Tag Archives: Arts & Literature

Previews: The New Yorker Magazine- Feb 13 & 20, 2023

A gif depicting a dog transition to Eustace Tilley and back again.

Art by John W. Tomac

The New Yorker – February 13 & 20, 2023:

Oldest Living Aristocratic Widow Tells All

Lady Glenconner, photographed by Sam Gregg.

Now ninety, Lady Glenconner—a trusted friend of Queen Elizabeth and Princess Margaret—has become a cheeky chronicler of the British élite.

The Dubious Rise of Impostor Syndrome

Everyone seems to feel like they’re faking it. But, as the concept has spread, so has the criticism.

The Defiance of Salman Rushdie

Salman Rushdie, photographed by Richard Burbridge.

After a near-fatal stabbing—and decades of threats—the novelist speaks about writing as a death-defying act.

Books: Literary Review Magazine – February 2023

Current Issue | Literary Review


Literary Review – February 2023 Issue:

Tangled Tales of a Traumatic Time

Red Memory: Living, Remembering and Forgetting China’s Cultural Revolution

Cruel Britannia?

Colonialism: A Moral Reckoning By Nigel Biggar

Golfing for Victory

Spying on the Reich: The Cold War Against Hitler By R T Howard\

The New York Times Book Review – February 5, 2023

The New York Times Book Review – February 5, 2023:

Salman Rushdie’s Miracle City

His new novel is about a kingdom that is founded on pluralism but fails to live up to its ideals.

What Does It Mean to Be Liberal?

In his new book, “The Struggle for a Decent Politics,” the political philosopher Michael Walzer grapples with a definition.

Storming Normandy in 1346

“Essex Dogs,” the first novel in a projected trilogy by the historian Dan Jones, imagines a hard-bitten band of mercenaries hired to invade France on behalf of their English king.

Inside Art: ‘Abstraktes Bild, 1986’ By Gerhard Richter

Sotheby’s (February 3, 2023) – Reminiscent of a landscape, or the strata of a Monet waterlily painting, the horizontal swathes of paint migrate across Abstraktes Bild in wave like-motion across the breadth of the canvas. Texture, colour and structure are here deployed with spectacular force, with the gliding scrape of the squeegee revealing the kaleidoscopic architectural structure of the artist’s underpainting.

It is a masterpiece created during the critical year of 1986, which saw the artist’s first large-scale touring retrospective and was also the year in which Richter first took up the squeegee as his principal compositional tool. He has only ever produced 24 Abstraktes Bild of this magnitude (with a width greater than 380 cm), of which half of these reside in museum collections across the globe.

Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other.

Reviews: ‘The Week In Art’

February 3, 2023: As we approach the first anniversary of the Russian invasion of Ukraine, The Art Newspaper has published an investigation that raises serious concerns that works of art taken by Russian troops from a museum in Kherson, Ukraine, in November 2022 may not be repatriated once the fighting ends.

Our London correspondent Martin Bailey tells us about his story. Plus, the Sharjah Biennial opens next week, and is the final biennial curated by Okwui Enwezor, who died in 2019, but set the blueprint for the show, entitled Thinking Historically in the Present. We talk to Nadine Khalil about the biennial and Sharjah’s place in the Middle Eastern art ecosystem.

And this episode’s Work of the Week is Invisible Man, Somewhere, Everywhere (1991) by the American photographer Ming Smith, a key piece in a new exhibition of Smith’s work at the Museum of Modern Art in New York. Oluremi Onabanjo, the curator of the show, tells us about the work.The Sharjah Biennial runs from 7 February to 11 June.Projects: Ming Smith, Museum of Modern Art, New York, 4 February-29 May. Ming Smith: Invisible Man, Somewhere, Everywhere, by Oluremi C. Onabanjo, Museum of Modern Art, New York, 48pp, $14.95/£17 (pb)

The New York Review Of Books – February 23, 2023

Table of Contents - February 23, 2023 | The New York Review of Books

The New York Review of Books February 23, 2023 issue:


Buildings Come to Life

In Edward Hopper’s paintings of New York, human figures often seem outgrowths of their architectural surroundings.

Edward Hopper’s New York an exhibition at the Whitney Museum of American Art, New York City, October 19, 2022–March 5, 2023

Brazil at the Crossroads

Lula’s election comes as a relief to many Brazilians, but in this historically violent and unequal country, a void in the democratic field endures.

Very Free and Indirect

The intensity of experience that Katherine Mansfield sought in her short life is matched by the formal obliqueness she discovered in her stories.

All Sorts of Lives: Katherine Mansfield and the Art of Risking Everything by Claire Harman

Previews: The New Yorker Magazine- February 6, 2023

An illustration by Malika Favre. It shows the back of a couple walking on the Brooklyn Bridge.
Art by Malika Favre

The New Yorker – February 6, 2023:

When Law Enforcement Alone Can’t Stop the Violence

Corey Winfield leans through the window of a car, photographed by Rahim Fortune.

Amid a murder crisis in America, community-based solutions have received a flood of funding. How effective are they?

Hildegard of Bingen Composes the Cosmos

How a visionary medieval nun became a towering figure in early musical history.

The Hunt for Russian Collaborators in Ukraine

As occupied territories are liberated, some residents face accusations that they sided with the enemy.

Malika Favre’s “Connected”

The artist discusses seeking inspiration from her surroundings and experiencing new ways of living.

International Art: Apollo Magazine – February 2023

Apollo Magazine – February 2023:

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  • How Christopher Wren built his reputation
  • The changing face of Silicon Valley
  • An interview with Zineb Sedira
  • The tiger who smoked a pipe
  • Plus: the uncertain market for Old Masters, the Cambridge colleges that have turned to wood, the artists who have taken young women seriously, and reviews of Guido Reni, Edward Hopper and the new museum at the Bibliothèque nationale

Books: The New York Times Book Review – Jan 29, 2023

The New York Times Book Review – January 29, 2023:

Fleeing Slavery in a Top Hat and Cravat

“Master Slave Husband Wife,” by Ilyon Woo, relates the daring escape from bondage in Georgia to freedom in the North by an enslaved couple disguised as a wealthy planter and his property.

Think Screens Stole Our Attention? Medieval Monks Were Distracted Too.

In “The Wandering Mind,” the historian Jamie Kreiner shows that the struggle to focus is not just a digital-age blight but afflicted even those who spent their lives in seclusion and prayer.

‘Age of Vice’: A Lush Thriller Dives Into New Delhi’s Underworld

In Deepti Kapoor’s cinematic novel, a young man from the provinces falls in with a powerful crime syndicate.

Books: TLS/Times Literary Supplement- Jan 27, 2023

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Times Literary Supplement (January 27, 2023) @TheTLS , featuring @TimParksauthor on Italo Calvino; @15thcgossipgirl on the Wife of Bath; @NshShulman on Prince Harry; Fredrik Logevall on Jefferson the writer; @lejhouston on queer poetry; @RSmythFreelance on Ronald Blythe – and more.