Tag Archives: British Artists

Art Books: “David Hockney – Normandy Portraits”

David Hockney: Normandy Portraits

David Hockney Normandy Portraits ARTBOOK | D.A.P. 2023 Catalog Books  Exhibition Catalogues 9781855145870

A compact album presentation of Hockney’s newest explorations in portraiture

Artbook D.A.P.:

This concise volume illustrates around 40 acrylic on canvas works painted by David Hockney (born 1937) at his Normandy studio—depicting his friends and visitors, as well as the artist himself. David Hockney: Normandy Portraits showcases a series of some previously unseen portraits, across 48 pages, uninterrupted by text, to allow readers to engage directly with the artworks.

These new works highlight the ongoing importance of portraiture within the artist’s practice and demonstrate his sentiment that “drawings and paintings … are a lot better than photographs to give you a sense of the person.”

Hockney returned to painting after an intensive period spent depicting the Normandy landscape using an iPad. The portraits were painted quickly and directly onto the canvas without underdrawing. As Hockney has said, “to do a portrait slowly is a bit of a contradiction.”

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Profiles: David Hockney At The Huntington Library

Painting of a bare tree, with many small branches, in a green field with a blue sky.
David Hockney, Tree on Woldgate, 6 March, 2006

The Huntington Library (August 9, 2023) – A David Hockney in The Huntington’s venerable European art gallery? Yes, visitors can view the large and striking Tree on Woldgate, 6 March (2006), which depicts the serene Yorkshire countryside where the renowned artist grew up.

You can see fields in the distance and, in the center, a leafless tree with branches that twist and turn in an almost snakelike manner. The painting comes from a period in Hockney’s career when he created a series of plein air landscapes around his hometown.

Watercolor self-portrait of David Hockney, paintbrush in hand, looking at the viewer.
David Hockney, Self-Portrait with Red Braces, 2003

The painting hangs in conversation with John Constable’s monumental View on the Stour Near Dedham (1822). While the two works were created more than 180 years apart, their inspiration comes from the same source—childhood surroundings—and they both convey a sense of place and nostalgia.

One of the most famous British artists of the 20th century, Hockney emerged as a major contributor to the 1960s pop art movement and has had a multifaced career as a painter, draftsman, printmaker, stage designer, and photographer. He is perhaps best known for his acrylic paintings of bright swimming pools, split-level homes, and suburban California landscapes.

In 2022, The Huntington acquired its first Hockney works: 17 works on paper that include an artist book, drawings, prints, photocollages, and watercolors. These works display an intimate side of Hockney—like the self-portrait of the artist in red suspenders, bent over a table and peering over his wire-rimmed glasses, paintbrush in hand. His blue eyes, gazing straight at the viewer, create an immediate intimacy.

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Interviews: British Artist Cecily Brown At The Met

The Metropolitan Museum of Art (March 19, 2023) – Go behind the scenes with artist Cecily Brown, who discusses the inspiration and making of Cecily Brown: Death and the Maid, the first full-fledged museum survey of Brown’s work in New York since she made the city her home.

Cecily Brown: Death and the Maid assembles a select group of some fifty paintings, drawings, sketchbooks, and monotypes from across her career to explore the intertwined themes of still life, memento mori, mirroring, and vanitas—symbolic depictions of human vanity or life’s brevity—that have propelled her dynamic and impactful practice for decades. On view April 4th, 2023 through December 3rd, 2023.

Learn more about the exhibition: https://www.metmuseum.org/exhibitions…

Profiles: British Sculptor Henry Moore (1898-1986)

Henry Moore achieved international fame as a sculptor, despite once being denounced for promoting ‘the cult of ugliness’. And he also remained a most unassuming man, finds Laura Gascoigne, as two new exhibitions of his work prepare to welcome visitors.

Sculptors are very rarely household names, but no one who lived through the 1960s could be unfamiliar with the name of Henry Moore. At the height of his international success, Moore’s monumental public sculptures in prominent locations — from the 12ft-high Knife Edge Two Piece (1962–65) outside London’s Houses of Parliament to the 26ft-long Reclining Figure (1963–64) outside the Lincoln Centre in New York, US — became such a feature of the urban landscape that they appeared in cartoons in the popular press. For a Modernist abstract sculptor, that was fame.

