In this episode of “Cocktails with a Curator,” Xavier F. Salomon, Peter Jay Sharp Chief Curator, examines the life and work of French painter François Boucher, with a focus on “A Lady on Her Daybed.” Discover why Boucher was said to epitomize the taste of the eighteenth century.
This week’s complementary cocktail has a kick: the potent French 75, named after the powerful French 75mm field gun.
When asked what he did for a living, Peter would usually say he was a designer, or, a typographer. Designing for print – books, exhibition catalogues, magazines, posters – 
took up the most substantial part of his time, at the BBC in the 1960s and 1970s and thereafter as a freelance. He was also an illustrator, a journalist, an author of children’s books, an editor and a publisher. The great range of his professional work, and his encompassing interest in the work of others, made him a collaborator sought out by writers, publishers and artists.
Diana Souhami, who worked with Peter often, wrote in the Guardian after his death: “He had the ability to conceptualise what each publishing project needed and to get it right. He was hugely and diversely productive, but seldom hit a wrong note.”
Discussing his journalism in her appreciation in the London Review, Mary‑Kay Wilmers wrote: “There are people whom getting a grip doesn’t suit, who don’t want to be confined. One can honour the world in depth or across a wide range and there were few aspects of the world that Peter didn’t wish to honour.”
He probably would have been delighted by – and certainly modestly sceptical of – Alan Bennett’s appraisal, in the posthumous publication of a catalogue of his pictures in Artwork, that he was “an heir to Ardizzone, Bawden and Ravilious.”
Peter Campbell was born in Wellington, New Zealand in 1937. In 1960 he emigrated to London where he lived for the rest of his life. He died in 2011.
In this episode of “Travels with a Curator,” we visit the world-famous Westminster Abbey in London, with Xavier F. Salomon, Peter Jay Sharp Chief Curator. Xavier shares connections between Westminster Abbey and the Frick through an examination of the life of General John Burgoyne, a playwright, parliamentarian, and military officer buried in the Abbey’s north cloister. Sir Joshua Reynolds’s portrait of Burgoyne was acquired by The Frick Collection in 1943.
To see this painting in detail, please visit our website: https://collections.frick.org/objects.
Michelangelo Merisi da Caravaggio is one of the most admired painters of the late 16th and early 17th centuries. Known for his powerful, dramatically lit compositions, Caravaggio depicted violence and the human form with a degree of realism unprecedented at the time. He was among the most famous painters in Rome—but not only because of his skill as an artist.
Caravaggio was also notorious for his wild life and shocking temper. After being sentenced to death for murder, he fled Rome and died in exile at age 38 . Three biographies written in the decades after his death constitute nearly all that is known about the enigmatic artist.
In this episode, Getty curator and expert on Italian painting Davide Gasparatto discusses Caravaggio and the role these early biographies, by Giulio Mancini, Giovanni Baglione, and Giovanni Pietro Bellori, played in defining Caravaggio’s legacy.
The first comprehensive publication exploring the life and art of pioneering American abstract artist Alice Trumbull Mason is perfect for audiences eager to discover unsung yet brilliantly talented women artists.
A groundbreaking artist, Alice Trumbull Mason (1904-1971) was one of the earliest painters of the twentieth century to embrace abstract painting in America. Mason’s early paintings have been compared to those of Gorky, Kandinsky, and Miró, and in 1936 she became a founding member of the American Abstract Artists (AAA) and one of its leaders in the promotion of abstract work by artists such as Josef Albers, Ad Reinhardt, Piet Mondrian, and many others. Mason was a true artist’s artist whose efforts helped lead to the great movements of later twentieth-century art, such as Abstract Expressionism, Pop Art, Post-Modernism, and Conceptual Art.
Alice Trumbull Mason features essays that illuminate and contextualize the artist’s multifaceted work and personal life through her paintings, prints, poetry, and letters. The book reveals the full life story of a seminal abstractionist, making a sound argument for adding her to the annals of great twentieth-century artists.
From Christie’s online magazine (May 2020):
Rodin travelled to Italy in 1875, a trip described by the late art historian Kirk Varnedoe as, ‘one of the seminal events in modern art’.
Here, in his mid-thirties, he fell under the spell of the Renaissance master, Michelangelo. His monumental, exaggerated nude figures would have a deep and lasting influence on the artist. ‘My liberation from academicism was via Michelangelo,’ Rodin later recalled. ‘He is the bridge by which I passed from one circle to another.’
Auguste Rodin (1840-1917) is renowned for breathing life into clay, creating naturalistic, often vigorously modelled sculptures which convey intense human emotions: love, ecstasy, agony or grief. Breaking the rules of academic convention and classical idealism, Rodin ushered in a new form of highly expressive sculpture that went on to influence generations of artists that followed.
Read full article at Christie’s
In this episode of “Cocktails with a Curator,” Xavier F. Salomon, Peter Jay Sharp Chief Curator, discusses the French port city depicted in J. M. W. Turner’s painting “Harbor of Dieppe: Changement de Domicile,” and how the artist’s extensive travel throughout Europe helped to develop his affinity for harbors. The complementary cocktail is the Widow’s Kiss, a French drink traditionally given to women who had lost their husbands at sea.
To see this painting in detail, please visit our website: https://collections.frick.org/objects…
The latest episode of the Octavian Report – Rostrum coronavirus crisis podcast features Wayne Rebhorn. The latest episode of our coronavirus crisis podcast features Wayne Rebhorn of the University of Texas at Austin. Wayne is the author of an acclaimed translation of Giovanni Boccaccio’s Decameron, perhaps the paradigmatic work of pandemic literature.
The Decameron is set among a group of witty, earthy social isolators who have fled the plague ravaging Florence. We spoke with Wayne about Boccaccio and his most famous work, the conditions that helped birth it, and what we can learn from them in our current situation.
Joan Mitchell, City Landscape, 1955, oil on linen, 203.2 × 203.2 cm (Art Institute of Chicago 1958.193, ©The Estate of Joan Mitchell), a Seeing America video
Speakers: Sarah Alvarez, Director of School Programs, Art Institute of Chicago, Beth Harris, and Steven Zucker
Boomers Daily 