The Economist (April 18, 2023) – The outbreak of violence in Sudan isn’t an anomaly; the world’s civil wars are growing longer and deadlier. Robert Guest, The Economist’s deputy editor, explains why.
Video timeline:00:00 – Civil wars are getting longer 00:58 – Complexity 02:14 – Criminality 03:12 – Climate change 04:52 – The road to peace?
Literary Review of Canada – May 2023: Andrew F. Sullivan’s The Marigold features a brief epigraph attributed to Rob Ford: “Everything is fine.” Those three words would be a lot more convincing coming from Jane Jacobs or perhaps even Drake, but coming from the late Toronto mayor, they smack of comedy, irony, and foreboding.
On the lost art of public conversation: It is right to be suspicious of anyone who claims that some prior epoch was a golden age of anything, whether it be talk shows, family values, civil discourse, or whatever else they find lacking in their own time.
A historical whodunit: Clara at the Door with a Revolver: The Scandalous Black Suspect, the Exemplary White Son, and the Murder That Shocked Toronto by Carolyn Whitzman
The Atlantic Magazine – May 2023 issue – In “American Madness,” appearing as the cover story of the May issue of The Atlantic, Jonathan Rosen writes about the extraordinary turned tragic trajectory of Michael’s life and illness, and makes a broader argument that how we treat people with severe mental illness in this country must change.
Villa Medicis, Rome (April 18, 2023) – The piano nobile of Villa Medici consists of the former rooms of Cardinal Ferdinando de’ Medici with three rooms in a row – the Room of the Elements, the Room of the Muses and the Room of the Lovers of Jupiter – with 16th century frescoes by the Mannerist painter Jacopo Zucchi. These rooms, which are open to the public on guided tours throughout the year, are located next to two private rooms from the same period which complete the complex.
As part of the project Reenchanting Villa Medici, the interior refurbishment of these emblematic spaces of Villa Medici has been entrusted to India Mahdavi, an internationally renowned French architect, designer and scenographer, who will be responsible for the artistic direction of the project in association with craftsmen (more information to come). This transformation is being carried out with respect for the period décor and previous architectural interventions, in order to revisit the premises by adding a touch of colour and modernity. The rooms will be equipped by Maison Tréca, a French manufacturer of high quality bedding.
As countries in the global South refuse to take a side in the war in Ukraine, many in the West are struggling to understand why. Some speculate that these countries have opted for neutrality out of economic interest. Others see ideological alignments with Moscow and Beijing behind their unwillingness to take a stand—or even a lack of morals. But the behavior of large developing countries can be explained by something much simpler: the desire to avoid being trampled in a brawl among China, Russia, and the United States.
For China, Russia, and the West, the last year has been one of fear and conflict. Russia’s invasion of Ukraine has killed tens of thousands, perhaps even hundreds of thousands, of people. It has prompted the United States and Europe to rearm and has pushed Moscow and Washington back into Cold War–style competition.
Something has gone wrong with work. On this, everyone seems to agree. Less clear is the precise nature of the problem, let alone who or what is to blame. For some time we’ve been told that we’re in the midst of a Great Resignation. Workers are quitting their jobs en masse, repudiating not just their bosses but ambition itself—even the very idea of work.
I had my first panic attack when I was fifteen, in the middle of January, while I was sitting in geometry class. Winter in Illinois, flesh comes off the bones—what did we need geometry for? We could look at the naked angles of the trees, the circles in the sky at night.
Grace Wright’s atmospheric paintings are all-consuming, inviting the viewer into a baroque world of tangled gestures. Markings on the canvas twist and convulse about themselves to build an anarchic structure before unravelling to moments of repose. While Wright’s gestures may be abstract, she views her paintings as representational narratives, evoking the tempestuous rhythm of the natural world, while alluding to 17th-century religious paintings.
Grace Wright, World Receivers, 2023
Deep Symmetry explores a recent evolution of Wright’s practice as a result of her time in Europe in the latter half of 2022. Its title was inspired by the architectural geometries of the Sainte Chapelle in Paris, France, and a quote by writer Karl Ove Knausgaard: “Life is irregularity, death is geometry”.
Wright has been long fascinated with the deeper, universal connections that exist beyond our normal comprehension. Marrying alluring, harmonious colour with visceral imagery to monumental standing, Wright’s paintings are a reflection of this deep connectedness; her coiling energetic brush marks echoing the universal ‘rhythmic, cyclical nature’ forms in our world, to emotion and the force of life itself.
The artist discusses artistry, artificial intelligence, and the human experience.
Chatbots and image generators, newly on the rise, have sparked our imaginations—and our fears. As artificial-intelligence machines sharpen their ability to translate written prompts into images that accurately capture both style and substance, some visual artists worry that their specialized skills might be rendered irrelevant.
A new crop of biotech startups want to revolutionize human reproduction.
In 2016, two Japanese reproductive biologists, Katsuhiko Hayashi and Mitinori Saitou, made an announcement in the journal Nature that read like a science-fiction novel. The researchers had taken skin cells from the tip of a mouse’s tail, reprogrammed them into stem cells, and then turned those stem cells into egg cells.
Drug syndicates and other criminal groups bought into the idea that a new kind of phone network couldn’t be infiltrated by cops. They were wrong—big time.
Many criminals have been convicted as a result of encrypted-phone stings—more than four hundred in the U.K. alone.Illustration by Max Löffler
News, Views and Reviews For The Intellectually Curious