In the 1950s, Moore added a new subject to his signature themes of the mother and child and the reclining figure. As a young man, his first sight of Stonehenge by moonlight, in 1921, had left an indelible impression; 30 years later, he began a series of large bronze totemic forms recalling prehistoric monoliths.

Henry Moore with three of his Upright Motives c.1955.Photo: Barry Warner

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New Art Books: ‘Venice – A Sketchbook Guide’ (2022)

Matthew Rice is a long-time observer and illustrator of cities, buildings and all those who inhabit them, with an uncanny ability to express the energy of a place through a few lines of ink and splashes of paint.

For years, Venice has been a source of deep creative inspiration for him; and now, in Venice: A Sketchbook Guide, he captures the highlights of this most beguiling of Italian cities. Unsurprisingly, given his abiding passion for architecture, Matthew provides a wealth of information about the ‘stones’ of Venice, including an illustrated guide to the main building styles of the city – Byzantine, Gothic, Renaissance, Baroque and Modern – and exemplars of its balconies, bridges and campaniles.

Further sections explore the city’s sestieri – its six residential quarters – as well as its history, paintings, festivals, wildlife and, not least, its cicchetti and aperitivi. Following the same landscape format as Matthew’s real-life sketchbooks, Venice: A Sketchbook Guide will combine enchanting watercolour illustrations with an informed, personal and witty text, and promises to delight all visitors to Venice, armchair or actual.

Watercolor Artists: Liam O’Farrell’s ‘London Views’

I like to get in front of my subjects “en plein air” if I can. Even in my allotment pictures (which are partly from imagination) the core elements are taken from real allotments. Working on site you get so much more from what you are trying to capture, I also get to chat to passersby who feed into my work with their rich stories and conversation. For me working purely in the studio would be like painting through a letter box.

In regards to perspective, the early part of my career was drawing and airbrushing full 3D cutaways of fighters and ships for the MoD so I know a fair bit about getting perspective right if I need to.

Accurate perspective however is all well and good, although in creative terms it can only deliver so much. I tend to adjust and push things about until it feels right. If that means geometric perspective is abandoned then that’s fine. It’s all about the overall impression.

Liam O’Farrell

Inside British Art: ‘The Red Boy’ By Thomas Lawrence

Restorer Paul Ackroyd gets ‘The Red Boy’ ready to be displayed in the Gallery.

The Red Boy, or Master Lambton, are popular names for a portrait made in 1825 by Sir Thomas Lawrence. It is officially entitled with the name of its subject, Charles William Lambton, who was the elder son of John Lambton.

Paul Ackroyd, restorer, is cleaning ‘The Red Boy’, an iconic painting by Sir Thomas Lawrence. It was so popular it was the first-ever painting to feature on a British postage stamp.

Profiles: British Artist Aimee Lax (V&A Museum)

Aimee Lax is an artist whose work examines the fragility and strength of the natural world, showing how it can be simultaneously threatening and beautiful. During her residency she has focussed on the question of the Anthropocene, looking at the burial of nuclear waste and the strange morphological effects on organisms in areas exposed to nuclear radiation. Creating works which convey a sense of otherworldliness and the uncanny, she uses clay to illustrate the dangers of the past, present and future. Engaging Ceramics Artist in Residence October 2019 – July 2020.

Gallery Views: ‘Normandy’ – The Lockdown Paintings Of David Hockney In Paris

While museums in France are shut due to Covid-19 restrictions, private galleries are allowed to remain open and have become a haven for art enthusiasts. British artist David Hockney’s “Ma Normandie” (“My Normandy) show, which opened at a Paris gallery last year, has been the sensation of the season.

David Hockney, OM, CH, RA is an English painter, draftsman, printmaker, stage designer, and photographer. As an important contributor to the pop art movement of the 1960s, he is considered one of the most influential British artists of the 20th century.