In this week’s episode of “Cocktails with a Curator,” join Xavier F. Salomon, Peter Jay Sharp Chief Curator, as he discusses the sole Velázquez painting at the Frick, “King Philip IV of Spain,” while enjoying a Fitifiti, the popular Spanish cocktail. Examine the extraordinary details and painterly skills that illustrate why the artist is regarded by many (including Xavier) as the greatest European painter who ever lived, and why this work was Henry Clay Frick’s favorite
Titian (active 1506–1576) produced a masterful group of paintings for Philip II of Spain, celebrating the loves of gods, goddesses, and mortals. Depicting scenes from Ovid’s narrative poem Metamorphoses, Titian named them “poesie” and considered the works as visual equivalents of poetry.
This volume presents a detailed study of the complete series—Danaë, Venus and Adonis, Perseus and Andromeda, Diana and Actaeon, Diana and Callisto, and The Rape of Europa, as well as The Death of Actaeon—lavishly illustrated with details of these emotionally charged paintings. The book explores Titian’s creative process and technique, in addition to his use of literary and visual sources and his correspondence with Philip II.
The artistic legacy of the series for later European painting is also examined in the works of artists such as Rubens, Velázquez, and Rembrandt. Offering the most comprehensive overview of these remarkable works, Titian: Love, Desire, Death is an indispensable resource for scholars and admirers of Renaissance painting.
Leonor Fini (1907–96) is one of the most important artists and personalities of the twentieth century. Her work came to prominence as part of the 1936 exhibition Fantastic Art, Dada and Surrealism at New York’s Museum of Modern Art, where her paintings were widely celebrated for their uniquely female approach to surrealism—although Fini never joined the surrealist movement.
Self-made and self-taught, she preferred to work on her own and was known for her fierce independence and provocative panache. A prolific painter, Fini also wrote, worked extensively in book illustration and printmaking, and designed for plays, ballets, operas, and film.
Presenting the definitive catalogue raisonné of Leonor Fini’s more than 1,100 oil paintings, this book brings together more than one thousand color illustrations and essays on her work by Fini experts Richard Overstreet and Neil Zukerman and a concise, up-to-date biography by British art historian Peter Webb.
Richard Overstreet is an American artist and photographer. In 1998, he founded the Leonor Fini Archives in Paris.
Neil Zukerman is the owner of the CFM Gallery in New York. He is an expert of Leonor Fini’s work and author of several books about her.
Peter Webb is an art historian and has published extensively on art and artists of the 20th century. He formerly taught at the Coventry College of Art, the Hornsey College of Art and the Middlesex University in London.
Leonor Fini (1907- 1996) was an Argentinian surrealist painter, designer, illustrator, and author, known for her depictions of powerful women.
In this episode of “Cocktails with a Curator,” Xavier F. Salomon, Peter Jay Sharp Chief Curator, examines the life and work of French painter François Boucher, with a focus on “A Lady on Her Daybed.” Discover why Boucher was said to epitomize the taste of the eighteenth century.
This week’s complementary cocktail has a kick: the potent French 75, named after the powerful French 75mm field gun.
In this episode of “Travels with a Curator,” we visit the world-famous Westminster Abbey in London, with Xavier F. Salomon, Peter Jay Sharp Chief Curator. Xavier shares connections between Westminster Abbey and the Frick through an examination of the life of General John Burgoyne, a playwright, parliamentarian, and military officer buried in the Abbey’s north cloister. Sir Joshua Reynolds’s portrait of Burgoyne was acquired by The Frick Collection in 1943.
To see this painting in detail, please visit our website: https://collections.frick.org/objects.
Michelangelo Merisi da Caravaggio is one of the most admired painters of the late 16th and early 17th centuries. Known for his powerful, dramatically lit compositions, Caravaggio depicted violence and the human form with a degree of realism unprecedented at the time. He was among the most famous painters in Rome—but not only because of his skill as an artist.
Caravaggio was also notorious for his wild life and shocking temper. After being sentenced to death for murder, he fled Rome and died in exile at age 38 . Three biographies written in the decades after his death constitute nearly all that is known about the enigmatic artist.
In this episode, Getty curator and expert on Italian painting Davide Gasparatto discusses Caravaggio and the role these early biographies, by Giulio Mancini, Giovanni Baglione, and Giovanni Pietro Bellori, played in defining Caravaggio’s legacy.
The first comprehensive publication exploring the life and art of pioneering American abstract artist Alice Trumbull Mason is perfect for audiences eager to discover unsung yet brilliantly talented women artists.
A groundbreaking artist, Alice Trumbull Mason (1904-1971) was one of the earliest painters of the twentieth century to embrace abstract painting in America. Mason’s early paintings have been compared to those of Gorky, Kandinsky, and Miró, and in 1936 she became a founding member of the American Abstract Artists (AAA) and one of its leaders in the promotion of abstract work by artists such as Josef Albers, Ad Reinhardt, Piet Mondrian, and many others. Mason was a true artist’s artist whose efforts helped lead to the great movements of later twentieth-century art, such as Abstract Expressionism, Pop Art, Post-Modernism, and Conceptual Art.
Alice Trumbull Mason features essays that illuminate and contextualize the artist’s multifaceted work and personal life through her paintings, prints, poetry, and letters. The book reveals the full life story of a seminal abstractionist, making a sound argument for adding her to the annals of great twentieth-century artists.
From Christie’s online magazine (May 2020):
Rodin travelled to Italy in 1875, a trip described by the late art historian Kirk Varnedoe as, ‘one of the seminal events in modern art’.
Here, in his mid-thirties, he fell under the spell of the Renaissance master, Michelangelo. His monumental, exaggerated nude figures would have a deep and lasting influence on the artist. ‘My liberation from academicism was via Michelangelo,’ Rodin later recalled. ‘He is the bridge by which I passed from one circle to another.’
Auguste Rodin (1840-1917) is renowned for breathing life into clay, creating naturalistic, often vigorously modelled sculptures which convey intense human emotions: love, ecstasy, agony or grief. Breaking the rules of academic convention and classical idealism, Rodin ushered in a new form of highly expressive sculpture that went on to influence generations of artists that followed.
Read full article at Christie’s
In this episode of “Cocktails with a Curator,” Xavier F. Salomon, Peter Jay Sharp Chief Curator, discusses the French port city depicted in J. M. W. Turner’s painting “Harbor of Dieppe: Changement de Domicile,” and how the artist’s extensive travel throughout Europe helped to develop his affinity for harbors. The complementary cocktail is the Widow’s Kiss, a French drink traditionally given to women who had lost their husbands at sea.
To see this painting in detail, please visit our website: https://collections.frick.org/objects…
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