.
Local architect Marc Perrotta replaced a “clumsy” volume with a concrete, glass and brick extension at Casa San Cristobal, a house in Mexico’s Mérida.
Containing most of the living spaces, this two-storey, U-shaped addition creates a trio of courtyards filled with lush native plants that are designed to provide relief from the tropical heat.
Boomers Daily 