Featuring archival footage of Ansel Adams, as well as interviews with Berkeley-based photographer Richard Misrach and FAMSF curator Lauren Palmor, this film examines the impact of Ansel Adams’s prolific photography in the Bay Area and beyond. “Ansel Adams in Our Time” is organized by the Museum of Fine Arts, Boston, in partnership with the Fine Arts Museums of San Francisco.
It is on view at the de Young museum from April 8 until July 23, 2023.
“The pictures are a documentation of the brutality within the conflict itself. It’s about civilians and civilian casualties because they are the ones hit the hardest. “
Grarup is convinced that the ongoing war in Ukraine will mark the beginning of a new area that will isolate Russia from the Western World for generations to come: “I have been covering wars and conflicts for the last 35 years – just about every conflict you can imagine. In many ways, the brutality of the genocide in Rwanda in 1994 is second to none. But the war in Ukraine comes really, really close. It’s basically a country which is desiring democracy and freedom and independence – and because of that, its people are killed.”
Grarups also reflects upon his feelings covering the war, such as his general discomfort with silence as “you can be sure that something is about to happen.” On the other hand, he sees the necessity to document the war for future generations and the possible prosecution of war crimes. “What I like about black-and-white photography is its timelessness. We think in our part of the world that the world has changed, developed, and moved far away from what we have seen historically.
But the fact is: It hasn’t. It’s still the same atrocities. It’s still the same victims.” Jan Grarup was born in Denmark in 1968 and is today regarded as one of the leading and most experienced war photographers globally. Already in 1991, the year of his graduation, he won the prestigious Danish Press Photographer of the Year Award, a prize he would receive on several further occasions. In 1993, he moved to Berlin for a year, working as a freelance photographer for Danish newspapers and magazines. Afterwards, Grarup covered many wars and conflicts worldwide, including the Gulf War, the Rwandan genocide, the siege of Sarajevo and the Palestinian uprising against Israel in 2000.
His coverage of the conflict between Palestine and Israel led to two series: The Boys of Ramallah, which earned him the Pictures of the Year International World Understanding Award in 2002, followed by The Boys from Hebron. His book, Shadowland (2006), presents his work during the 12 years he spent in Kashmir, Sierra Leone, Chechnya, Rwanda, Kosovo, Slovakia, Ramallah, Hebron, Iraq, Iran, and Darfur. In the words of Foto8’s review, it is “intensely personal, deeply felt, and immaculately composed.”
His second book, Darfur: A Silent Genocide, was published in 2009. In 2017 he released the prizewinning bestseller And Then There Was Silence. He is currently working on a follow-up called While We Bleed with Danish author Adam Holm about the war in Ukraine. Jan Grarup has won numerous prizes for his dedicated work, for example eight World Press Awards, the Pictures of the Year International World Understanding Award, the UNICEF Children Photo of the Year Award, Visa d’Or, Leica Oskar Barnack Award, to mention a few of the more prestigious ones. Jan Grarup was interviewed by Marc-Christoph Wagner in Copenhagen, Denmark.
The interview took place at the Danish War Museum in March 2023 on the occasion of Grarup’s exhibition One Year With War. Camera: Jakob Solbakken Edited by: Helle Pagter Produced by: Marc-Christoph Wagner
EMS LANDSCAPES 65 : LAS VEGAS 2021.
Las Vegas, officially the City of Las Vegas and often known simply as Vegas, is the 25th-most populous city in the United States, the most populous city in the state of Nevada, and the county seat of Clark County.
In this virtual art opening and gallery walk-through, Getty curator Virginia Heckert guides you through two exhibitions of photography: Mario Giacomelli: Figure/Ground and The Expanded Landscape. The galleries reveal Giacomelli’s stunning, high-contrast black and white images made in and around the photographer’s hometown of Senigallia on the Adriatic coast of Italy in the late 20th century. Also presented are works in The Expanded Landscape, which focuses on contemporary photographers whose innovative approaches and insightful observations expand concepts of “landscape.” Learn more about the exhibition: https://www.getty.edu/art/exhibitions…
“Some of the largest and most wonderful creatures in Africa have become very dear to me over the years,” Schmeisser writes. His book of portraits carries two messages. “It [is] a homage and warning at the same time—a visual message with the aim of sharpening our clouded view of the one, infinitely complex and vulnerable nature and to recognize which treasures we are about to irretrievably lose,” he writes.
