Tag Archives: Art
International Art: Apollo Magazine – December 2022
- A very proud Mary in Florence
- The fantasies of Henry Fuseli
- Art in the time of the AIDS crisis
- Can contemporary art be funny?
Plus: reframing the Fitzwilliam Museum, a brief history of mulled wine, what’s next for NFTs and, in reviews: the triumph of the Tudors, ways of seeing at the Wellcome Collection and the unfashionable art of Ruskin Spear
The fetishistic side of Henry Fuseli
You enter a troubling parallel universe in Henry Fuseli’s drawings of women: a place of exaggeration and highly sexualised imagery, where his subjects engage in role-play and the theatrical and erotic and idiosyncratic collide. It’s an inventive, private realm: not one of the drawings in the Courtauld’s fascinating exhibition was displayed in public during the artist’s life.
The Frenchman who wanted to photograph the world
In the early 20th century, Albert Kahn dispatched photographers to more than 50 countries – and the magical results can be found in the Paris museum that bears his name
Top New Art Exhibitions: ‘Anselm Kiefer – Exodus’
ANSELM KIEFER – Exodus
November 19, 2022–March 25, 2023
Gagosian at Marciano Art Foundation, Los Angeles
The large-scale paintings on view in New York and Los Angeles employ a wide range of materials including paint, terra-cotta, fabric, rope, wire, found objects, sediment of electrolysis, and metal—including copper and gold leaf. Mixing the abject and the exalted, these works are imbued with gesture, a sense of metamorphosis, and alchemical symbolism.
Kiefer’s syncretic approach to materials extends to his understanding of history, literature, and mythology as forces that inform the present. In this new body of work, he incorporates inscriptions in Hebrew from the book of Exodus, with thematic references to its narrative blended with a diversity of other sources. Full of symbolic thresholds between peoples, places, and times, the paintings are metaphysical allegories that meditate on loss and deliverance, dispossession and homecoming.
Museum Exhibits: ‘Objects Of Desire – Surrealism And Design 1924 – Today’ (2022)
Titled Objects of Desire: Surrealism and Design 1924 – Today, the exhibition features almost 350 surrealist objects spanning fashion, furniture and film. The exhibition, which was curated by Johnson, explores the conception of the surrealist movement in the 1920s and the impact it has had on the design world ever since. It features some of the most recognised surrealist paintings and sculptures, including pieces by Salvador Dalí, Man Ray and Leonora Carrington, as well as work from contemporary artists and designers such as Dior and Björk.
The Art Of Architecture: ‘Santo By Th Sea’ (Vietnam)
“Santo by the Sea” was developed based on the idea of the owner’s desire to have a Mediterranean Revival – Santorini architecture.
However, the difficulty when developing this style is that the doorways are very small and narrow as well as how to bring new modernity to the house. From that concept,
Santo by the Sea is designed with large arched doorways to make the most of the beauty of the surrounding nature and bring natural light to the interior spaces.
Top 2022 Art Exhibitions: “Van Gogh In America” – Detroit Institute Of Arts
Reviews: ‘The Week In Art’
This week: as the UN’s climate emergency summit, Cop27, continues in Egypt, Ben Luke talks to Louisa Buck, The Art Newspaper’s contemporary art correspondent—and the author of our online column about art and climate change—about international art initiatives responding to the crisis.
Kaywin Feldman, the director of the National Gallery of Art (NGA) in Washington, DC, tells us about the museum’s new $10m endowment fund for purchases of works by women artists. The historic gift, from the family of the gallery’s first female president, Victoria P. Sant, will help the NGA fill gaps in its collection.
And this episode’s Work of the Week is Mother with Child on her Arm, Nude II (1906) by the German painter Paula Modersohn-Becker. The work is a highlight of Making Modernism, a show of German women artists that opens this weekend at the Royal Academy in London.
The exhibition’s curator, Dorothy Price, discusses this late painting in Modersohn-Becker’s short but productive life.Making Modernism: Paula Modersohn-Becker, Käthe Kollwitz, Gabriele Münter and Marianne Werefkin, Royal Academy of Arts, London, 12 November-12 February 2023. Hosted on Acast. See acast.com/privacy for more information.
Art /Architecture: Domus Magazine – November 2022
The November issue of Domus, the latest edited by Guest Editor Jean Nouvel, focuses on urban globalization and its relationship with architecture. In his concluding Editorial, the French Pritzker Prize winner tackles the issue by writing about the right to live well that is being challenged by a world that is cloning itself.
“Living well is fundamental to everyone’s life. It is the starting point: without a happy living space, nothing can prosper. Urban globalization is the result of selfishness with no awareness of the immediate future, of a general absence of empathy”. This is followed, again edited by Jean Nouvel, by a selection of fragments from the book Dériville by Bruce Bégout, an essay on the thought of Guy Debord and the imaginative work of the Situationists.
This is followed in the Essays by Tom Avermaete, Professor of the History and Theory of Urban Design at ETH Zurich, and Michelangelo Sabatino, Professor at the College of Architecture of the Illinois Institute of Technology in Chicago, tracing a history of the global in relation to architecture and the city.
Artists: Georgy Kurasov’s ‘Vibrant Geometrics’
“He distorts human figures by breaking them up into geometric shapes and planes.“
“These abstract compositions are united by the Cubist style and vibrant color palette.“
Georgy Kurasov was born in 1958 in the USSR, in what was then Leningrad. He still lives and works in the same place, but now the country is Russia and the city is called St Petersburg. Without any effort on his part whatsoever, Georgy seems to have emigrated from one surreal country to another.
Read a review of the artist here
Website
Fall 2022 Art Exhibitions: ‘Cubism and the Trompe l’Oeil Tradition’ At The Met
A self-referential art concerned with the nature of representation, trompe l’oeil (“deceive the eye”) beguiles the viewer with perceptual and psychological games that complicate definitions of truth and fiction. Along with Cubist paintings, sculptures, and collages, the exhibition presents canonical examples of European and American trompe l’oeil painting from the seventeenth through the nineteenth centuries.
Boomers Daily 