Watch Thomas Schaller paint ‘Atlas’ in timelapse below:
“In many ways, why we paint is more important than what or how we paint. What we create is more than just something we do, it expresses who we are. My work is a study in contrasts: light and dark, vertical and horizontal, warm and cool, the real and the imagined, and elements of the past, present, and future. I design with conflicting elements – allowing them to find balance and resolution on the surface of the paper in surprising and expressive ways, trying never to paint just what I look at, but rather how it is I see; how I react to the world I see around me and within. The results are reflections of my attempt at becoming more fully present in the process.“
Thomas W. Schaller is an award-winning artist, architect, and author based in Los Angeles. As a renowned architectural artist, he received a Graham Foundation Grant and was a two-time recipient of the Hugh Ferriss Memorial Prize. He has authored three books; the best-selling, and AIA award winner, Architecture in Watercolor (VNR – McGraw Hill) The Art of Architectural Drawing (J.Wiley and Sons), and Thomas W. Schaller, Architect of Light : Watercolor Paintings by a Master – a retrospective of his recent artwork released by North Light Books / F+W Media and now Penguin / Random House, NYC in 2018.
The most comprehensive and best-illustrated history of watercolor painting ever published.
The term watercolor calls to mind atmosphere, luminosity, and immediacy―qualities that derive directly from the quick-drying, translucent nature of water-based pigments. In Watercolor: A History, Louvre curator Marie-Pierre Salé provides an authoritative and beautifully illustrated account of this versatile and widely beloved artistic medium.
Salé’s incisive text traces the development of watercolor from the thirteenth to the twentieth century in Europe and the United States, encompassing every type of work―from plein-air sketches to finished studio pieces―and a wide variety of artists. Here are Dürer’s detailed animal studies, Turner’s landscapes, Cézanne’s tireless explorations, Sargent’s light-dappled sketches, O’Keeffe’s pioneering abstractions.
This handsome volume features more than three hundred full-color illustrations, specially printed on Munken paper to capture the vibrancy and texture of the original works. It is sure to be welcomed by art historians and art lovers alike.
Tim Wilmot is an artist from Bristol in the South-west of the UK, specialising in vibrant watercolours, using tone and light to bring out the best in the medium. Tim, self-taught, paints in a loose, impressionistic style and, while having dabbled with portraits and still lifes, he is inexorably drawn to landscapes.
He says: “I’m an outdoor person rather than an indoor person. For many years I’ve taken a sketch book on my travels and I quickly scribble scenes in a shorthand sort of way. Then, returning home, I recreate those memories with paint and brush. Watercolour is also an ideal medium for those quick impressions when you’re limited in time.”
NEWSTATESMAN (August 26, 2020) – Towne (1739-1816) was born on the fringes of London and apprenticed to a coach painter, a skill that demanded the type of precise brushwork that was to become evident in all his later work. He went on to study at William Hogarth’s St Martin’s Lane Academy, Britain’s foremost school of art prior to the establishment of the Royal Academy in 1768. By a quirk of geography, the greatest British landscapist and fellow chronicler of the Lake District, JMW Turner, would be born just 100 yards away in 1775.
In 1780 he made a lengthy drawing trip to the Continent but it wasn’t until 1786 that he visited the Lake District. He proved indefatigable, making 100 drawings and watercolours over the course of two weeks: he often put brief details on the back of his work (“½ past 7 O clock/The sky a Clear warm light/mountains a solemn purple tint/the Lake reflecting the sky, the/Sun in the picture”) and so we know that on 17 August alone, for example, he made seven drawings.
Chien Chung-Wei is an award winning Taiwanese watercolor artist making his teaching debut in North America. Chien Chung-Wei paintings look timeless, yet have a modern and contemporary feel, that is bringing him great success in North America and Europe.
He is the first Taiwanese artist to have ever received his signature in the National Watercolor Society, and the first to exhibit in the American Watercolor Society.
He has earned a masters degree in fine arts, and works as a part time lecturer and teacher of watercolor. With the growing excitement of so many talented artists from the East, Chien Chung-Wei has quickly risen to the top.
Chien Chung-Wei is a frequent contributor in many Western publications, including numerous articles and awards in the Art of Watercolor Magazine and International Artist.
British painter J.M.W. Turner was both prolific and peripatetic, producing more than 30,000 watercolors during a lifetime in which he traveled throughout Europe.
But these works are extremely susceptible to light damage and can be shown only once in a generation. Now, they’re on view at the Mystic Seaport Museum in Connecticut — their only North American stop. Jared Bowen of WGBH reports.