There are exactly two black rhinos left in the world, a subspecies of the white rhino, the very last of their kind. In this deeply poignant tribute, photographer Joachim Schmeisser presents these rhinos as well as other wild animals in the Amboseli National Park in Kenya, where Maasai tribespeople ensure that nobody endangers them. With his breathtaking black-and-white images, Schmeisser brings us up close to these extraordinary and endangered creatures, creating a powerful document of nature’s splendor and fragility.
Filmmaker Brendon Tyree
The word Smithy is a middle English word from Old Norse Smithja : meaning a blacksmith’s workshop or forge. In Sheffield and other parts or Northern England, blacksmiths themselves are often referred to as smithies.
Follow this Smithy on his gloomy walk to work and witness the dark forces, skill and energy that go into giving a new blade its shape, form and life. Filmed using a mixture of 16mm film and digital.
The feel and sound tip their cap to the old world view of the craft but in reality the subject is a non fictional blacksmith working at his beautiful old forge today in Sheffield.
Blacksmith David Southgate
Soundscape Jordan Hatfield
Atmospheres GYerro & Max H
Locations Sheffield UK
In the early nineteenth century, Indiana was at the intersection of ideas from the East and the frontier – resulting in a unique opportunity to express creative adaptions of residential architectural styles in America.
Industrialization later in the century created a new wealth to build extraordinary houses outside of cities; by the early twentieth century, Americans had created their own distinctive residential architecture with the Prairie Style.
This 288 page compendium includes over ninety houses in Indiana which are representative of the finest American residential architecture, from the Federal and Classical Revival style to Modern. The fascinating story of the evolution of residential architecture elaborates on the character defining features of each period, including the exterior form, massing, details as well as interiors – all beautifully illustrated in large format black and white photographs.
Authors: Craig Kuhner and Alan Ward
American Residential Architecture
Oscar Riera Ojeda Publications
Photographs of the Evolution of Indiana Houses
Following his career-spanning monograph The Big Picture, Arthur Elgort pays homage to his first love and eternal muse in this new collection of photographs. While glimpsing ballet through Elgort’s lens we are taken not to the front of the stage but behind the scenes, where the hard work is done.
On this journey through the hallways and rehearsal spaces of some of the world’s most distinguished ballet schools, including the New York City Ballet and the Vaganova Academy of Russian Ballet, we see previously unpublished images of legends such as Balanchine, Baryshnikov and Lopatkina. The perfection of the prima ballerina disappears in these quiet photographs where the viewer is able to witness the individual dancers’ natural glamor as they work to perfect their craft.
Elgort’s snapshot style allows the pain and pleasure of one of the world’s most beloved forms of expressive dance to be seen with beauty.
Born on the Isle of Man in 1946, Chris Killip was a Professor of Visual and Environmental Studies at Harvard University where he had taught from 1991.
Since 2012 he has held solo exhibitions at Museum Folkwang, Essen; Le Bal, Paris; Tate Britain, London; Museo Reina Sofia, Madrid; and the J. Paul Getty Museum, Los Angeles. Killip’s works are held in the permanent collections of institutions including the Museum of Modern Art, New York; George Eastman House, Rochester; and the Victoria and Albert Museum, London. His books with Steidl are ‘Pirelli Work’ (2006), ‘Seacoal’ (2011), ‘Arbeit / Work’ (2012), ‘Isle of Man Revisited’ (2015), ‘In Flagrante Two’ (2016) and most recently ‘The Station’ (2020).
Chris Killip (born 11 July 1946) is a Manx photographer who worked at Harvard University in Cambridge, from 1991 to 2017, as a Professor of Visual and Environmental Studies. Killip is well known for his gritty black and white images of people and places.
Killip is the recipient of numerous awards, including the Henri Cartier-Bresson Award (for In Flagrante). He has exhibited all over the world, written extensively, appeared on radio and television, and has curated many exhibitions.
From Wikipedia
Boomers Daily 